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1860 | |
---|---|
Directed by | Alessandro Blasetti |
Written by | Emilio Cecchi Gino Mazzucchi Alessandro Blasetti |
Produced by | Emilio Cecchi |
Starring | Giuseppe Gulino Aida Bellia Gianfranco Giachetti Mario Ferrari |
Cinematography | Anchise Brizzi Giulio De Luca |
Edited by | Ignazio Ferronetti Giacinto Solito Alessandro Blasetti |
Music by | Nino Medin |
Production company | |
Distributed by | Societa Anonima Stefano Pittaluga |
Release date | 2 April 1934 |
Running time | 80 minutes |
Country | Italy |
Language | Italian |
1860 is a 1934 Italian historical film directed by Alessandro Blasetti and starring Giuseppe Gulino, Aida Bellia and Gianfranco Giachetti.
The film presages Italian neorealism in that it was shot mainly on location. Some scenes were also shot at the Cines Studios in Rome. Also, most contemporaneous historical epics used a star to focus on grand historical characters. [1] This film focuses on a character whom nobody knows or will ever know; a patriot riding to get the assistance of Giuseppe Garibaldi. This film (in its heralding of neorealism) illustrates how the average man plays a part in grand histories. The film also uses non-actors (a key element of Italian neorealism) and a rarity for its time and era.
The film includes many non-professional actors, Gianfranco Giachetti (brother of Fosco Giachetti), Maria Denis, and Mario Ferrari. It was the last film of Ugo Gracci. A list of the non-actors includes Giuseppe Gulino, Aida Bellia and many others.
The story is the harried attempt of a Sicilian partisan (as part of the Risorgimento) to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type.
The film ends on the battlefield, making Italian unification a success, despite brutal losses.
Gabriella Romani, in an Italica article from 2002 (part of the JSTOR arts and sciences complex), writes:
Certainly the film drew upon the Soviet films of Sergei Eisenstein and the Macchiaioli painters, but just as important may be, the "Risorgimento female iconography was produced by nineteenth-century patriotic painters and writers." [2]
Italian neorealism, also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation.
The unification of Italy, also known as the Risorgimento, was the 19th-century political and social movement that resulted in the consolidation of different states of the Italian Peninsula into a single state in 1861, the Kingdom of Italy. Inspired by the rebellions in the 1820s and 1830s against the outcome of the Congress of Vienna, the unification process was precipitated by the Revolutions of 1848, and reached completion in 1871 after the Capture of Rome and its designation as the capital of the Kingdom of Italy.
Victor Emmanuel II was King of Sardinia from 1849 until 17 March 1861, when he assumed the title of King of Italy and became the first king of an independent, united Italy since the 6th century, a title he held until his death in 1878. Borrowing from the old Latin title Pater Patriae of the Roman emperors, the Italians gave him the epithet of Father of the Fatherland.
Redshirts, also called Red coats, are volunteers who followed the Italian patriot Giuseppe Garibaldi during his campaigns. The name derived from the color of their shirts or loose fitting blouses that the volunteers, usually called Garibaldini, which were worn in lieu of a uniform.
Ossessione is a 1943 Italian film based on the 1934 novel The Postman Always Rings Twice by James M. Cain. Luchino Visconti’s first feature film, it is considered by many to be the first Italian neorealist film, though there is some debate about whether such a categorization is accurate.
Henry Theodore Tuckerman was an American writer, essayist and critic.
The Expedition of the Thousand was an event of the Italian Risorgimento that took place in 1860. A corps of volunteers led by Giuseppe Garibaldi sailed from Quarto, near Genoa and landed in Marsala, Sicily, in order to conquer the Kingdom of the Two Sicilies, ruled by the House of Bourbon-Two Sicilies.
Bitter Rice is a 1949 Italian film made by Lux Film, written and directed by Giuseppe De Santis. Produced by Dino De Laurentiis, starring Silvana Mangano, Raf Vallone, Doris Dowling and Vittorio Gassman, Bitter Rice was a commercial success in Europe and the United States. It was a product of the Italian neorealism style. The Italian title of the film is based on a pun; since the Italian word riso can mean either "rice" or "laughter", riso amaro can be taken to mean either "bitter laughter" or "bitter rice".
Jessie White Mario was an English writer and philanthropist. She is sometimes referred to as "Hurricane Jessie" in the Italian press.
Renato Castellani was an Italian film director and screenwriter.
Giuseppe Maria Garibaldi was an Italian general, patriot, revolutionary and republican. He contributed to Italian unification and the creation of the Kingdom of Italy. He is considered one of the greatest generals of modern times and one of Italy's "fathers of the fatherland", along with Camillo Benso, Count of Cavour, Victor Emmanuel II of Italy and Giuseppe Mazzini. Garibaldi is also known as the "Hero of the Two Worlds" because of his military enterprises in South America and Europe.
Historian John A. Davis, said in 2005, "Everyone, it seems, is busy rethinking, revisioning, revisiting, remaking, remapping or demythologizing the Risorgimento. However, it is not the Risorgimento that is being revisited but the changing images that have made it the potent founding myth of the Italian nation for successive generations of Italians." In the 20th century, and especially since the end of World War II, the received interpretation of Italian unification, the Risorgimento, has become the object of historical revisionism. The justifications offered for unification, the methods employed to realise it and the benefits supposedly accruing to unified Italy are frequent targets of the revisionists. Some schools have called the Risorgimento an imperialist or colonialist venture imposed by Savoy.
Giuseppe De Nigris was an Italian painter, who depicted genre, Neo-Pompeian, and still-life subjects.
Gianfranco Giachetti was an Italian stage and film actor. He played the role of Father Costanzo in Alessandro Blasetti's historical film 1860. The same year he appeared in The Old Guard as Doctor Cardini, the father of a young blackshirt who is killed in a street fight.
Camillo Paolo Filippo Giulio Benso, Count of Cavour, Isolabella and Leri, generally known as Cavour, was an Italian statesman and a leading figure in the movement towards Italian unification. He was one of the leaders of the Historical Right and prime minister of the Kingdom of Piedmont–Sardinia, a position he maintained throughout the Second Italian War of Independence and Giuseppe Garibaldi's campaigns to unite Italy. After the declaration of a united Kingdom of Italy, Cavour took office as the first prime minister of Italy; he died after only three months in office and did not live to see the Roman Question solved through the complete unification of the country after the Capture of Rome in 1870.
Achille Cantoni was an Italian war volunteer who fought in the Second and Third Italian Wars of Independence. He is credited with saving the life of Giuseppe Garibaldi, an Italian general and central figure of the Risorgimento, during a battle in the town of Velletri in 1849. He died at the Battle of Mentana on November 3, 1867. After his death, Giuseppe Garibaldi wrote a novel entitled Cantoni il volontario in his honor.
Events from the year 1900 in Italy.
The Southern Army was the force of around 50,000 Italian and foreign volunteers which formed as a result of the Expedition of the Thousand. The name was coined by Giuseppe Garibaldi.
The Niçard exodus was one of the first emigration phenomena that involved the Italian populations in the contemporary age. It was due to the refusal of a quarter of the Niçard Italians to stay in Nice after its annexation to France in 1861, which was decided after the Plombières Agreement.
Niçard Italians are Italians who have full or partial Nice heritage by birth or ethnicity.