Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
A future history is a fictional history of the future used by authors of science fiction and other speculative fiction to construct a common background for stories. Sometimes the author publishes a timeline of events in the history, while other times the reader can reconstruct the order of the stories from information provided. The term can also be used to describe the subgenre of science fiction that uses this framework.
Utopian and dystopian fiction are subgenres of science fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Mary Doria Russell is an American novelist.
Gordon Rupert Dickson was a Canadian-American science fiction writer. He was inducted into the Science Fiction and Fantasy Hall of Fame in 2000.
Education for Death: The Making of the Nazi is an American animated propaganda short film produced by Walt Disney Productions and released on January 15, 1943, by RKO Radio Pictures, shown in theaters with Fighting Frontier. The film is directed by Clyde Geronimi and principally animated by Milt Kahl, Ward Kimball, Frank Thomas, and Bill Tytla. The short is based on the non-fiction book of the same name by American author Gregor Ziemer. The film features the story of Hans, a boy born and raised in Nazi Germany, his indoctrination in the Hitlerjugend, and his eventual march to war.
The flag of Nazi Germany, officially the flag of the German Reich, featured a red background with a black swastika on a white disc. This flag came into use initially as the banner of the Nazi Party (NSDAP) after its foundation. Following the appointment of Adolf Hitler as Chancellor in 1933, this flag was adopted as one of the nation's dual national flags, the other being the black-white-red triband of the German Empire.
Suzy McKee Charnas was an American novelist and short story writer, writing primarily in the genres of science fiction and fantasy. She won several awards for her fiction, including the Hugo Award, the Nebula Award and the James Tiptree Jr. Award. A selection of her short fiction was collected in Stagestruck Vampires and Other Phantasms in 2004. The Holdfast Chronicles, a four-volume story written over the course of almost thirty years was considered to be her major accomplishment in writing. The series addressed the topics of feminist dystopia, separatist societies, war, and reintegration. Another of her major works, The Vampire Tapestry, has been adapted into a play called "Vampire Dreams".
The War Merit Cross was a state decoration of Nazi Germany during World War II. By the end of the conflict it was issued in four degrees and had an equivalent civil award. A "de-Nazified" version of the War Merit Cross was reissued in 1957 by the Bundeswehr for its veterans.
Charlotte Haldane was a British feminist writer. Her second husband was the biologist J.B.S. Haldane.
The Iron Dream is a metafictional 1972 alternate history novel by American author Norman Spinrad. The book has a nested narrative that tells a story within a story. On the surface, the novel presents a post-apocalyptic adventure tale entitled Lord of the Swastika, written by an alternate-history Adolf Hitler shortly before his death in 1953. In this timeline, Hitler emigrated from Germany to the United States in 1919 after the Great War, and used his modest artistic skills to become first a pulp–science fiction illustrator and later a successful writer, telling lurid, purple-prosed, pro-fascism stories under a thin science fiction veneer. The nested narrative is followed by a faux scholarly analysis by a fictional literary critic Homer Whipple which is said to have been written in 1959.
Passenger to Frankfurt: An Extravaganza is a spy novel by Agatha Christie first published in the United Kingdom by the Collins Crime Club in September 1970 and in the United States by Dodd, Mead and Company later in the same year. The UK edition retailed at twenty-five shillings. In preparation for decimalisation on 15 February 1971, it was concurrently priced on the dustjacket at £1.25. The US edition retailed at $5.95.
Daphne Patai is an American scholar and author. She is professor emeritus of the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst. Her PhD is in Brazilian literature, but her early work also focused on utopian and dystopian fiction. She is the daughter of the anthropologist Raphael Patai.
Katharine Penelope Burdekin was a British novelist who wrote speculative fiction concerned with social and spiritual matters. She was the younger sister of Rowena Cade, creator of the Minack Theatre in Cornwall. Several of her novels could be categorised as feminist utopian/dystopian fiction. She also wrote under the name Kay Burdekin and under the pseudonym Murray Constantine. Daphne Patai unraveled "Murray Constantine's" true identity while doing research on utopian and dystopian fiction in the mid-1980s.
The Sound of His Horn is a 1952 dystopian time travel/alternative history novel by the senior British diplomat John William Wall, written under the pseudonym Sarban. The novel has been included in several lists of the greatest fantasy novels of all time.
A relatively common motif in speculative fiction is the existence of single-gender worlds or single-sex societies. These fictional societies have long been one of the primary ways to explore implications of gender and gender-differences in science fiction and fantasy. Many of these predate a widespread distinction between gender and sex and conflate the two.
Weaver is an alternate history and science fiction novel by British writer Stephen Baxter. It is the fourth and final novel in his Time's Tapestry quartet, which deals with psionic broadcast of history-altering content within trans-temporal lucid dreams.
A hypothetical military victory of the Axis powers over the Allies of World War II (1939–1945) is a common topic in speculative literature. Works of alternative history (fiction) and of counterfactual history (non-fiction) include stories, novels, performances, and mixed media that often explore speculative public and private life in lands conquered by the coalition, whose principal powers were Nazi Germany, Imperial Japan, and Fascist Italy.
The celebration of Christmas in Nazi Germany included attempts by the regime to bring the Christian religious holiday into line with Nazi ideology. The Jewish origins of Jesus and the commemoration of his birth as the Jewish Messiah was troubling for some members of the Nazi Party and their racialist beliefs. Between 1933 and 1945, some government officials attempted to remove these aspects of Christmas from civil celebrations and concentrate on cultural pre-Christian aspects of the festival. However, church and private celebrations remained Christian in nature.
