The Elephanta Caves are a collection of cave temples predominantly dedicated to the Hindu god Shiva, which have been designated a UNESCO World Heritage Site. They are on Elephanta Island, or Gharapuri, in Mumbai Harbour, 10 kilometres (6.2 mi) east of Mumbai in the Indian state of Mahārāshtra. The island, about 2 kilometres (1.2 mi) west of the Jawaharlal Nehru Port, consists of five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE, and two Buddhist caves with water tanks.
Pattadakal, also called Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka, India. Located on the west bank of the Malaprabha River in Bagalkot district, this UNESCO World Heritage Site is 23 kilometres (14 mi) from Badami and about 9.7 kilometres (6 mi) from Aihole, both of which are historically significant centres of Chalukya monuments. The monument is a protected site under Indian law and is managed by the Archaeological Survey of India (ASI).
Hindu temple architecture as the main form of Hindu architecture has many varieties of style, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like shikhara, also called the vimana in the south. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additional mandapas or buildings that are either connected or separate from the larger temples.
The Kailasanathar temple (Kanchipuram), also referred to as the Kailasanatha temple, is a Pallava-era historic Hindu temple in Kanchipuram, Tamil Nadu, India. Dedicated to Shiva, it is one of the oldest surviving monuments in Kanchipuram. It reflects a Dravidian architecture and was built about 700 CE by Narasimhavarman II with additions by Mahendravarman III. A square-plan temple, it has a mukha-mandapa (entrance hall), a maha-mandapa (gathering hall) and a primary garbha-griya (sanctum) topped with a four-storey vimana. The main sanctum is surrounded by nine shrines, seven outside and two inside flanking the entrance of the sanctum, all with forms of Shiva. The outer walls of the temple's prakara (courtyard) is also surrounded by cells.
The Great Living Chola Temples is a UNESCO World Heritage Site designation for a group of Chola dynasty era Hindu temples in the Indian state of Tamil Nadu. Completed between early 11th and the 12th century CE, the monuments include:
A yogini is a female master practitioner of tantra and yoga, as well as a formal term of respect for female Hindu or Buddhist spiritual teachers in Indian subcontinent, Southeast Asia and Greater Tibet. The term is the feminine Sanskrit word of the masculine yogi, while the term "yogin" IPA: [ˈjoːɡɪn] is used in neutral, masculine or feminine sense.
Shilpa Shastras literally means the Science of Shilpa. It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards. In the context of Hindu temple architecture and sculpture, Shilpa Shastras were manuals for sculpture and Hindu iconography, prescribing among other things, the proportions of a sculptured figure, composition, principles, meaning, as well as rules of architecture.
Chennakeshava Temple, also referred to as Keshava, Kesava or Vijayanarayana Temple of Belur, is a 12th-century Hindu temple in, Hassan district of Karnataka state, India. It was commissioned by King Vishnuvardhana in 1117 CE, on the banks of the Yagachi River in Belur also called Velapura, an early Hoysala Empire capital. The temple was built over three generations and took 103 years to finish. It was repeatedly damaged and plundered during wars, repeatedly rebuilt and repaired over its history. It is 35 km from Hassan city and about 220 km from Bengaluru.
Konark Sun Temple is a 13th-century CE Sun temple at Konark about 35 kilometres (22 mi) northeast from Puri city on the coastline in Puri district, Odisha, India. The temple is attributed to king Narasimhadeva I of the Eastern Ganga dynasty about 1250 CE.
The Dashavatara Temple is an early 6th century Vishnu Hindu temple located at Deogarh, Uttar Pradesh which is 125 kilometers from Jhansi, in the Betwa River valley in northern-central India. It has a simple, one cell square plan and is one of the earliest Hindu stone temples still surviving today. Built in the Gupta Period, the Dashavatara Temple at Deogarh shows the ornate Gupta style architecture.
Brihadishvara Temple, called Rajarajesvaram by its builder, and known locally as Thanjai Periya Kovil and Peruvudaiyar Kovil, is a Shaivite Hindu temple built in a Chola architectural style located on the south bank of the Cauvery river in Thanjavur, Tamil Nadu, India. It is one of the largest Hindu temples and an exemplar of Tamil architecture. It is also called Dakshina Meru. Built by Chola emperor Rajaraja I between 1003 and 1010 CE, the temple is a part of the UNESCO World Heritage Site known as the "Great Living Chola Temples", along with the Chola-era Gangaikonda Cholapuram temple and Airavatesvara temple, which are about 70 kilometres (43 mi) and 40 kilometres (25 mi) to its northeast respectively.
