Sunbaker

Last updated

Sunbaker
Sunbaker maxdupain nga76.54.jpg
Artist Max Dupain
Year1975 print from 1937 negative
Type Silver gelatin print
Dimensions70.2 cm× 79.6 cm(27.6 in× 31.3 in)

Sunbaker is a 1937 black-and-white photograph by Australian modernist photographer Max Dupain. It depicts the head and shoulders of a man lying on a beach in New South Wales, taken from a low angle. The iconic photograph has been described as "quintessentially Australian", a "sort of icon of the Australian way of life", [1] [2] and "arguably the most widely recognised of all Australian photographs." [3]

Contents

Composition

It was a simple affair. We were camping down the south coast and one of my friends leapt out of the surf and slammed down onto the beach to have a sunbake – marvellous. We made the image and it's been around, I suppose as a sort of icon of the Australian way of life.

Max Dupain [4]
The first version of Sunbaker (notice the clasped hand).
Max Dupain, 1937-1948. Silver gelatin print from 1937 negative. State Library of New South Wales. Sunbaker alternative.jpg
The first version of Sunbaker (notice the clasped hand).
Max Dupain, 1937-1948. Silver gelatin print from 1937 negative. State Library of New South Wales.

The photograph depicts the head and shoulders of a man lying flat on his stomach on the sand. His head, tilted to the left, is resting on one arm and his other arm is lying flat on the sand before him. The photograph is taken from a very low angle and head on, so nothing else of the subject can be seen. The sun appears to be almost directly overhead and casts much of the subject into deep shadow while reflecting off the beads of water on his arms and back. The subject takes up much of the upper half of the work, with the bottom half consisting of a bright, empty area of sand. [5] The picture can be seen as "forming a single pyramidal form positioned against the horizon." [3]

Dupain took the photograph in 1937 at Culburra Beach, a small town on the New South Wales South Coast. [6] The man in the photograph is Harold Salvage (1905-1991), a British builder, who was part of a group of friends on a surfing trip. [4] The first version of the Sunbaker image (with Harold's hands clasped) appeared only once, in a limited edition booklet entitled Max Dupain: photographs which was published by Hal Missingham in 1948. [7] This was Dupain's preferred version, but unfortunately the original negative was lost. As a result, the prints that went on to become his most famous work were printed from a second negative which shows the sunbaker's hand relaxed. [8]

The most familiar version of the photograph was not printed until a retrospective of Dupain's work in 1975 at the Australian Centre for Photography, Sydney. [4] The only known vintage print of the original version was donated to the State Library of New South Wales as one of over 108 vintage prints compiled by Dupain's friend, the architect Chris Vandyke, in the Vandyke Album. [9]

Reception and legacy

Sunbaker is more than just a young man on the beach sunbathing. It is iconic, it is a symbol of the body in contact with primal forces. These are elemental, regenerating forces, and the body on the beach gains sustenance from the earth, the sun and water.

Isobel Crombie [1]

The photograph has been described as "perhaps the most famous and admired photograph in Australia" [1] and "probably the most widely recognised Australian photograph". [10] The image has been regarded as inspired by European modernist photographers, with "more interest in abstract form than descriptive photographs." [6] The image has "become part of the consciousness of Australians – symbolising health, vitality, a love of the outdoors and an appreciation of sport and relaxation." [10]

Isobel Crombie, senior curator of photography at the National Gallery of Victoria, has argued that this work, and much of Dupain's work in the 1930s, shows sign of being influenced by the concepts of eugenics, vitalism, and the "body culture" movement. [1] Crombie states that "most of us think of Dupain as a strict, clear modernist ... But there is a whole series of works ... heavily influenced by the ideas of the regeneration of a race through the revitalisation of the body." Crombie considers Dupain's work of the period, including Sunbaker, to represent a "racial archetype" of ideal Australians. [1]

A copy of Sunbaker from the Dupain family's own collection sold for A$ 105,000 in June 2016. [11]

The Australian children's television programme Bluey references Sunbaker in the 2018 episode "The Beach", in which the title character's mother Chilli Heeler relaxes in a similar pose. This scene was recreated for the cover of the February 2023 issue of the Australian edition of InStyle magazine, which featured an article on the character. [12]

Related Research Articles

<span class="mw-page-title-main">Max Dupain</span> Australian photographer (1911–1992)

Maxwell Spencer Dupain AC OBE was an Australian modernist photographer.

<span class="mw-page-title-main">Culburra Beach</span> Town in New South Wales, Australia

Culburra Beach, commonly referred to as Culburra, is a town located in the South Coast region of New South Wales, Australia. Located within the Shoalhaven local government area, the town is 18 kilometres (11 mi) east-southeast of Nowra on Jerrinja Wandi Wandian Aboriginal Country. At the 2016 census, the town had a population of 2,874 and is the regional centre for the coastal villages of Currarong, Callala Beach, Callala Bay and Orient Point.

Mervyn Bishop is an Australian news and documentary photographer. Joining The Sydney Morning Herald as a cadet in 1962 he was the first Aboriginal Australian to work on a metropolitan daily newspaper and one of the first to become a professional photographer. In 1971, four years after completing his cadetship, he was named Australian Press Photographer of the Year. He has continued to work as a photographer and lecturer.

