Such Men Are Dangerous | |
---|---|
Directed by | Kenneth Hawks |
Screenplay by | Ernest Vajda |
Story by | Elinor Glyn |
Produced by | Al Rockett William Fox |
Starring | Warner Baxter Catherine Dale Owen Hedda Hopper Claud Allister Albert Conti Bela Lugosi |
Cinematography | George Eastman L. William O'Connell Conrad Wells |
Edited by | Harold D. Schuster |
Production company | |
Distributed by | Fox Film Corporation |
Release date |
|
Running time | 83 minutes |
Country | United States |
Language | English |
Such Men Are Dangerous (a.k.a. The Mask of Love) is a 1930 American pre-Code drama film directed by Kenneth Hawks and written by Ernest Vajda. [1] The film is based on a novella by Elinor Glyn who based her story on the 1928 real-life disappearance of Belgian banker Alfred Loewenstein who vanished on a flight over the English Channel. [2] Such Men Are Dangerous stars Warner Baxter, Catherine Dale Owen, Hedda Hopper, Claud Allister, Albert Conti and Bela Lugosi. [3] Shortly after a midair collision killed 10 crew members in the "worst air accident in film history", Such Men Are Dangerous was released on March 9, 1930, by Fox Film Corporation. [4]
Elinor (Catherine Dale Owen), encouraged by her ambitious sister, reluctantly agrees to marry wealthy businessman Ludwig Kranz (Warner Baxter). However she is repulsed by his unattractive physical appearance and his aloof, materialistic personality. Unable to go through with consummating the marriage, Elinor flees on their wedding night.
Kranz angrily plots revenge, hiring an aircraft and heading out over the English Channel where he abandons the aircraft by parachute in order to fake his own death. Kranz goes to Berlin and bribes a plastic surgeon, Dr. Goodman (Bela Lugosi), to re-model his facial features. After months of work, Kranz is transformed into a different, and much more handsome, looking man. With a fake identity, Kranz returns to England and seeks out Elinor with the intention of seducing and then humiliating her. With his new face, Kranz adopts a warmer, more charming manner and inwardly his previously dour character begins to soften. Elinor falls in love with him and to his surprise, he discovers his feelings for her are heading the same way.
Kranz realizes that Elinor never married him for his wealth and that it was the cold, heartless manner of his prior self that drove her away the first time. Kranz decides he is prepared to forget the past and embarks on his new life and love with Elinor.
On January 2, 1930, during aerial filming, a short distance off the Californian coast near Santa Monica, two Detroiter aircraft employed as camera platforms collided whilst filming the parachute jump scene. According to witnesses on a nearby beach, the wingtips of the aircraft touched. [5]
The two aircraft swung together, colliding and bursting into flame. Both aircraft crashed into the ocean, killing all 10 men on board including director Kenneth Hawks (the brother of Howard Hawks), cinematographer Conrad Wells, assistant director Max Gold, cameramen Otho Jordan and Ben Frankel, two property men and the two pilots, one of whom was an Army Reserve flier. Only five of the bodies were recovered. [6]
Because the accident occurred on one of the last days of filming, the movie was completed and released on schedule. A coroner's inquiry into the incident did not attach blame to any specific incident or person. [7] [N 1]
Such Men Are Dangerous received mixed reviews. [9] Mordaunt Hall, writing in The New York Times , praised the screenplay of The Mask of Love, the initial title as reviewed, saying that Ernest Vajda has done "exceedingly well with a minimum number of words". He also praised the cast, in particular Bela Lugosi for his "sincere" performance as Dr. Goodman. [10]
Béla Ferenc Dezső Blaskó, known professionally as Bela Lugosi, was a Hungarian–American actor, best remembered for portraying Count Dracula in the 1931 horror film classic Dracula, Ygor in Son of Frankenstein (1939) and his roles in many other horror films from 1931 through 1956.
Mark of the Vampire is a 1935 American horror film, starring Lionel Barrymore, Elizabeth Allan, Bela Lugosi, Lionel Atwill, and Jean Hersholt, and directed by Tod Browning. A series of deaths and attacks by vampires brings the eminent expert Professor Zelen to the aid of Irena Borotyn, who is about to be married. Her father, Sir Karell, died from complete loss of blood, with bite wounds on his neck, and it appears he may be one of the undead now plaguing the area.
Dracula is a 1931 American pre-Code supernatural horror film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the title role. It is based on the 1924 stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker. Lugosi portrays Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée.
Murders in the Rue Morgue is a 1932 American horror film directed by Robert Florey, based on Edgar Allan Poe's 1841 short story "The Murders in the Rue Morgue". The plot is about Doctor Mirakle, a carnival sideshow entertainer and scientist who kidnaps Parisian women to mix their blood with that of his gorilla, Erik. As his experiments fail because of the quality of his victims' blood, Mirakle meets with Camille L'Espanye, and has her kidnapped and her mother murdered, leading to suspicion falling on Camille's fiance, Pierre Dupin, a medical student who has already become interested in the earlier murders.
