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A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
Elaine Shaffer was an American flutist and principal of the Houston Symphony Orchestra between 1948 and 1953.
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Concert champêtre, FP 49, is a harpsichord concerto by Francis Poulenc, which also exists in a version for piano solo with very slight changes in the solo part.
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role. Sometimes these works are played on the modern piano. For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and pipe organ.
Sir John Milford Rutter is an English composer, conductor, editor, arranger, and record producer, mainly of choral music.
Stephen Cuthbert Vivian Dodgson was a British composer and broadcaster. Dodgson's prolific musical output covered most genres, ranging from opera and large-scale orchestral music to chamber and instrumental music, as well as choral works and song. Three instruments to which he dedicated particular attention were the guitar, harpsichord and recorder. He wrote in a mainly tonal, although sometimes unconventional, idiom. Some of his works use unusual combinations of instruments.
Gordon Percival Septimus Jacob CBE was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward.
Robin Humphrey Milford was an English composer and music teacher.
William Quincy Porter was an American composer and teacher of classical music.
Arnold Atkinson Cooke was a British composer, a pupil of Paul Hindemith. He wrote a considerable amount of chamber music, including five string quartets and many instrumental sonatas, much of which is only now becoming accessible through modern recordings. Cooke also composed two operas, six symphonies and several concertos.
Fancies is a cycle of six choral settings by John Rutter, created around whimsical themes and based on text from poets such as Shakespeare, Thomas Campion (1567–1620), Edward Lear (1812–1888) and others. The collection was originally written in 1971. Rutter recorded a recording with other compositions which was rereleased in 2005.
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord, three concertos for two harpsichords, two concertos for three harpsichords, and one concerto for four harpsichords. Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and Brandenburg Concerto No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord which adds an oboe to the strings and continuo.
Charles Dieupart was a French harpsichordist, violinist, and composer. Although he was known as Charles to his contemporaries according to some biographers, his real name was actually François. He was born in Paris, rue aux Ours, August 10th, 1676. His father was Nicolas Dieupart an ordinary musician to Louis XIV's Grande Ecurie. At some point, he befriended Elizabeth Wilmot of Rochester, countess of Sandwich, and Jacques Paisible who were visiting James II of England in his exile at Saint-germain-en-Laye near Paris. This is the main reason for his coming to London around 1700. A prominent member of the Drury Lane musical establishment, Dieupart was active both as composer and performer and actively participated in the musical life of the city. However, after about 1712 he earned his income mostly by teaching, and in his later years lived in poverty. He is best remembered today for a collection of six harpsichord suites which influenced Johann Sebastian Bach's English Suites.
The Concerto Grosso No. 1 was the first of six concerti grossi by Soviet composer Alfred Schnittke. It was written in 1976–1977 at the request of Gidon Kremer and Tatiana Grindenko who were also the violin soloists at its premiere on 21 March 1977 in Leningrad together with Yuri Smirnov on keyboard instruments and the Leningrad Chamber Orchestra under Eri Klas. It is one of the best-known of Schnittke's polystylistic compositions and marked his break-through in the West.
The Concerti grossi, Op. 3, HWV 312–317, are six concerti grossi by George Frideric Handel compiled into a set and published by John Walsh in 1734. Musicologists now agree that Handel had no initial knowledge of the publishing. Instead, Walsh, seeking to take advantage of the commercial success of Corelli's Concerti grossi, Op. 6, simply combined several of Handel's already existing works and grouped them into six "concertos".
Fonogrammi, for flute and chamber orchestra, is a composition by Polish composer Krzysztof Penderecki. It was finished in 1961 and was published by Schott Music, even though it remained initially unpublished.
Johann Sebastian Bach wrote his fifth Brandenburg Concerto, BWV 1050.2, for harpsichord, flute and violin as soloists, and an orchestral accompaniment consisting of strings and continuo. An early version of the concerto, BWV 1050.1, originated in the late 1710s. On 24 March 1721 Bach dedicated the final form of the concerto to Margrave Christian Ludwig of Brandenburg.
References
- ↑ Edward Greenfield; Ivan March; Paul Czajkowski; Robert Layton (29 September 2011). The Penguin Guide to the 1000 Finest Classical Recordings: The Must-Have CDs and DVDs. Penguin Books Limited. pp. 635–6. ISBN 978-0-14-139976-8.
- ↑ Dickey, Timothy. "Suite Antique, for flute, harpsichord & strings". Allmusic. Retrieved 13 September 2017.
- ↑ "Programme Notes". John Rutter website. Retrieved 13 September 2017.
- ↑ "Fancies". Collegium Records . Retrieved 13 September 2017.
- ↑ "Harpsichord Concertos". Naxos Records . Retrieved 13 September 2017.
- ↑ Jurek, Thom. "Distant Land, The Orchestral Collection". Allmusic. Retrieved 13 September 2017.
- ↑ "Suite Lyrique". John Rutter website. Retrieved 25 January 2024.
