Susan Rethorst | |
---|---|
Born | 1951 (age 72–73) |
Nationality | American |
Website | http://susanrethorst.com/ |
Susan Rethorst is an American choreographer, writer, and teacher. [1]
Susan Rethorst was born in Washington, D.C., in 1951. [2] She began creating modern dance works in 1975. Rethorst studied dance with Judith Dunn (of Judson Dance Theater) at Bennington College and graduated in 1974. Some of performance practices have included "dailiness" and "stealing". [3] Rethorst's work has been presented by the Whitney Museum, the Museum of Modern Art, The Kitchen, Dance Theater Workshop, Danspace Project at St. Mark's Church, and other locations throughout the United States. Internationally her work has been produced internationally by the Holland Festival (Amsterdam), Teatro Spazio Zero (Rome), the Kunsthalle Basel, Danse A Aix Festival (Aix-en-Provence, France), The Room Festival (Jerusalem), among others. [4] [5]
As a teacher she has developed B.A. and post-graduate programs in Copenhagen, Cork, Salzburg, and Amsterdam, as well as the MFA Program in Choreography at the Amsterdam School of the Arts.
In 2012 her book A Choreographic Mind: Autobodygraphical Writings was published by the Helsinki Theatre Academy, [6] which was named one of the Best Books of 2012 by The New Yorker . [7]
Shen Wei is a Chinese-American choreographer, painter, and director who resides in New York City. Widely recognized for his defining vision of an intercultural and interdisciplinary mode of movement-based performance, Shen Wei creates original works that employ an assortment of media elements, including dance, painting, sound, sculpture, theater and video. Frequently, critics have commented on his innovative blend of Asian and Western sensibilities, as well as his syncretic approach to performance art.
Martha Clarke is an American theater director and choreographer noted for her multidisciplinary approach to theatre, dance, and opera productions. Her best-known original work is The Garden of Earthly Delights, an exploration in theatre, dance, music and flying of the famous painting of the same name by Hieronymus Bosch. The production was honored with a Drama Desk Award for Unique Theatrical Experience, an Obie Award for Richard Peaslee's original score, and a Los Angeles Drama Critics Circle Award for choreography.
Susan Marshall is an American choreographer and the Artistic Director of Susan Marshall & Company. She has held the position of Director of the Program in Dance at Princeton University since 2009.
Garry Stewart is an Australian dancer and choreographer. He was the longest-serving artistic director of the Australian Dance Theatre, taking over from Meryl Tankard in 1999 and finishing his term at the end of 2021. He is renowned for his unusual, post-modern interpretations of classical ballets.
Ann Carlson is an American dancer, choreographer and performance artist whose work explores contemporary social issues. She has performed throughout the United States and internationally and has won a number of awards.
Carolyn Carlson is an American born French nationalized contemporary dance choreographer, performer, and poet. She is of Finnish descent.
Bessie Schonberg was a highly influential dancer, choreographer and teacher of the 20th century. She was at the center of contemporary modern dance from her beginning at Bennington College up until her death in 1997. Her career spanned sixty-five years and she helped mold a new generation of modern dancers including Lucinda Childs, Elizabeth Keen, Meredith Monk and Carolyn Adams (dancer).
Capturing a sense of the life and work of Bessie Schonberg is possible if one evokes the image of a prism, a multi-face crystalline object which cannot be perceived in its entirety, but can be appreciated and understood by catching glimpses of light from its different sides.
Jonah Bokaer is an American choreographer and media artist. He works on live performances in the United States and elsewhere, including choreography, digital media, cross-disciplinary collaborations, and social enterprise.
Christine Dakin is an American dancer, teacher and director, a foremost exponent of the Martha Graham repertory and technique.
Merián Soto is a choreographer and performance artist. Soto is best known for her interdisciplinary solo, group and collaborative works that explore and reflect upon the legacy of colonialism and Latino heritage, history and culture. Simply, Soto creates choreographic works that intertwine improvisational movements and post-modern structures she calls “energy modes”. By means of her choreography that accesses the personal history of Puerto Ricans, expresses the experiences of Puerto Ricans, and elicits the cultural memory of Puerto Ricans, Soto attempts to “blur the line between “real” life everyday/commonplace movement/dance/performance and staged/”artistic” dance and performance.”
Kyle Abraham is an American choreographer and dancer. He founded his own company A.I.M by Kyle Abraham in 2006 in New York City and has produced many original works for A.I.M such as The Radio Show (2010), Absent Matter (2015), Pavement (2012), Dearest Home (2017), Drive (2017), INDY (2018), Studies on Farewell (2019), and An Untitled Love (2021). Kyle has also been commissioned to create new works for international dance companies such as Untitled America (2016) for the Alvin Ailey American Dance Theater, The Runaway (2018) for New York City Ballet, The Bystander (2019) for Hubbard Street Dance Chicago, Only The Lonely (2019) for Paul Taylor American Modern Dance and Ash (2019).
Elizabeth Cameron Dalman is an Australian choreographer, teacher, and performer. She founded Australian Dance Theatre and was its artistic director from 1965 to 1975. She is also the founding director of Mirramu Dance Company.
