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Cuarteto Latinoamericano | |
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Background information | |
Origin | Mexico City, Mexico |
Genres | Latin American |
Years active |
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Members |
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Cuarteto Latinoamericano is a string quartet. Founded in Mexico in 1981, the Cuarteto has toured throughout Europe, the Americas, Israel, China, Japan, and New Zealand. They have premiered over one hundred works written for them. Winners of two Latin Grammy Awards for Best Classical Album, they have also been awarded the Diapason d'Or, the Mexican Music Critics Association Award, and three "Most Adventurous Programming" Awards from Chamber Music America.
Cuarteto Latinoamericano's members are three Bitrán brothers: violinists Saul and Aron and cellist Alvaro, with violist Javier Montiel. They have recorded more than 100 CDs. Volume 6 of their Villa-Lobos cycle of 17 string quartets on Dorian was nominated for a Grammy Award and a Latin Grammy for Best Chamber Music Recording. Their albums Brasileiro: Works of Mignone (2012) and El Hilo Invisible (2016) won Latin Grammy Awards for Best Classical Album. The work Inca Dances by Gabriela Lena Frank, recorded by Cuarteto Latinoamericano with Manuel Barrueco, won the 2009 Latin Grammy for Best New Latin Composition.
Formed in Mexico in 1981, Cuarteto Latinoamericano was, from 1987 until 2008, quartet-in-residence at Carnegie Mellon University in Pittsburgh. They have collaborated with many artists, including cellist János Starker, pianist Santiago Rodriguez, tenor Ramón Vargas, and guitarists Sharon Isbin and Manuel Barrueco. With Barrueco, they have played in venues in the US and Europe, recorded two CDs, and commissioned guitar quintets from American composers Michael Daugherty and Gabriela Lena Frank.
Under the auspices of the Sistema Nacional de Orquestas Juveniles of Venezuela, the Cuarteto created the Latin American Academy for String Quartets, based in Caracas, which was active between 2008 and 2014. The academy served as a training ground for five select string quartets from the Sistema. The Cuarteto Latinoamericano is represented in the United States by Tom Gallant at General Arts Touring. [1] Between 2004 and 2021, they were recipients of the México en Escena grants given by the Mexican government through FONCA (National Fund for Culture and the Arts).
Cuarteto Latinoamericano has recorded over 100 CDs, which include the complete works for quartet by Heitor Villa-Lobos, Silvestre Revueltas, Alberto Ginastera, Rodolfo Halffter, Carlos Chávez, Manuel M. Ponce, Mario Lavista, Francisco Mignone, Julián Orbón, Ruperto Chapí, and other composers.
Their sixth and final album of Heitor Villa-Lobos's string quartets, Quartets Nos. 4, 9, and 11, was nominated for two Grammy Awards (Best Chamber Music and Best Latin Music) in 2002. For Élan Recordings, they have recorded Ginastera: The Three String Quartets and Latin American String Quartets, which includes the world premiere recordings of Orbón's String Quartet and Lavista's Reflejos de la Noche.
As of 2011, the Cuarteto Latinoamericano is under a recording agreement with Sono Luminus, for whom they have released five albums:
Which won a Latin Grammy Award for Best Classical Album, Ruperto Chapí: String Quartets Vol. 1 (2014), and Ruperto Chapí: String Quartets Vol. 2 (2021). Volume 1 was nominated for a Latin Grammy in 2015. Their 2015 album El Hilo Invisible, with Mexican singer Jaramar, won the 2016 Latin Grammy Award for Best Classical Album.
Sono Luminus is a classical music record label founded by Sandy Lerner and Leonard Bosack, who also founded Cisco Systems. The label specializes in high-resolution recordings of acoustic music.
Música de feria is a composition for string quartet by the Mexican composer and violinist Silvestre Revueltas, written in 1932. Though not so titled by the composer, it is sometimes referred to as his String Quartet No. 4. A performance lasts a little more than nine minutes.
String Quartet No. 2 (Magueyes) is a chamber-music work by the Mexican composer and violinist Silvestre Revueltas from 1931. The score is dedicated to Aurora Murguía and a performance of it lasts between ten and eleven minutes.
String Quartet No. 1 is the first of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, originally written in Nova Friburgo in 1915 and extensively revised in 1946. A performance lasts approximately eighteen minutes.
String Quartet No. 2 is the one of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1915. A performance lasts approximately twenty minutes.
String Quartet No. 3 is the third of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1916. A performance lasts approximately twenty-three minutes.
String Quartet No. 4 is the fourth of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1917 and revised in 1949. A performance lasts approximately 23 minutes.
String Quartet No. 5 is the fifth of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1931. A performance lasts approximately 17 minutes.
String Quartet No. 6 ("Brazilian") is one of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1938, in between his early and late periods. Villa-Lobos considered naming it "Quartet Popular No. 2" as opposed to "Brazilian," and while the work is indeed one of his more nationalist pieces, it also bears direct connections to the Viennese tradition of string quartet composition. A performance lasts approximately 24 minutes.
String Quartet No. 7 is the seventh of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1942. With a performance lasting approximately 37 minutes, it is the longest of Villa-Lobos's string quartets
String Quartet No. 8 is one of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1944. A performance lasts approximately twenty-five minutes.
String Quartet No. 9 is part of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1945. A performance lasts approximately 25 minutes.
String Quartet No. 10 is one of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1946. A performance lasts approximately 23 minutes.
String Quartet No. 11 is a 1947 string quartet, part of a 17-work series in the medium by Brazilian composer Heitor Villa-Lobos. A performance lasts approximately 27 minutes.
String Quartet No. 12 is the part of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1950. A performance lasts approximately twenty-two minutes.
String Quartet No. 13 is one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1951. A performance of it lasts approximately twenty minutes.
String Quartet No. 14 is the one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1953. A performance lasts approximately seventeen minutes.
String Quartet No. 15 is one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1954. A performance lasts approximately nineteen minutes.
String Quartet No. 16 is the penultimate of seventeen quartets by the Brazilian composer Heitor Villa-Lobos, and was written in 1955. A performance lasts approximately twenty minutes.
String Quartet No. 17 is the last of seventeen quartets by the Brazilian composer Heitor Villa-Lobos, and was written in 1957. A performance lasts approximately twenty minutes.