Iconography of Shiva temples in Tamil Nadu is governed by the Shaiva Agamas (IAST:Āgama) that revere the ultimate reality as the Hindu deity, Shiva. Āgama in the Hindu religious context means a traditional doctrine or system which commands faith. Temple worship according to Āgamic rules can be said to have started during the Pallava dynasty in South India, but they were fully under establishment during the Chola dynasty The temples during the Chola period expanded to Sri Lanka and islands in South East Asia. The temple complex was expanding with niches for various deities on the stipulated sides of the sanctum. Lingam was universalised and prakarams (precincts) with subsequent deities came up. The temple parivara expanded considerably during the Chola period. The niches of following Āgamic rules for building Shiva temples in Tamil Nadu, a South Indian state continues even in the modern era. Some of the prime images like that of lingam, Vinayagar and Parvati are present in all the Shiva temples. Almost all the temples follow the same custom during festivals and worship methods with minor exceptions. Most of the Shiva temples in Tamil Nadu and Sri Lanka are built in Dravidian architecture.
The Group of Monuments at Mahabalipuram is a collection of 7th- and 8th-century CE religious monuments in the coastal resort town of Mahabalipuram, Tamil Nadu, India and is a UNESCO World Heritage Site. It is on the Coromandel Coast of the Bay of Bengal, about 60 kilometres (37 mi) south of Chennai.
Varaha Cave Temple is a rock-cut cave temple located at Mamallapuram, on the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. It is part of the hill top village, which is 4 kilometres (2.5 mi) to the north of the main Mahabalipurm sites of rathas and the Shore Temple. It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Hindu rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv. The most prominent sculpture in the cave is that of the Hindu god Vishnu in the incarnated form of a Varaha or boar lifting Bhudevi, the mother earth goddess from the sea. Also carved are many mythical figures.
The Brihadisvara Temple is a Hindu temple dedicated to Shiva in Gangaikonda Cholapuram, Jayankondam, in the South Indian state of Tamil Nadu. Completed in 1035 AD by Rajendra Chola I as a part of his new capital, this Chola dynasty era temple is similar in design, and has a similar name, as the older 11th century, Brihadeeswarar Temple about 70 kilometres (43 mi) to the southwest in Thanjavur. The Gangaikonda Cholapuram Temple is smaller yet more refined than the Thanjavur Temple. Both are among the largest Shiva temples in South India and examples of Dravidian style temples. The temple is also referred to in texts as Gangaikonda Cholapuram Temple or Gangaikondacholeeswaram Temple
The Vishvanatha Temple is a Hindu temple in Madhya Pradesh, India. It is located among the western group of Khajuraho Monuments, a UNESCO World Heritage site. The temple is dedicated to Shiva, who is also known as "Vishvanatha", meaning "Lord of the Universe".
The Chausath Yogini temple is a ruined Yogini temple in the Khajuraho town of Madhya Pradesh, India. Dated to the late 9th century, it is the oldest surviving temple at Khajuraho. Unlike the Yogini temples at other places, it has a rectangular plan, but like them it is hypaethral, open to the air. As part of the Khajuraho Group of Monuments, and because of its unique architecture and testimony to the Chandela civilization, the temple was inscribed on the UNESCO World Heritage List in 1986.
Gadarmal Devi temple is a Hindu and Jain temple at Badoh village of Vidisha, Madhya Pradesh.
The Yogini temples of India are 9th to 12th century roofless hypaethral shrines to the yoginis, female masters of yoga in Hindu tantra, broadly equated with goddesses especially Parvati, incarnating the sacred feminine force. They remained largely unknown and unstudied by scholars until late in the 20th century. Several of the shrines have niches for 64 yoginis, so are called Chausath Yogini Temples ; others have 42 or 81 niches, implying different sets of goddesses, though they too are often called Chausath yogini temples. Even when there are 64 yoginis, these are not always the same.
Alasa Kanya is a form of Surasundari which portrays an indolent female or maiden. There are several forms and representation of this imagery, observed mainly in temple architecture from medieval period in the form of sculptures. It is believed these female representations are a dedication to Devi and her characteristics. Several such forms adorn the temples of Odisha.
