Sun | |
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Directed by | Alessandro Blasetti |
Written by |
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Starring | |
Cinematography | |
Edited by | Alessandro Blasetti |
Production company | Augustus Film |
Release date |
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Running time | 76 minutes |
Country | Italy |
Languages |
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Sun (Italian: Sole) is a 1929 Italian silent drama film directed by Alessandro Blasetti and starring Marcello Spada, Vasco Creti and Dria Paola. The film was set around the planned draining of the Pontine Marshes by Benito Mussolini's Fascist government. [1] It was shot partly on location, which added a sense of realism. Mussolini was impressed by the result and described it as "the dawn of the Fascist film". [2]
The film was destroyed during the Second World War, and survives only in still photographs. [3]
A Special Day is a 1977 period drama film directed and co-written by Ettore Scola, produced by Carlo Ponti, and starring Sophia Loren and Marcello Mastroianni. Set in Rome in 1938, its narrative follows a housewife (Loren) and her neighbor (Mastroianni) who stay home the day Adolf Hitler visits Benito Mussolini.
Cinecittà Studios is a large film studio in Rome, Italy. With an area of 400,000 square metres, it is the largest film studio in Europe, and is considered the hub of Italian cinema. The studios were constructed during the Fascist era as part of a plan to revive the Italian film industry.
Dria Paola (1909–1993) was an Italian stage and film actress. She played the female lead in Alessandro Blasetti's late silent Sun (1929). In 1930 she starred in the first Italian sound film The Song of Love.
Palio is a 1932 Italian historical drama film directed by Alessandro Blasetti and starring Leda Gloria, Laura Nucci and Guido Celano. The film is set against the backdrop of the Palio di Siena during the Medieval era.
The Table of the Poor is a 1932 Italian drama film directed by Alessandro Blasetti and starring Raffaele Viviani, Leda Gloria and Salvatore Costa. It was based on a play by Viviani set in Naples. It was shot at the Cines Studios in Rome. The film's sets were designed by Gastone Medin. It portrays the adventures of an impoverished Marquis who continues to lead a grand lifestyle.
The White Ship is a 1941 Italian war film directed by Roberto Rossellini. Its cast was made up entirely of amateur actors, many of them the real crew of a hospital ship of the Italian navy. The production was a work of propaganda intended to support the war aims of the Fascist Italian regime during the Second World War. It was made with the close co-operation of the Italian Navy, particularly Francesco De Robertis. Vittorio Mussolini, the son of the Italian dictator, was also a supporter of the project.
The Charmer is a 1931 Italian comedy film directed by Guido Brignone and starring Armando Falconi, Tina Lattanzi and Ada Dondini. It is part of the White Telephone genre of films. It was shot at the Cines Studios in Rome.
Steel is a 1933 Italian drama film directed by Walter Ruttmann and starring Piero Pastore, Isa Pola and Vittorio Bellaccini. The film was shot on location at the steel mills in Terni in Umbria. It was based on the novel Giuoca, Pietro! by Luigi Pirandello. With its semi-documentary style it was one of a number of films made in the Fascist era that serve as a precursor to Italian neorealism which emerged in the mid-1940s.
The Widow is a 1939 Italian drama film directed by Goffredo Alessandrini and starring Isa Pola, Leonardo Cortese and Osvaldo Valenti. A mother's possessive love for her dead son leads to a hostile attitude towards his widow.
Mother Earth is a 1931 Italian drama film directed by Alessandro Blasetti and starring Leda Gloria, Sandro Salvini and Isa Pola. It was made at the Cines Studios in Rome. Along with Blasetti's other early films, it shows a strong influence of Soviet-style realism. A country landowner decides to sell up and move to the city, but later has a change of heart. It was part of Fascist Italy's promotion of rural over urban values.
The Innkeeper is a 1944 Italian historical comedy film directed by Luigi Chiarini and starring Luisa Ferida, Armando Falconi and Osvaldo Valenti. The film is an adaptation of Carlo Goldoni's 1753 play The Mistress of the Inn, one of a number of times the work has been turned into films. It belongs to the movies of the calligrafismo style.
The Cavalier from Kruja is a 1940 Italian war film directed by Carlo Campogalliani and starring Doris Duranti, Antonio Centa and Leda Gloria. The film portrays the 1939 Italian invasion of Albania. It was made as a propaganda work in support of the Fascist regime of Benito Mussolini.
The Man with the Claw is a 1931 Italian mystery film directed by Nunzio Malasomma and starring Dria Paola, Carlo Fontana, and Elio Steiner. It was made at the Cines Studios in Rome with sets designed by the art director Daniele Crespi. The film is one of several regarded as a possible precursor to the later giallo genre. A separate German version The Paw was also produced.
Yes, Madam (Italian:Sissignora) is a 1942 Italian romance film directed by Ferdinando Maria Poggioli and starring María Denis, Leonardo Cortese and Emma Gramatica.
Before the Jury is a 1931 Italian crime film directed by Guido Brignone and starring Marcella Albani, Lia Franca and Carlo Ninchi. It was made at the Cines Studios in Rome. The film is a precursor to the later genre of Giallo films.
Guest for One Night is a 1939 Italian film directed by Giuseppe Guarino and starring Gian Paolo Rosmino, Ugo Sasso, and Guglielmo Barnabò.
Pergolesi is a 1932 Italian historical musical film directed by Guido Brignone and starring Elio Steiner, Dria Paola and Tina Lattanzi. It portrays the brief life of the eighteenth century Italian composer Giovanni Battista Pergolesi. It was shot at the Cines Studios in Rome. A separate French-language version Les amours de Pergolèse was released the following year.
Redemption is a 1943 Italian drama film directed by Marcello Albani and starring Carlo Tamberlani, Mario Ferrari and Camillo Pilotto. It was shot at Cinecittà Studios in Rome. Made during wartime, it is a propaganda film written by Roberto Farinacci a leading Fascist supporter of Benito Mussolini.
Ente Nazionale Industrie Cinematografiche (ENIC) was an Italian film production and distribution entity that operated between 1935 and 1956.
Ragazzo is a 1934 Italian lost film directed by Ivo Perilli. The film was censored by the Italian government, and its only known copy was subsequently looted by German soldiers in 1944 and has not resurfaced.