Sweet Hands | ||||
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Studio album by David Liebman | ||||
Released | 1975 | |||
Recorded | July 25, 27, 29 and 30, 1975 | |||
Studio | Kendun Recorders, Burbank, CA | |||
Genre | Jazz | |||
Length | 44:43 | |||
Label | Horizon SP-702 | |||
Producer | Ed Michel | |||
David Liebman chronology | ||||
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Sweet Hands is an album by saxophonist David Liebman which was recorded in California in 1975 and released on the Horizon label. [1] [2] [3]
David Liebman is an American saxophonist and flautist.
Horizon Records was an American independent record label founded in 1960 by Dave Hubert.
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Review scores | |
Source | Rating |
AllMusic |
The AllMusic review by Richard S. Ginell stated, "The influence of India upon jazz had not been spent entirely when Dave Liebman and Lookout Farm recorded the first of his Horizon albums, which pursues the East-meets-West direction of his former employer Miles Davis, but without the latter's dramatic thrust ... Fascinating music, if not always convincing." [4]
AllMusic is an online music database. It catalogs more than 3 million album entries and 30 million tracks, as well as information on musical artists and bands. It launched in 1991, predating the World Wide Web.
Miles Dewey Davis III was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.
All compositions by David Liebman except where noted
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument, invented in the 1840s. The soprano is the third smallest member of the saxophone family, which consists of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest saxophone in common use.
The alto flute is a type of Western concert flute, a musical instrument in the woodwind family. It is the next extension downward of the C flute after the flûte d'amour. It is characterized by its distinct, mellow tone in the lower portion of its range. It is a transposing instrument in G, and uses the same fingerings as the C flute.
The Complete On the Corner Sessions is a posthumous box set by American jazz musician Miles Davis, released on October 2, 2007, by Columbia Records. Like other Davis box sets, the included material is taken from a wider chronology of sessions than the dates which actually produced the titular album. The Complete On the Corner Sessions compiles material from 1972 through 1975 which, due to lineup changes Davis made throughout the era, features over two dozen musicians.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to turn the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley, Jr. who penned and performed the gospel-influenced protest title song.
Zawinul is an album by jazz composer and pianist Joe Zawinul recorded in 1970 by Zawinul performing music for two electric pianos, flute, trumpet, soprano saxophone, two contra basses and percussion. The album reached number 17 in the Billboard Jazz album charts.
Night-Glo is an album by American composer, bandleader and keyboardist Carla Bley with bassist Steve Swallow recorded and released on the Watt/ECM label in 1985.
Mr. Jones is an album by American jazz drummer Elvin Jones recorded in 1972 and released on the Blue Note label in 1973. The track "G. G." was erroneously listed on the original LP as "Gee Gee".
Merry-Go-Round is an album by American jazz drummer Elvin Jones recorded in 1971 and released on the Blue Note label.
Lookout Farm is an album by American jazz saxophonist Dave Liebman recorded in 1973, his first released on the ECM label.
Drum Ode is an album by American jazz saxophonist Dave Liebman recorded in 1974 and released on the ECM label.
Creative Orchestra Music 1976 is an album by American jazz saxophonist and composer Anthony Braxton recorded in 1976 and released on the Arista label. The album was subsequently included on The Complete Arista Recordings of Anthony Braxton released by Mosaic Records in 2008.
Come On Down! is an album by American jazz saxophonist Eddie Harris recorded in 1970 and released on the Atlantic label.
Bad Luck Is All I Have is an album by American jazz saxophonist Eddie Harris recorded in 1974 and 1975 and released on the Atlantic label.
The Gentle Giant is an album by multi-instrumentalist Yusef Lateef recorded in 1970 and 1971 and released on the Atlantic label.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions arranged by jazz composer, conductor and pianist Gil Evans recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
I Believe to My Soul is an album by jazz pianist Junior Mance which was released on the Atlantic label in 1968.
If They Only Knew is an album by saxophonist David Liebman which was recorded in the Netherlands in 1980 and released on the Dutch Timeless label.
Doin' It Again is an album by saxophonist David Liebman which was recorded in Brooklyn in 1979 and released on the Dutch Timeless label.
Pendulum is a live album by saxophonist David Liebman which was recorded at the Village Vanguard in early 1978 and originally released on the Artists House label. In 2008 the album was rereleased by Mosaic Records as part of a 3 CD box set with eight additional unreleased recordings from the same performances.
First Visit is an album by saxophonist David Liebman which was recorded in Tokyo in 1973 and originally released on the Japanese Philips label before being reissued by West 54 Records in 1980 and on CD by West Wind Records in 1991.
Light'n Up, Please! is an album by saxophonist David Liebman which was recorded in California and New York in 1976 and released on the Horizon label.
Forgotten Fantasies is an album of duets by saxophonist David Liebman and pianist Richard Beirach which was recorded in New York in 1975 and released on the Horizon label.