Tanja Becker-Bender (born 11 February 1978) is a German violinist. She lives in Berlin and Hamburg.
Tanja Becker-Bender | |
---|---|
Born | 11 February 1978 |
Education | Master of Music Artist Diploma |
Alma mater | Juilliard School Mozarteum University of Salzburg |
Occupation | violinist |
Born in Stuttgart, [1] Becker-Bender has performed since age of eleven as a soloist on international stages under the baton of Kurt Masur, Gerd Albrecht, Hubert Soudant and Fabio Luisi with renowned orchestras, such as the Stuttgart Radio Symphony Orchestra, the Berlin Konzerthaus Orchestra, the Jerusalem Symphony Orchestra, the Orchestre de la Suisse Romande and the Tokyo Philharmonic Orchestra. As a chamber musician she appeared in festivals together with Gidon Kremer, Yuri Bashmet, Boris Pergamenschikow and Arnold Steinhardt.
Becker-Bender won prizes and awards in national and international competitions such as in Geneva (Switzerland, CIEM), Tokyo (Bunkamura Orchard Hall Award), Belgium (Concours International de Musique de Chimay), Gorizia (Italy, Premio Rodolfo Lipizer), Genoa (Italy, Premio Nicolò Paganini), Greensboro (North Carolina, Eastern Music Festival) and in Houston (Texas, Houston Symphony League Award). [2] [3]
She received her instrumental education by Helmut Zehetmair at the Mozarteum University of Salzburg, Wolfgang Marschner in Freiburg, Wilhelm Melcher in Stuttgart, by David Takeno at the Guildhall School of Music and Drama in London and Günter Pichler at the University of Music and Performing Arts in Vienna. [4] She completed her studies by the Master of Music and the Artist Diploma with Robert Mann at the Juilliard School in New York.
Becker-Bender was director in the violin program of the European American Musical Alliance (EAMA) 2004 and 2005 in Paris. [5]
In 2006, Becker-Bender was appointed Professor of Violin at the University of Music Saar in Saarbrücken, Germany, [1] succeeding Maxim Vengerov. In spring 2009, she received an appointment for a professorship at the University of Music and Theater Hamburg [1] and another such appointment at the University of Music and Performing Arts in Vienna. She started her teaching activity as professor of Violin at the University of Music and Theater Hamburg in winter term 2009/2010. In 2011, she was elected for a member of the Freie Akademie der Künste Hamburg. [6]
Boris Vadimovich Berezovsky is a Russian pianist.
David Geringas is a Lithuanian cellist and conductor who studied under Mstislav Rostropovich. In 1970 he won the gold medal at the International Tchaikovsky Competition. He also plays the baryton, a rare instrument associated with music of Joseph Haydn.
Erwin Schulhoff was an Austro-Czech composer and pianist. He was one of the figures in the generation of European musicians whose successful careers were prematurely terminated by the rise of the Nazi regime in Germany and whose works have been rarely noted or performed.
Ferdinand Ernst Victor Carl David was a German virtuoso violinist and composer.
Nelson José Pinto Freire was a Brazilian classical pianist. Regarded as one of the greatest pianists of his generation, he was noted for his "decorous piano playing" and "interpretive depth". His extensive discography for labels such as Sony Classical, Teldec, Philips, and Decca has garnered awards including the Gramophone Award and Diapason d'Or. Freire appeared as soloist with the world's most prestigious orchestras, including the Berlin Philharmonic, the London Symphony Orchestra, the Royal Concertgebouw Orchestra and the New York Philharmonic. He played and recorded piano duo music with Martha Argerich, a long-time musical and personal friend.
Daniel Müller-Schott is a German cellist.
Alina Rinatovna Ibragimova is a Russian-British violinist.
Lars Vogt was a German classical pianist, conductor and academic teacher. Noted by The New York Times for his interpretations of Brahms, Vogt performed as a soloist with major orchestras, including the Berlin Philharmonic. He was the music director of the Orchestre de chambre de Paris at the time of his death and also served as the music director of the Royal Northern Sinfonia. He ran a festival of chamber music, Spannungen, from 1998, and succeeded his teacher Karl-Heinz Kämmerling as professor of piano at the Musikhochschule Hannover.
The Israeli pianist Yaara Tal and her German partner Andreas Groethuysen are a piano duo.
Jean Perrin was a Swiss composer and pianist. He composed in a neo-classical style, sometimes approaching polytonality, and his music shows the influence of Stravinsky and Poulenc.
Johannes Pramsohler is a French-Italian violinist, conductor and record producer, specialised in Historically informed performance.
Vilde Frang Bjærke is a Norwegian classical violinist.
Carolin Widmann is a German classical violinist. She focuses on contemporary music. Widmann plays a violin made in 1782 by Giovanni Battista Guadagnini.
Lea Birringer is a German classical violinist and professor at the University of Music Würzburg.
The Violin Sonata No. 2 for piano and violin, in D major, Op. 11, No. 2, is the second surviving violin sonata for the two instruments by Paul Hindemith, composed in 1918. It was published as Sonate in D für Klavier und Violine.
The Philharmonia Quartet Berlin is a string quartet founded in 1985 by members of the Berlin Philharmonic.
Kolja Lessing is a German violinist, pianist, composer and academic teacher. His focus as a soloist and chamber musician has been the neglected repertoire by composers who were ostracised under the Nazi regime. His recordings include four volumes of works by students of Franz Schreker in his master classes in Vienna and Berlin.
Markus Becker is a German pianist and academic teacher. He is focused on chamber music, and on piano concertos from the time around 1900. His recording of the complete piano works by Max Reger earned him awards. He is also a jazz pianist, and has been professor of piano and chamber music at the Hochschule für Musik, Theater und Medien Hannover since 1993.
Evgeny Sviridov is a Russian violinist and academic teacher based in Germany who turned from the Russian romantic style to the Baroque violin which he studied in Cologne. He has been concertmaster for the ensemble Concerto Köln beginning in 2015, and has lectured Baroque violin at the Hochschule für Künste Bremen from 2018.
The Piano Concerto in F minor, Op. 114, is a concerto for piano and orchestra composed by Max Reger in Leipzig in 1910. He dedicated the work to Frieda Kwast-Hodapp, who premiered it in Leipzig on 15 December 1910 with the Gewandhausorchester conducted by Arthur Nikisch. The difficult composition has been rarely performed and recorded. Pianists who have tackled it range from the American Rudolf Serkin, who first recorded it in 1959, to Markus Becker who was the soloist in an award-winning recording in 2017.