Renegades is a 1930 American pre-Code film directed by Victor Fleming for Fox Film. It stars Warner Baxter, Myrna Loy, and Noah Beery. Jules Furthman based his script on André Armandy's novel Le Renégat. Fleming shot in the Mojave Desert where the extreme heat proved a severe impediment to the production. Bela Lugosi has a relatively small role as the Marabout, a Rif sheik whom Loy's character manipulates, but his character is important to the story. An uncredited Victor Jory in his film debut plays a Legion officer. Critics mostly acclaimed the film as "a great action picture" and "a box office hit" that had to be held over.
The Last Flight is a 1931 American pre-Code ensemble cast film, starring Richard Barthelmess, David Manners, John Mack Brown and Helen Chandler. It was directed by German filmmaker William Dieterle in his debut as an English-language film director.
Fifty Million Frenchmen is a 1931 American pre-Code musical comedy film directed by Lloyd Bacon. It was photographed entirely in Technicolor. The film was produced and released by Warner Brothers, and was based on Cole Porter's 1929 Broadway musical Fifty Million Frenchmen.
Going Wild is a 1930 Warner Brothers pre-Code comedy film based on the 1910 play The Aviator by James Montgomery and directed by William A. Seiter. The film stars many musical stars along with Joe E. Brown, Frank McHugh and Johnny Arthur.
Central Airport is a 1933 American pre-Code aviation drama film directed by William A. Wellman, based on the John C. "Jack" Moffitt story, "Hawk's Mate". The film stars Richard Barthelmess and Sally Eilers. Central Airport was produced and released by Warner Bros., on April 15, 1933. John Wayne had an uncredited part in the film, playing a co-pilot, and this film features his first on-screen death.
Parachute Jumper is a 1933 American pre-Code black-and-white comedy drama film directed by Alfred E. Green. Based on a story by Rian James titled "Some Call It Love", it stars Douglas Fairbanks Jr., Bette Davis and Frank McHugh.
The Eagle and the Hawk is a 1933 American Pre-Code aerial war film set in World War I. It was directed by Stuart Walker and Mitchell Leisen and was based on an original story by John Monk Saunders. The film stars Fredric March and Cary Grant as Royal Flying Corps fighter pilots. The supporting cast includes Carole Lombard, Jack Oakie, and Sir Guy Standing.
The Silent Command is a 1923 American silent drama film directed by J. Gordon Edwards featuring Bela Lugosi as a foreign saboteur in his American film debut. The film, written by Anthony Paul Kelly and Rufus King, also stars Edmund Lowe, Alma Tell, and Martha Mansfield. The Silent Command began Lugosi's career in the American film industry. The film's focus on his eyes, at times in extreme close-up, helped to establish his image for later roles.
Catherine Dale Owen was an American stage and film actress.
Claud Allister was an English actor with an extensive film career in both Britain and Hollywood, where he appeared in more than 70 films between 1929 and 1955.
The Air Mail is a 1925 American silent drama film directed by Irvin Willat and starring Warner Baxter, Billie Dove, and Douglas Fairbanks, Jr. It was produced by Famous Players–Lasky and distributed through Paramount Pictures. Filmed in Death Valley National Park and the ghost town of Rhyolite, Nevada, it was released in the United States on March 16, 1925.
The Dark Eyes of London is a 1939 British horror film produced by John Argyle and directed by Walter Summers, and starring Béla Lugosi, Hugh Williams, and Greta Gynt. The film is an adaptation of the 1924 novel of the same name by Edgar Wallace. The film is about a scientist named Dr. Orloff who commits a series of murders for insurance money, while periodically disguising himself as the blind manager of a charity to further his scheme.
The Lost Squadron is a 1932 American pre-Code drama, action, film starring Richard Dix, Mary Astor, and Robert Armstrong, with Erich von Stroheim and Joel McCrea in supporting roles, and released by RKO Radio Pictures. Based on the novel The Lost Squadron (1932) by Dick Grace, the film is about three World War I pilots who find jobs after the war as Hollywood stunt fliers.
Dangerous Innocence is a 1925 American silent romantic comedy film written by Lewis Milestone and James O. Spearing based upon the 1923 novel Ann's an Idiot by Pamela Wynne. Directed by William A. Seiter for Universal Pictures, the film starred Laura La Plante and Eugene O'Brien.
The Air Circus is a 1928 American sound part-talkie drama film directed by Howard Hawks and starring Arthur Lake, Sue Carol, David Rollins, and Louise Dresser. It is the first of Hawks's aviation films. The film is notable as the first aviation oriented film with dialogue.
The Sky Hawk is a 1929 American pre-Code adventure film, produced and distributed by Fox Film Corporation and directed by John G. Blystone. The screenplay was adapted by Llewellyn Hughes from his article "Chap Called Bardell" and novelized by Guy Fowler. The film stars John Garrick, Helen Chandler and Gilbert Emery.