String Quartet No. 7 (Villa-Lobos)

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Heitor Villa-Lobos

String Quartet No. 7 is the seventh of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1942. With a performance lasting approximately 37 minutes, it is the longest of Villa-Lobos's string quartets

Contents

History

Villa-Lobos composed his Seventh Quartet in Rio de Janeiro in 1942. The Quarteto Borgerth, to whom the score is dedicated, gave the first performance on 30 May 1945, at the Theatro Municipal in Rio de Janeiro. [1]

Analysis

The quartet consists of four movements:

  1. Allegro
  2. Andante
  3. Scherzo (Allegro vivace)
  4. Allegro giusto

Because of the exceptional virtuosity called for in all four movements, the composer suggested the Seventh Quartet might be called the "Concertante Quartet". [2]

The first movement is a conscious updating of sonata form in accordance with a broad conception of post-tonal organization. It may be described, therefore, as a neoclassical work. [3]

Discography

Chronological by date of recording.

Filmography

Related Research Articles

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String Quartet No. 6 ("Brazilian") is one of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1938, in between his early and late periods. Villa-Lobos considered naming it "Quartet Popular No. 2" as opposed to "Brazilian," and while the work is indeed one of his more nationalist pieces, it also bears direct connections to the Viennese tradition of string quartet composition. A performance lasts approximately 24 minutes.

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String Quartet No. 8 is one of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1944. A performance lasts approximately twenty-five minutes.

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String Quartet No. 9 is part of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1945. A performance lasts approximately 25 minutes.

<span class="mw-page-title-main">String Quartet No. 10 (Villa-Lobos)</span> Musical composition by Heitor Villa-Lobos

String Quartet No. 10 is one of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1946. A performance lasts approximately 23 minutes.

<span class="mw-page-title-main">String Quartet No. 11 (Villa-Lobos)</span>

String Quartet No. 11 is a 1947 string quartet, part of a 17-work series in the medium by Brazilian composer Heitor Villa-Lobos. A performance lasts approximately 27 minutes.

<span class="mw-page-title-main">String Quartet No. 12 (Villa-Lobos)</span>

String Quartet No. 12 is the part of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1950. A performance lasts approximately twenty-two minutes.

<span class="mw-page-title-main">String Quartet No. 13 (Villa-Lobos)</span>

String Quartet No. 13 is one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1951. A performance of it lasts approximately twenty minutes.

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String Quartet No. 16 is the penultimate of seventeen quartets by the Brazilian composer Heitor Villa-Lobos, and was written in 1955. A performance lasts approximately twenty minutes.

<span class="mw-page-title-main">String Quartet No. 17 (Villa-Lobos)</span>

String Quartet No. 17 is the last of seventeen quartets by the Brazilian composer Heitor Villa-Lobos, and was written in 1957. A performance lasts approximately twenty minutes.

<i>Chôros No. 12</i> Orchestral piece by Villa-Lobos

Chôros No. 12 is an orchestral work written between 1925 and 1945 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 12 is one of the longest compositions in the series, a performance lasting about 35 minutes.

<i>Chôros No. 6</i>

Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.

<i>Introdução aos Chôros</i>

Introdução aos Chôros: Abertura, is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen Chôros. A performance of just the Introdução lasts about thirteen minutes.

References

  1. Villa-Lobos, sua obra 1972, p. 86.
  2. Villa-Lobos 1972, p. 230.
  3. Salles 2012, p. 32.

Cited sources

Further reading