Donald Matthew Redman was an American jazz musician, arranger, bandleader, and composer.
Carlos Wesley "Don" Byas was an American jazz tenor saxophonist, most associated with bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.
McKinney's Cotton Pickers were an African American jazz band, in Detroit, Michigan in 1926 led by William McKinney, who expanded his Synco Septet to ten pieces. Cuba Austin took over for McKinney on drums. Between 1927 and 1931, they were one of the most popular African-American bands. Many of their records for Victor were bestsellers.
From Toshiko With Love is the twelfth recording released by the Toshiko Akiyoshi – Lew Tabackin Big Band. It was released in Japan by Victor Records and in the U.S. by Jazz America Marketing – not to be confused with the 2002 Lew Tabackin Trio recording of the same name (Tanuki's Night Out). The album received two Grammy award nominations in 1981 for "Best Jazz Instrumental Performance - Big Band" and "Best Arrangement of an Instrumental Recording".
European Memoirs is the tenth studio recording of the Toshiko Akiyoshi – Lew Tabackin Big Band. Akiyoshi was nominated for a 1983 Grammy award in the Best Instrumental Arrangement category for the arrangement of "Remembering Bud" on this album. This would be the final recording of the Los Angeles-based Toshiko Akiyoshi – Lew Tabackin Big Band before the principals moved to New York City in 1982 and formed a new big band, the "Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin" that released nine more albums and two live performance videos before disbanding in 2003.
Ten Gallon Shuffle is the first recording released by the New York-based Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. The composition Ten Gallon Shuffle was originally commissioned by Phi Mu Alpha Sinfonia Music Fraternity for the University of Texas Jazz Orchestra.
Benny Morton, born in New York City, was a jazz trombonist most associated with the swing genre. He was praised by fellow trombonist Bill Watrous among others. One of his first jobs was working with Clarence Holiday, and he appeared with Clarence's daughter Billie Holiday towards the end of her life on The Sound of Jazz. Morton was a member of pianist Teddy Wilson's Sextet throughout the early 1940s. In the 1960s he was part of the Jazz Giants band: "Wild" Bill Davison (cornet), Herb Hall, Claude Hopkins (piano), Arvell Shaw (bass) and Buzzy Drootin (drums). They toured the U.S. and frequently in Canada where they did some recording for Sackville Records. Towards the end of the 60's he played with an offshoot of the Jazz Giants under the leadership of Buzzy Drootin, called Buzzy's Jazz Family, including Herb Hall, with Herman Autrey replacing Davison, Buzzy's nephew Sonny Drootin replacing Hopkins, and Eddie Gibbs replacing Shaw. That stated he is probably best known for his work with Count Basie and Fletcher Henderson.
Jazz Casual - The Thad Jones / Mel Lewis Jazz Orchestra, Woody Herman and his Swinging Herd consists of a recording of a Woody Herman and his Swinging Herd appearance from 1963 and a Thad Jones / Mel Lewis Jazz Orchestra appearance from 1968 that were combined and released as a single DVD video and also as an audio CD. Jazz Casual was a KQED-produced television show of studio performances by major jazz musicians. The same material has also been released in different packages
"Whispering" is a popular song. "Whispering" was first published in 1920 by Sherman, Clay & Co., of San Francisco. The initial 1920 copyright and first publishing attributes the lyrics to Malvin Schonberger and the music to John Schonberger.
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz, for ninety-seven years. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography, "Changes" has been recorded 404 times. The song and its record debut was revolutionary, in that (i) the songwriters, the original copyright publisher, Harry Herbert Pace, (iii) the vocalist to first record it, (iv) the owners of Black Swan, (v) the opera singer for whom the label was named, and (vi) the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.
"Livery Stable Blues" is a jazz composition copyrighted by Ray Lopez (né Raymond Edward Lopez; 1889–1979) and Alcide Nunez in 1917. It was recorded by the Original Dixieland Jass Band on February 26, 1917, and, with the A side "Dixieland Jass Band One-Step" or "Dixie Jass Band One-Step", became widely acknowledged as the first jazz recording commercially released. It was recorded by the Victor Talking Machine Company in New York City at its studio at 46 West 38th Street on the 12th floor – the top floor.
Goin' Out of My Head is an album by American jazz guitarist Wes Montgomery that was released in 1966. It reached No. 7 on the Billboard magazine R&B chart. At the 9th Grammy Awards Goin' Out of My Head won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
Buddy & Soul is a 1969 live album by Buddy Rich and his big band, recorded at the Whisky a Go Go club in West Hollywood, California.
The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation." These recordings were added to the National Recording Registry in 2002, the first year of the institution's existence.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz essayist and historian Martin Williams, the album featured tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz. The compilation has been recognized as an invaluable document of jazz history and maintains a legacy as introductory listening for new jazz fans as well as scholarship due to its extensive liner notes.
Jacky June was a Belgian jazz saxophonist, clarinetist, and bandleader.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
"My Greatest Mistake" is a popular song written in 1940 by Jack Fulton and Jack "Bones" O'Brien.
