T. Sasitharan | |
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| Born | 23 February 1958 |
| Alma mater | National University of Singapore - Master of Arts (Philosophy) |
| Honours | Cultural Medallion |
Thirunalan Sasitharan (born 23 February 1958; also known as T. Sasitharan) is a Singaporean theatre educator and the co-founder and director of Intercultural Theatre Institute (ITI), formerly known as the Theatre Training & Research Programme (TTRP).
For more than 30 years, Sasitharan, has been actively involved as an actor, director and producer in the Singapore theatre scene.
From 1983 to 1989, he taught philosophy at the National University of Singapore.
He was the theatre and visual art critic with The Straits Times from 1988 to 1996, where he also served as the arts editor for the ‘Life!’ Section. He had 14 articles ranging from commentaries on Singapore culture and the arts to reviews of performances, exhibitions, talks and catalogue entries published both in Singapore and overseas. [1]
He then became the second Artistic Director of The Substation from April 1996 to August 2000 before he founded ITI with the late Kuo Pao Kun in 2000. ITI is now a private school under the Committee for Private Education.
In 2015, Sasitharan starred in the segment "The Flame" of omnibus film 7 Letters .
Sasitharan is married to Kavita Kumari Ratty, an associate director at a university research institute. The couple have 2 daughters.
In 2012, he was awarded the Cultural Medallion, the highest award for the arts in Singapore. [2]
Ivan Heng is a Singaporean actor and theatre director of Peranakan descent. He is the founding artistic director of W!LD RICE, a theatre company in Singapore, and an outspoken advocate for respect for diversity and freedom of expression.
LGBT art in Singapore, or queer art in Singapore, broadly refers to modern and contemporary visual art practices that draw on lesbian, gay, bisexual, and transgender+ imagery and themes, addressing topics such as LGBT rights, history and culture in Singapore. Such queer art practices are often by Singaporean or Singapore-based visual artists and curators who identify as LGBT+ or queer.
The Cultural Medallion is a cultural award in Singapore conferred to those who have achieved artistic excellence in dance, theatre, literature, music, photography, art and film. It is widely recognized as Singapore's pinnacle arts award.
Richard Lee Peng Boon, professionally known as Dick Lee, is a Singaporean singer-songwriter, playwright and film director. Lee was awarded the Cultural Medallion, Singapore's pinnacle arts award, for music in 2005.
The National Arts Council (NAC) is a statutory board established on 15 October 1991 to oversee the development of arts in Singapore. It is under the purview of the Ministry of Culture, Community and Youth. The NAC provides grants, scholarships, awards and platforms for arts practitioners, as well as arts education and programmes for the general public.
Ong Keng Sen is a Singaporean director of the theatre group TheatreWorks, which was founded in 1985.
The Substation is Singapore's first independent contemporary arts centre. It was founded in 1990 by Kuo Pao Kun. The Substation is centrally located in the city's civic district and was the first building under the National Arts Council's "Arts Housing Scheme". It officially opened on 16 September 1990. The Substation is a non-profit organisation and registered Institution of Public Character in Singapore, which relies on financial and in-kind support from the general public, commercial organisations and government ministries to cover the costs of operating and developing arts & educational programmes.
Neila Sathyalingam was a Singaporean classical Indian dancer, choreographer and instructor of Sri Lankan Tamil origin. An alumna of Kalakshetra in Madras under the tutelage of Srimathi Rukmini Devi Arundale, she emigrated with her family to Singapore in 1974. In 1977 she and her husband founded the performance arts company Apsaras Arts, which has staged performances throughout the world. She was the company's artistic director and continued to teach dance.
Ong Kim Seng, was born in Singapore and has been a full-time artist since 1985. He has participated in group and solo exhibitions at Singapore and in the United States, China, United Kingdom, Japan, Australia, Belgium, Federal Republic of Germany, France, Middle East, Taiwan, Hong Kong, and the ASEAN countries.
Chua Ek Kay was a Singaporean artist hailed as the "bridge between Asian and Western art" with a unique painting style using Chinese ink on paper that demonstrated an ingenious blend of traditional Chinese painting forms with Western art theories and techniques. Most of his works were themed of Chinatown street scenes, lotuses, and abstract works inspired by Australian aboriginal cave paintings.
Della Butcher was an art gallery owner and an avid patron of Singapore art, noted for her lifetime of work supporting Singaporean artists and making it an international name.
Kuo Pao Kun was a playwright, theatre director, and arts activist in Singapore who wrote and directed both Mandarin and English plays. He founded three arts and drama centres in Singapore, conducted and organised a number of drama seminars and workshops, and mentored Singaporean and foreign directors and artists.
Tang Da Wu is a Singaporean artist who works in a variety of media, including drawing, painting, sculpture, installation art and performance art. Educated at Birmingham Polytechnic and Goldsmiths' College, University of London, Tang gave his first solo exhibition, consisting of drawings and paintings, in 1970 at the Singapore Chinese Chamber of Commerce and Industry. He began engaging in performance art upon returning to Singapore in 1979 following his undergraduate studies.
Han Sai Por is a Singaporean sculptor. A graduate of the Nanyang Academy of Fine Arts (NAFA), East Ham College of Art, Wolverhampton College of Art and Lincoln University, New Zealand, she worked as a teacher and later as a part-time lecturer at NAFA, the LASALLE-SIA College of the Arts, and the National Institute of Education, Nanyang Technological University, before becoming a full-time artist in 1997.
Loo Zihan is a Singaporean actor, film director, artist and dancer. He was a part-time teacher at School of the Arts, Singapore, National Institute of Education (Singapore) and Nanyang Technological University.
Amanda Heng Liang Ngim is a contemporary artist, curator and speaker from Singapore, who works in Singapore and internationally. As an artist she has a multidisciplinary practice, working collaboratively in contemporary art exhibitions, performance, forums, workshops and art interventions. Her practice explores themes of national identity, collective memory and social relationships, gender politics and other social issues in urban, contemporary Singaporean society. She is the recipient of the 2019 Singapore Biennale's Benesse Prize.
Kok Heng Leun is a former Singapore Nominated Member of Parliament (NMP) who represented the arts sector in Singapore. He was appointed by the President of Singapore in March 2016. Currently, he works as the Artistic Director of Singaporean theatre company Drama Box. He is a member of the Singapore Chinese Cultural Centre Programme Committee, and is part of the arts advisory panel of the National Arts Council, Singapore.
The Intercultural Theatre Institute (ITI), formerly known as Theatre Training & Research Programme (TTRP), is a specialised, independent actor-training school in Singapore that offers a three-year full-time programme that trains actors through contemporary approaches and classical Asian theatre training. It is currently under the aegis of Singapore's Committee for Private Education.
Susie Lingham is a Singaporean Contemporary artist, writer, curator, art theorist, and educator. Her practice often incorporates writing, sound, performance, and installation, synthesising interdisciplinary ideas related to the nature of the mind across different fields, from the humanities to the Sciences.
Lim Tzay Chuen is a Singaporean contemporary artist known for his conceptual works that involve designing or constructing subtle interventions within systems, leading viewers to re-evaluate their perceptions and assumptions of social, economic, cultural and political processes.
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