Swalwell Hopping

Last updated

"Swalwell Hopping"
Song
LanguageEnglish (Geordie)
Writtenc. 1807
Published1840
Songwriter(s) John Selkirk

" Swalwell Hopping" is a Geordie folk song written in the 19th century by John Selkirk, in a style deriving from music hall.

Contents

This piece tells of the many a funny prank being played by the Crowley's Crew, (workers who appear in other writings of the time), and mentioning (fictitious) characters like Knack-kneed Mat, Slavering Nell, Gyetside Jack, and Willayton Dan. It turns into (almost) a celebration of Crowley's Crew.

Lyrics

The song was later printed in 1840 and later in 1899 in the 198-page book "Songs and Ballads of Northern England" collected and edited by John Stokoe. It was published by W. Scott of Newcastle upon Tyne. [1] The lyrics for "Swalwell Hopping Air – Paddy's Wedding":

Verse 1
LADS! myek a ring
An' hear huz sing
The sport we had at Swalwell, O;
Wor merry play
O' th' Hoppen' Day,
Ho'way, marrows, an' aw'll tell ye, O.
The sun shines warm on Whickham Bank,
Let's aw lye doon at Dolly's O,
An' hear 'boot monny a funny prank
Played by the lads at Crowley's O.

Chorus:
A type of "O' Fal lal the dal la" type chorus

Verse 2
There was Sam, O zoons,
Wiv 'is pantaloons,
An' gravat up ower his gobby, O;
An' Willie, thou
Wi' th' jacket blue,
Thou was the varra Bobby, O.
There was knack-kneed Mat, wiv's purple suit,
An' hopper-hipp'd Dick, aw yellow, O;
Greet Tom was there, wi' Hepple's and coat,
An' buck-sheen'd Bob frae Stella, O.

Verse 3
When we wor drest,
It was confest,
We shem'd the cheps frae Newcassel O;
So away we set
To wor toon gyet,
To jeer them aw as they pass'd us O.
We shouted some we some dung doon
Lobstrop 'lus fellows we kick'd them O;
Some culls went hyem, some crush'd to toon,
Some gat aboot by Whickham, O.

Verse 4
The spree com on
The hat was won
By carrot-pow'd Jenny's Jackey, O.
What a fyece, begok !
Had buckle-mouth'd Jock,
When he twin'd his jaws for the baccy, O.
The kilted lasses fell tid pel-mell,
Wi'—Tally-i-o the Grinder, O;—
The smock was gi'en to slaverin Nell
Ye'd dropp'd had ye been behind her, O.

Verse 5
Wor dance began
Aw'd buck-tyuthed Nan,
An' Geordy thou'd Jen Collin, O;
While the merry black,
Wi' monny a crack,
Set the tamboreen a-rolling, O.
Like wor forge-hammer, we bet se true,
An' shuk Raw's hoose se soundly, O;
Tuff canna cum up wi' Crowley's crew,
Nor thump the tune se roundly, O.

Verse 6
Then Gyetside Jack,
Wiv's bloody back,
Wad dance wi' goggle-ey'd Molly, O;
But up cam Nick,
An' gav' him a kick.
An' a canny bit kind of a fally, O.
That day a' Hawks's blacks may rue
They gat monny a varry sair clanker, O;
Can they de owse wi' Crowley's crew,
Frev a needle tiv an anchor, O.

Verse 7
What's that to say
To the bonny fray,
We had wi' skipper Robin, O;
The keel bullies aw,
Byeth greet an' sma',
Myed a beggarly tide o' the hoppen, O.
Gleed Will cried "Ma-a", up lup awd Frank,
An' Robin that marry'd his dowter, O;
We hammer'd their ribs like an anchor shank,
They fand it six weeks after, O.

Verse 8

Bald-pyet Jone Carr
Wad hav a bit spar,
To help his marrows away wid, O,
But poor awd fellow,
He'd getten ower mellow,
So we down'd byeth him an' Davy, O.
Then Petticoat Robin jumppt up agyen,
Wiv's gully to marcykree huz, Aw;
But Willayton Dan laid him flat wiv a styen,
Hurro ! for Crowley's crew, boys, Aw.

Verse 9
Their hash was sattled,
So off we rattled,
An' we jigged it up se hearty, O;
Wi' monny a shiver,
An' lowp se clivvor,
Can Newcassel turn oot sic a party, O?
When wheit dyun ower the fiddlers went,
We stagger'd ahint se merry, O,
An' thro' wor toon, till fairly spent,
Roar'd, "Crowley's crew an' glory, O"

History of the Hopping

The word "Hopping" meant "a fair" in Anglo-Saxon and "a dance" in middle English, and it is from this that it developed. Mainly in the North East of England, it changed from a small local village meeting with dancing, into a large annual funfair. These have changed over the years from ornate, carved and highly decorated small roundabouts to the larger attractions.

The Swalwell Hopping has its traditional way back in history. It was held annually at Whitsuntide and developed into a carnival of sports and horse racing before turning into the funfair. It was held for a time near the town gate at the waterside, and later moved to a more permanent home on the ground at the rear of Ridley Gardens (known locally as the Hopping Field.

One of, if not the, largest employers in the 19th century were the ironworks of Crowley and Co. at Swalwell and Winlaton. The workers were proud craftsmen. They allegedly could make anything "ftev a needle tiv an anchor". They were also political radicals, who worked hard in unpleasant conditions, and played hard. The workers, often referred to as "Crowley's Crew", together with the local keelmen, were always to be seen at the hoppings in the 18th and 19th centuries. According to the song, they all enjoyed themselves, and possibly became rather too boisterous.