The Pew Center for Arts & Heritage is a nonprofit grantmaking organization and knowledge-sharing hub for arts and culture in Philadelphia, Pennsylvania, US established in 2005. In 2008, Paula Marincola was named the first executive director. The Center receives funding from The Pew Charitable Trusts and makes project grants in two areas, Performance and Exhibitions & Public Interpretation, as well as awarding grants to individual artists through Pew Fellowships. In 2021, the Center announced the introduction of Re:imagining Recovery grants to assist in COVID-19 recovery.
Lorenzo Harris is a dancer, choreographer, artistic director and professor of hip-hop dance. Harris formed the first and longest running hip-hop dance touring company, Rennie Harris Puremovement in 1992. In 2007, he conceived another touring company, RHAW or Rennie Harris Awe-Inspiring Works.
The Transversal Theater Company (TTC) is a nonprofit organization of American and European artists based in Amsterdam. Founded in 2003 by Bryan Reynolds, Lonnie Alcaraz, Douglas-Scott Goheen, and a number of other artists, TTC is an experimental theater company known for creating original performance works that explore charged social, cultural, conceptual, and political realities of today through the combined social-cognitive theory, performance aesthetics, and research methodology known as Transversal Poetics. The products of this praxis or practice research (practice-as-research) approach have been various and far-reaching, including a theory of acting and design aesthetics. TTC has toured productions to festivals and other venues in the United States, Europe, the Middle East, and Asia, such as to the national theaters of Poland and Romania, Armenia's HIGH FEST, Romania's National Theatre Festival, Sibiu International Performing Arts Festival, and Interferences Festival, the Gdansk International Shakespeare Festival. TTC's core members and contributing artists have included Robert Cohen, Gary Busby, Lonnie Alcaraz, Niels Horeman, David Backovsky, Sky Reynolds, Shira Wolfe, Laila Burane, Christopher Marshall, Saskia Polderman, Luke Cantarella, Alan Terricciano, Christa Mathis, Kayla Emerson, Karyn Lawrence, Amanda McRaven, Michael Hooker, Stan Limburg, Henk Danner, Matthias Quadekker, Babette Holtmann, Mathieu van den Berk, Erik Lint, Alex Hoffman, Sam Kolodezh, Jon McKenzie, Saviana Stănescu, Gosia Lorenz, Emilia Simeonov, Vinnie Olivieri, Sammie Dasia Moore, Jacob Dovan Nguyen, Richard Brestoff, Bob Boross, Oscar Seip, Jessica Dunn, James Intriligator, Jesús López Vargas, and Merle DeWitt III.
Big Dance Theater is a New York City-based dance theater company. It is led by Artistic Director Annie-B Parson, who founded Big Dance Theater in 1991 with Molly Hickok and Paul Lazar. Big Dance Theater has created over 20 dance/theater works and won 18 awards over the years. They have been commissioned by the Brooklyn Academy of Music, The National Theater of Paris, The Japan Society, and The Walker Art Center, and have performed in venues such as the Brooklyn Academy of Music, Dance Theater Workshop, The Kitchen, Classic Stage Company, Japan Society, Jacob's Pillow Dance Festival, the Chocolate Factory, the Museum of Contemporary Art in Chicago, Walker Art Center, Yerba Buena, On the Boards, New York Live Arts, UCLA Live, The Spoleto Festival USA, and at festivals in Europe and Brazil.
Annie-B Parson is an American choreographer, dancer, and director based in Brooklyn, New York. Parson is notable for her work in dance/theater, post-modern dance, and art pop music. Parson is the artistic director of Brooklyn's Big Dance Theater, which she founded with Molly Hickok and her husband, Paul Lazar. She is also well known for her collaborations with Mikhail Baryshnikov, David Byrne, David Bowie, St. Vincent, Laurie Anderson, Jonathan Demme, Ivo van Hove, Sarah Ruhl, Lucas Hnath, Wendy Whelan, David Lang, Esperanza Spalding, Mark Dion, Salt ‘n Pepa, Nico Muhly, and the Martha Graham Dance Co.
Sarah Michelson is a British choreographer and dancer who lives and works in New York City, New York. Her work is characterized by demanding physicality and repetition, rigorous formal structures, and inventive lighting and sound design. She was one of two choreographers whose work was included in the 2012 Whitney Biennial, the first time dance was presented as part of the bi-annual exhibition. Her work has also been staged at The Walker Art Center, Jacob’s Pillow Dance Festival, The Kitchen, and the White Oak Dance Project. She received New York Dance and Performance awards for Group Experience (2002), Shadowmann Parts One and Two (2003), and Dogs (2008). She has served as associate director of The Center for Movement Research and associate curator of dance at The Kitchen. Currently choreographer in residence at Bard's Fisher Center, she is the recipient of their four-year fellowship to develop a commissioned work with Bard students and professional dancers.
Cynthia Ling Lee is an American dancer, choreographer, and scholar. She performs in contemporary, postmodern, and classical Indian dance techniques. Her research focuses on queer and postcolonial experiences in Asian diasporic performance.
Rima Pipoyan is an Armenian choreographer, director, dancer and dance teacher. She is considered to be one of the pioneers of modern ballet and contemporary dance in Armenia. In 2017 she has found "Choreography development" educational and cultural foundation aiming to support the development of contemporary dance and modern ballet in Armenia. Since 2020, she has been the head of the Modern Dance Department at the Yerevan State Choreographic College. The department was created on her initiative. Pipoyan has presented her choreographic works in Switzerland, Italy, Spain, Portugal, Serbia, Croatia, Russia, Germany, Poland, Moldova, Belgium, Portugal, etc.