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Francesca Caccini was an Italian composer, singer, lutenist, poet, and music teacher of the early Baroque era. She was also known by the nickname "La Cecchina", given to her by the Florentines and probably a diminutive of "Francesca". She was the daughter of Giulio Caccini. Her only surviving stage work, La liberazione di Ruggiero, is widely considered the oldest opera by a woman composer. As a female composer she helped to solidify the agency and the cultural and political programs of her female patron.
Settimia Caccini was a well-known Italian soprano and composer during the 1600s, being one of the first women to have a successful career in music. Caccini was highly regarded for her artistic and technical work with music. She came from a family of well-known composers and singers, with her father being Giulio Caccini and her sister Francesca Caccini. Settimia Caccini was less well known as a composer because she never published her own collection of works. Instead, nine works are attributed to her in two manuscripts of secular songs. Settimia was known much more for her talent as a singer, and she performed for nobility with the Caccini family consort and as a soloist. Coming from a musical family, she was able to lead herself to her own fame and success.
The concerto delle donne was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed between 1580 and 1597. Renowned for their technical and artistic virtuosity, the Ferrarese group's core members were the sopranos Laura Peverara, Livia d'Arco and Anna Guarini.
La liberazione di Ruggiero dall'isola d'Alcina is a comic opera in four scenes by Francesca Caccini, first performed 3 February 1625 at the Villa di Poggio Imperiale in Florence, with a libretto by Ferdinando Saracinelli based on Ludovico Ariosto's Orlando Furioso. It is the first opera written by a woman and was long considered to be the first Italian opera to be performed outside of Italy. It was performed to celebrate the visit of Prince Władysław of Poland during Carnival 1625, and it was revived in Warsaw in 1628. The work was commissioned by her employer Regent Archduchess Maria Maddalena of Austria, wife of Cosimo II de' Medici. Ruggiero was printed under the protection of Maria Magdalena in 1625, only five years after the first printed opera in Italy. It is the only opera by Francesca Caccini to survive.
The year 1625 in music involved some significant events.
Suzanne Lacy is an American artist, educator, writer, and professor at the USC Roski School of Art and Design. She has worked in a variety of media, including installation, video, performance, public art, photography, and art books, in which she focuses on "social themes and urban issues." She served in the education cabinet of Jerry Brown, then mayor of Oakland, California, and as arts commissioner for the city. She designed multiple educational programs beginning with her role as performance faculty at the Feminist Studio Workshop at the Woman's Building in Los Angeles.
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The Magnificat Baroque Ensemble, or Magnificat, is an early music ensemble of voices and instruments specializing in the Baroque music of the 17th century under the artistic direction of Baroque cellist Warren Stewart. Stewart founded the ensemble in San Francisco in 1989 with Baroque harpsichordist Susan Harvey. Harvey resigned in 2000, and the group has remained under the sole musical direction of Stewart since then. The group derives its name from the first word of the Latin translation of the Canticle of Mary in the Gospel of Luke, Magnificat anima mea, "My soul magnifies the Lord", which is sung during the Roman Catholic evening prayer or vespers service.
Il rapimento di Cefalo was one of the first Italian operas. Most of the music was written by Giulio Caccini but Stefano Venturi del Nibbio, Luca Bati and Piero Strozzi also contributed. The libretto, by Gabriello Chiabrera, is in a prologue, five scenes and an epilogue and is based on the Classical myth of Cephalus and Aurora.
The Gitmo playlist, also called the torture playlist, Guantanamo playlist and GTMO playlist, was a loose collection of songs used to torture inmates held by the United States at Guantanamo Bay prison in Cuba during the war on terror. No official playlist is known to exist, and songs were chosen by interrogators and guards. Interrogators generally opted to use heavy metal, country, and rap music, although music from children's TV shows was also used.
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Andrea Salvadori was an Italian poet and librettist. He was born in Florence and educated at the Collegio Romano in Rome. From 1616 until his death in Florence at the age of 43, he was the principal court poet to the Medici family. In addition to numerous theatrical entertainments and poems, he wrote the libretti for five operas, four of which have survived, although only La Flora composed by Marco da Gagliano and Jacopo Peri has an extant score. He was married twice, first to Emilia Rigogli by whom he had three sons and then to the painter Alessandra Furini. A collection of Salvadori's principal works curated by his son Francesco was published in 1668.
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Gloria Goodwin Raheja is American anthropologist who specializes in ethnographic history. She is the author of several historical works where she explores the concepts of caste and gender in India, colonialism, politics of representation, blues music, capitalism in the Appalachia and other diverse topics. Raheja argues that caste stratification in India was influenced by British colonialism. Monographs on ethnographic history and India have been considered "acclaimed" by the Journal of the Royal Anthropological Institute.
Judith P. Hallett is Professor and Distinguished Scholar-Teacher Emerita of Classics, having formerly been the Graduate Director at the Department of Classics, University of Maryland. Her research focuses on women, the family, and sexuality in ancient Greece and Rome, particularly in Latin literature. She is also an expert on classical education and reception in the nineteenth and twentieth centuries.
Laura Briggs is a feminist critic and historian of reproductive politics and US empire. She works on transnational and transracial adoption and the relationship between race, sex, gender, and US imperialism. Her 2012 book Somebody's Children: The Politics of Transracial and Transnational Adoption won the James A. Rawley Prize from the Organization of American Historians for best book on the history of US race relations and has been featured on numerous college syllabi in the US and Canada. Briggs serves as professor and chair of the Women, Gender, and Sexuality Studies program at the University of Massachusetts Amherst.
References
- 1 2 Papaeti, Anna. "On Music, Torture and Detention: Reflections on Issues of Research and Discipline". Transposition. doi: 10.4000/transposition.5289 – via OpenEdition Journals.
- ↑ Pellegrinelli, Lara (May 8, 2009). "Scholarly Discord: The Politics of Music in the War on Terrorism". The Chronicle of Higher Education . Retrieved October 19, 2024.
- ↑ "AMS--Awards Presented at the Milwaukee Annual Meeting".
- http://music.as.nyu.edu/object/suzannecusick.html
- http://press.uchicago.edu/ucp/books/book/chicago/F/bo5806979.html
- S. CUSICK, Francesca Caccini at the Medici Court, Music and the Circulation of Power (University of Chicago Press, 2009).