In the 1950s, it was reported that at the annual Swalwell Hopping were "fairground rides such as the waltzer and carousel merry-go-round with traditional animal mounts, barley twist poles and fairy lights, a coconut shy, hoop-la stalls, a rifle range and other stalls where you could win various prizes, including a goldfish if you could throw a table tennis ball into one of many goldfish bowls. Many tickets were issued to schoolchildren giving half price rides for threepence and popular records of the day were amplified and played all evening" The various changes in life style sounded the death knell of the Swalwell in the 1960s. The "Hopping Field" is now a housing estate.

Places mentioned

Trades mentioned

Keelman were the dockers of yesteryear, who worked on the keels (or keelboats) of the River Tyne. Many, in fact the majority, resided as a close-knit community with their families in the Sandgate area, to the east of the city and beside the river. Their work included working on the keels/keelboats which were used to transfer coal from the river banks to the waiting colliers, for transport to various destinations including London.

Comments on variations to the above version

There are various published versions of the song, and some seem to have difficulties in following the original Geordie dialect. Here are some of the variations :

See also

Geordie dialect words

Related Research Articles

"Blaydon Races" is a Geordie folk song written in the 19th century by Geordie Ridley, in a style deriving from music hall. It is frequently sung by supporters of Newcastle United Football Club and Newcastle Falcons rugby club. Blaydon is a small town in Gateshead, situated about 4 miles (6.4 km) from Newcastle upon Tyne, in North East England. The race used to take place on the Stella Haugh 1 mile (1.6 km) west of Blaydon. Stella South Power Station was built on the site of the track in the early 1950s, after the races had stopped taking place in 1916.

"Keep yor feet still! Geordey, hinny" is a famous Geordie comic song written in the 19th century by Joe Wilson, in a style deriving from music hall. Though the words were by Wilson, it is to be sung to the existing tune of "Nelly Gray"

The Pitman’s Happy Times is a Geordie folk song written in the 19th century by J.P.(Joseph Philip) Robson, known as "The bard af ths Tyne and minstrel of the Wear", in a style deriving from music hall.

The Pitman's Courtship is a famous Geordie folk song written in the 19th century by William Mitford, in a style deriving from music hall. This piece takes a humorous look at the courtship of a Pitman and his lass where the discussion forms the proposal of marriage and the couple's plans for a life together. This song was generally considered to be one of the region's finest 'traditional' songs, one of only a handful of Tyneside songs to be appreciated outside the region in its day.

Wor Nanny's a mazer is a famous Geordie folk song written in the 19th century by Thomas “Tommy” Armstrong, in a style deriving from music hall. It is regarded by many as one of the classics.

The Newcassel Worthies is a famous Geordie folk song written in the 19th century by William "Willie" Armstrong, in a style deriving from music hall.

"Wor Peg's Trip te Tynemouth" is a Geordie folk song written in the 19th century by Joe Wilson, in a style deriving from music hall.

Asstrilly's Goold Fields in Geordie dialect translates as "Australia’s Gold Fields" and sub-titled "Tommy Carr's Letter", is a Geordie folk song written in the 19th century by Edward "Ned" Corvan, in a style deriving from music hall.

"The Collier’s Rant" is a traditional Geordie folk song written many years ago, the writer is unknown. It is one of the oldest mining songs in existence. It was already popular, and had been for how long we do not know, when Joseph Ritson published it in his Northumbrian Garland in 1793. It is still a very popular piece by choirs throughout the North East of England.

Jemmy Joneson's Whurry is a traditional Geordie folk song in Geordie dialect written circa 1815, by Thomas Thompson, in a style deriving from music hall.

Rowland "Rowley" Harrison (1841–1897) was a Tyneside poet and singer/songwriter, from Gateshead in County Durham. Possibly his best known work is "Geordy Black", an example of Geordie dialect.

"Geordy Black", also known as "Geordie Black" and "I'm Going Down the Hill" is a 19th-century Geordie folk song by Rowland "Rowley" Harrison, in a style deriving from music hall.

"The Amphitrite" is a Geordie folk song written in the 19th century by Robert Gilchrist, in a style deriving from music hall.

Hydrophobie is a Geordie folk song written in the 19th century by Robert Emery, in a style deriving from music hall.

Newcassel Props is a famous Geordie folk song written in the 19th century by William Oliver, in a style deriving from music hall.

The Pitman's Revenge is a traditional Geordie folk song, written circa 1804, by George Cameron in the Geordie dialect. The song is about the threat of invasion posed by Napoleon Bonaparte.

James Horsley (1828–1891) was an Alnwick born songwriter, editor, and general handyman. In addition to his songs, he wrote many pieces of poetry about Jesmond. The most well-known of the songs may well have been "'She's sumboddy's bairn".

The Skipper’s Dream is a Geordie folk song written in the 19th century by T Moor, in a style deriving from music hall.

William Dunbar was a Gateshead songwriting collier who died at the age of 21.

Chater's Annual was a book, published annually, between 1861 and 1882 by John W. Chater. It contained a mixture of songs, poems, humorous tales, jokes, conundrums, tongue twisters and other items of frivolity.

References

  1. The Tyne Songster containing a choice selection of songs in the Newcastle dialect. printed and sold by W & T Fordyce, Newcastle. 1840.
  2. "The Swalwell Story" (PDF).
  3. "Swalwell".