<span class="mw-page-title-main">Photography in Australia</span>

Photography in Australia started in the 1840s. The first photograph taken in Australia, a daguerreotype of Bridge Street, Sydney, was taken in 1841.

<span class="mw-page-title-main">Harold Cazneaux</span> Australian photographer

Harold Pierce Cazneaux, commonly referred to as H. P. Cazneaux, was an Australian photographer; a pioneer whose style had an indelible impact on Australian photographic history. In 1916, he was a founding member of the Pictorialist Sydney Camera Circle. As a regular participator in national and international exhibitions, Cazneaux was unfaltering in his desire to contribute to the discussion about the photography of his times. His career between the Wars established him as "the country's leading pictorial photographer".

David Moore was an Australian photojournalist, historian of Australian photography, and initiator of the Australian Centre for Photography.

Jeff Carter was an Australian photographer, filmmaker and author. His work was widely published and contributed iconic representation of the working population of the Australian bush as self-sufficient rugged and laconic.

<span class="mw-page-title-main">George Caddy</span>

George Caddy (1914–1983) was an Australian dancer and photographer. Caddy emerged as a significant photographer of social activities on Bondi Beach in his day, only when hundreds of his photographs were re-discovered in 2007, among them the only existing documentation of an historic beach acrobatic club.

<span class="mw-page-title-main">Olive Cotton</span> Australian photographer (1911–2003)

Olive Cotton was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.

<span class="mw-page-title-main">Henri Mallard</span> Australian photographer (1884–1967)

Henri Marie Joseph Mallard was an Australian photographer.

Gael Newton BFA is an Australian art historian and curator specializing in surveys and studies of photography across the Asia-Pacific region. Newton was formerly the Senior Curator of Australian and International Photography at the National Gallery of Australia (NGA) in Canberra. National Gallery of Australia (NGA) in Canberra.

<span class="mw-page-title-main">Hal Missingham</span>

Harold "Hal" Missingham AO was an Australian artist, Director of the Art Gallery of New South Wales from 1945 to 1971, and president of the Australian Watercolour Institute from 1952 to 1955.

Candid Camera: Australian Photography 1950s–1970s was a group retrospective exhibition of social documentary photography held at the Art Gallery of South Australia from 28 May to 1 August 2010.

<span class="mw-page-title-main">Cecil Bostock</span>

Cecil Westmoreland Bostock (1884–1939) was born in England. He emigrated to New South Wales, Australia, with his parents in 1888. His father, George Bostock, was a bookbinder who died a few years later in 1892.

<span class="mw-page-title-main">Axel Poignant</span> English born Australian photographer

Axel Poignant was an Australian photographer.

<span class="mw-page-title-main">Fred Kruger</span> German photographer (1831–1888)

Fred Kruger was a German-born photographer noted for his early photography of landscape and indigenous peoples in Victoria, Australia.

<span class="mw-page-title-main">Jennie Boddington</span> Australian film director and producer

Jennifer "Jennie" Boddington was an Australian film director and producer, who was first curator of photography at the National Gallery of Victoria in Melbourne (1972–1994), and researcher.

Laurence Craddock Le Guay, was an Australian fashion photographer.

<span class="mw-page-title-main">The Vandyke Album</span>

The Vandyke Album is in the collection of the State Library of New South Wales located in Sydney, New South Wales, Australia. The Vandyke Album was created by Max Dupain and Olive Cotton and is of importance to Australia's photographic history giving context to the Australian photograph "The Sunbaker".

Light Vision was a bi-monthly Australian photography magazine that existed between 1977 and 1978.

References

  1. 1 2 3 4 5 Bennie, Angela (13 December 2004). "Looking at Dupain in a fresh light". The Age. Retrieved 18 October 2010.
  2. Power, Julie (1 March 2014). "Max Dupain's favourite image not the one we think". The Sydney Morning Herald. Retrieved 1 March 2014.
  3. 1 2 "Sunbaker". National Museum of Australia. Retrieved 18 October 2010.
  4. 1 2 3 "Sunbaker". National Gallery of Victoria. Retrieved 18 October 2010.
  5. "Sunbaker". The Learning Federation: English and literacy. Curriculum Corporation and Art Gallery of South Australia. Retrieved 18 October 2010.
  6. 1 2 "Sunbaker". Federation: Australian Art & Society 1901-2001. National Gallery of Australia. Retrieved 18 October 2010.
  7. Hal Missingham (1948). Max Dupain photographs, introduction by Hal Missingham. Ure Smith, Sydney.
  8. Media Release (2014). Holy grail of Australian photography in NSW State Library hands (PDF). State Library of New South Wales.
  9. Media Release (2014). Holy grail of Australian photography in NSW State Library hands (PDF). State Library of New South Wales.
  10. 1 2 Matthews, Emma. "Max DUPAIN". Highlights. Monash Gallery of Art. Retrieved 18 October 2010.
  11. Boland, Michaela (20 June 2016). "Max Dupain's Sunbaker sets record with $105k auction sale". The Australian. News Limited. Retrieved 20 June 2016.
  12. Madden, Kathryn. "What Would Chilli Do? How Bluey's Mum Became An Icon". InStyle Australia. InStyle. Retrieved 1 November 2023.