Picuris Pueblo is a historic pueblo in Taos County, New Mexico, United States. It is also a census-designated place (CDP) and a federally recognized tribe of Native American Pueblo people. The 2010 census estimated that 68 people lived in the CDP, while 267 people in the U.S. reported being of the tribal group Picuris alone and 439 reported being of the tribal group Picuris alone or in combination with other groups. Picurís Pueblo is a member of the Eight Northern Pueblos. Their own name for their pueblo is P'įwweltha, meaning "mountain warrior place" or "mountain pass place." They speak the Picuris dialect of the Northern Tiwa language, part of the Kiowa-Tanoan language family.
Jicarilla Apache, one of several loosely organized autonomous bands of the Eastern Apache, refers to the members of the Jicarilla Apache Nation currently living in New Mexico and speaking a Southern Athabaskan language. The term jicarilla comes from Mexican Spanish meaning "little basket", referring to the small sealed baskets they used as drinking vessels. To neighboring Apache bands, such as the Mescalero and Lipan, they were known as Kinya-Inde.
Maria Margarita "Margaret" Tafoya was the matriarch of Santa Clara Pueblo potters. She was a recipient of a 1984 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
Juanita Suazo Dubray also known as Juanita DuBray, is a Native American potter from Taos Pueblo, New Mexico. She is a lifelong resident of Taos Pueblo and descends from an unbroken line of Taos Pueblo natives. Her mother Tonita made traditional micaceous pottery for utilitarian use. She became interested in the micaceous pottery tradition in 1980 after a career of working as a pharmaceutical technician.
Anita Louise Suazo is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
Anthony Durand (1956–2009) was a Puebloan potter from Picuris Pueblo, New Mexico, United States. He was born in Cortez, Colorado and raised by his grandparents at Picuris Pueblo. He attended primary and secondary school in Peñasco, New Mexico and college at New Mexico Highlands University. When he returned to Picuris in 1976, he became intent on preventing the Picuris micaceous tradition of pottery from dying out. He had an excellent teacher in his grandmother Cora Durand. In 1976, Cora and Francis Martinez were the only ones making traditional Picuris-style pottery. With inspiration from his grandmother, Anthony was producing pottery on a full-time basis within a year.
Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist. Her artworks are in major public collections and she has won numerous awards.
Martha Hopkins Struever (1931–2017) was an American Indian art dealer, author, and leading scholar on historic and contemporary Pueblo Indian pottery and Pueblo and Navajo Indian jewelry. In June 2015, a new gallery in the Wheelwright Museum of the American Indian, was named for her. The first permanent museum gallery devoted to Native American jewelry, the Martha Hopkins Struever Gallery, is part of the Center for the Study of Southwestern Jewelry.
Douglas Miles is a San Carlos Apache-Akimel O'odham painter, printmaker and photographer from Arizona, who founded Apache Skateboards and Apache Skate Team.
The Jicarilla War began in 1849 and was fought between the Jicarilla Apaches and the United States Army in the New Mexico Territory. Ute warriors also played a significant role in the conflict as they were allied with the Jicarillas. The war started when the Apaches and Utes began raiding against settlers on the Santa Fe Trail. Eventually, in 1853, the U.S. Army retaliated which resulted in a series of battles and campaigns that ended in 1854 when a large military expedition managed to quell most of the violence. However, some minor skirmishing continued into 1855.
The White massacre was an engagement between American settlers and a band of Utes and Jicarilla Apaches that occurred in northeastern New Mexico on October 28, 1849. It became notable for the Indians' kidnapping of Mrs. Ann White, who was subsequently killed during an Army rescue attempt a few weeks later.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Jody Folwell-Turipa is a Puebloan potter and artist.
Tammy Garcia is a Santa Clara Pueblo sculptor and Ceramic artist. Garcia translates Pueblo pottery forms and iconography into sculptures in bronze and other media.
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Elizabeth Toya Medina is a Pueblo potter. She married into the Zia tribe in 1978 and, as is traditional, gained tribal permission to use Zia designs in her work. Her first pots were in the Jemez style. In some instances she has collaborated with her mother-in-law, Sofia Medina, whom she cites as her inspiration.
Juanita Inez Ortiz, also known as Inez Ortiz was a Native American Cochiti Pueblo artist, specializing in pottery. She is of the Herrera family of Pueblo potters in New Mexico, whose work is often found in art collections and in art museums. She was from the Cochiti Pueblo in Cochiti, New Mexico.
Susan Folwell is a Native American artist from Santa Clara Pueblo, New Mexico, known for her work in the ceramic industry. Her work ties in Native designs and history and has been used by Folwell to demonstrate her viewpoints on society and politics. Folwell has been described by the Heard Museum as an "innovator in Pueblo pottery".
Black-on-black ware is a 20th- and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from Kha'po Owingeh and P'ohwhóge Owingeh pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors.
Pueblo pottery are ceramic objects made by the indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.