Heitor Villa-Lobos was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory.
Remilson Nery is a Brazilian composer and musician.
String Quartet No. 4 is the fourth of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, written in 1917 and revised in 1949. A performance lasts approximately 23 minutes.
String Quartet No. 10 is one of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1946. A performance lasts approximately 23 minutes.
Chôros No. 10 is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 10 is of moderate length, one performance recorded by the composer lasting just under thirteen minutes.
Chôros No. 12 is an orchestral work written between 1925 and 1945 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 12 is one of the longest compositions in the series, a performance lasting about 35 minutes.
Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.
Chôros No. 8 is a work for orchestra and two pianos, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recording of Chôros No. 8 conducted by the composer lasts 22 minutes.
Introdução aos Chôros: Abertura, is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen Chôros. A performance of just the Introdução lasts about thirteen minutes.
Prelude No. 2 is a guitar piece written by Brazilian composer Heitor Villa-Lobos.
Prelude No. 5 is a guitar piece written by Brazilian composer Heitor Villa-Lobos.
Uirapuru is a symphonic poem or ballet by the Brazilian composer Heitor Villa-Lobos, begun as a revision of an earlier work in 1917 and completed in 1934. A recording conducted by the composer lasts 20 minutes and 33 seconds.
Heitor Villa-Lobos's Étude No. 3, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
Heitor Villa-Lobos's Étude No. 4, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
Heitor Villa-Lobos's Étude No. 5, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
Heitor Villa-Lobos's Étude No. 12, the last of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
Heitor Villa-Lobos's Étude No. 9, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
Heitor Villa-Lobos's Étude No. 11, one of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
Heitor Villa-Lobos's Étude No. 10, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
The Guitar Concerto, W501, is a work for solo guitar and small orchestra written by the Brazilian composer Heitor Villa-Lobos in Rio de Janeiro in 1951. A performance lasts about 18 minutes.
