The Mahabodhi Temple or the Mahabodhi Mahavihar, a UNESCO World Heritage Site, is an ancient, but much rebuilt and restored, Buddhist temple in Bodh Gaya, marking the location where the Buddha is said to have attained enlightenment. Bodh Gaya is about 96 km (60 mi) from Patna, Bihar state, India.
A stūpa is a mound-like or hemispherical structure containing relics that is used as a place of meditation. A related architectural term is a chaitya, which is a prayer hall or temple containing a stupa.
Saraca asoca is a plant belonging to the Detarioideae subfamily of the legume family. It is an important tree in the cultural traditions of the Indian subcontinent and adjacent areas. It is sometimes incorrectly known as Saraca indica. The flower of Ashoka tree is the state flower of Indian state of Odisha.
Greco-Buddhist art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between the Ancient Greek art and Buddhism. Greco-Buddhist art is characterized by the strong idealistic realism and sensuous description of Hellenistic art, and it is believed to have produced the first representations of Gautama Buddha in human form.
Shorea robusta, the sal tree, also sarai and other names, is a species of tree in the family Dipterocarpaceae.
The yakshas are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is yakṣī or yakshini.
Vihara generally refers to a monastery for Buddhist renunciates. The concept is ancient and in early Sanskrit and Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Ajivika, Hindu and Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (Chaturmas), the term "vihara" refers their wanderings.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan and eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
A chaitya, chaitya hall, chaitya-griha, or caitya refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.
Yakshinis a class of nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas (gods), asuras (demons), and gandharvas or apsaras. Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India.
Shikhara, a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A shikhara over the garbhagriha chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India.
Tribhaṅga or Tribunga is a standing body position or stance used in traditional Indian art and Indian classical dance forms like the Odissi, where the body bends in one direction at the knees, the other direction at the hips and then the other again at the shoulders and neck.
The dharmachakra or wheel of dharma is a widespread symbol used in Indian religions such as Hinduism, Jainism, and especially Buddhism.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
A Jain temple or Derasar is the place of worship for Jains, the followers of Jainism. Jain architecture is essentially restricted to temples and monasteries, and secular Jain buildings generally reflect the prevailing style of the place and time they were built.
Calambur Sivaramamurti, (1909–1983) was an Indian museologist, art historian and epigraphist who is primarily known for his work as curator in the Government Museum, Chennai. and Sanskrit scholar. His entire life has been devoted to the study and exposition of various aspects of Indian art. Apart from authoring several monographs, guide books on Indian art, he also wrote a seminal work on South Indian epigraphy.
Kushinagar is a town in the Kushinagar district of the Indian state of Uttar Pradesh. It is an important Buddhist pilgrimage site, where Buddhists believe Gautama Buddha attained Parinirvana after his death. It is an international Buddhist pilgrimage centre.
Jain art refers to religious works of art associated with Jainism. Even though Jainism spread only in some parts of India, it has made a significant contribution to Indian art and architecture.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
A śālā (shala) is a Sanskrit term that means any "house, space, covered pavilion or enclosure" in Indian architecture. In other contexts śālā – also spelled calai or salai in South India – means a feeding house or a college of higher studies linked to a Hindu or Jain temple and supported by local population and wealthy patrons. In the early Buddhist literature of India, śālā means a "hut, cell, hall, pavilion or shed" as in Vedic śālā, Aggiśālā, Paniyaśālā.