Guy-Ernest Debord was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International. He was also briefly a member of Socialisme ou Barbarie.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
Anarchism has long had an association with the arts, particularly with visual art, music and literature. This can be dated back to the start of anarchism as a named political concept, and the writings of Pierre-Joseph Proudhon on the French realist painter Gustave Courbet. In an essay on Courbet of 1857 Proudhon had set out a principle for art, which he saw in the work of Courbet, that it should show the real lives of the working classes and the injustices working people face at the hands of the bourgeoisie.
Michael Martin Fried is a modernist art critic and art historian. He studied at Princeton University and Harvard University and was a Rhodes Scholar at Merton College, Oxford. He is the J.R. Herbert Boone Professor Emeritus of Humanities and Art History at the Johns Hopkins University, Baltimore, Maryland, United States.
The Painter's Studio is an 1855 oil-on-canvas painting by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France.
Jules François Felix Fleury-Husson, who wrote under the name Champfleury, was a French art critic and novelist, a prominent supporter of the Realist movement in painting and fiction.
Julien Vallou de Villeneuve was a French painter, lithographer and photographer.
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century.
A Burial at Ornans is a painting of 1849–50 by Gustave Courbet. It is widely regarded as a major turning point in 19th-century French art. The painting records a funeral in Courbet's birthplace, the small town of Ornans. It treats an ordinary, provincial funeral with frank realism, and on the grand scale traditionally reserved for the heroic or religious scenes of history painting. Its exhibition at the 1850–51 Paris Salon created an "explosive reaction" and brought Courbet instant fame. It is currently displayed at the Musée d'Orsay in Paris, France
The Stone Breakers, also known as Stonebreakers, was an 1849 oil painting on canvas by the French painter Gustave Courbet. Now destroyed, the image remains an often-cited example of the artistic movement Realism.
Joseph Leo Koerner is an American art historian and filmmaker. He is the Victor S. Thomas Professor of the History of Art and Architecture and Professor of Germanic Languages and Literatures at Harvard University. Since 2008 he has also been Senior Fellow at the Harvard's Society of Fellows.
Le Sommeil is an erotic oil painting on canvas by French artist Gustave Courbet created in 1866. The painting, which depicts a lesbian couple, is also known as the Two Friends and Indolence and Lust.
The Meeting or "Bonjour, Monsieur Courbet" is an oil-on-canvas painting by Gustave Courbet, made in 1854. It depicts the artist on his way to Montpellier meeting his patron Alfred Bruyas, his servant Calas and his dog. One of the most emblematic works by the artist, it is also one of his most popular. The composition is based on the myth of the Wandering Jew.
Le ruisseau noir (The Black Stream) (also known in En. as Stream in a Ravine) is an oil-on-canvas landscape painted in 1865 by the French artist Gustave Courbet. It is currently held and exhibited at the Musée d'Orsay in Paris.
Les raboteurs de parquet is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures 102 by 146.5 centimetres. It was originally given by Caillebotte's family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d'Orsay in Paris, where it is currently displayed.
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual source that created a desire for people to produce representations which look objectively real.
Gustave Léonard de Jonghe, Gustave Léonard De Jonghe or Gustave de Jonghe was a Flemish painter known for his glamorous society portraits and genre scenes. After training in Brussels, he started out as a painter of historical and religious subjects in a Realist style. After moving to Paris where he spent most of his active career, he became successful with his scenes of glamorous women in richly decorated interiors.
Young Ladies of the Village or The Village Maids is an 1852 oil-on-canvas painting by the French artist Gustave Courbet, now in the Metropolitan Museum of Art, in New York. It is signed bottom left "G. Courbet".
The Eternal Feminine is an 1877 oil-on-canvas painting by the French Post-Impressionist artist Paul Cézanne. The ambiguous work shows men gathered around a single female figure. A range of professions are represented: writers, lawyers, and a painter.
Joseph Maximilien Buchon also known as Max Buchon was a French poet, novelist and translator. He was from Salins-les-Bains and for a time he lived in Switzerland. He founded the newspaper, La Démocratie Salinoise.
