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This article may be expanded with text translated from the corresponding article in Japanese. (December 2016)Click [show] for important translation instructions.
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Author | Yasunari Kawabata |
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Original title | たんぽぽ |
Country | Japan |
Language | Japanese |
Publication date | 1964 (magazine) 1972 (novel) |
Tanpopo ("The Dandelion") is a Japanese novel by Yasunari Kawabata, written in 1964, but published complete only posthumously in 1972. Kawabata had commenced serializing his final novel in the literary magazine Shincho, but after winning the Nobel Prize for Literature in October 1968 he ceased all publishing activity. [1] It has been published in French as Les pissenlits in 2012. [2] The plot turns on the blindness of the girl Inako (稲子), when making love to the boy Hisano (久野) and the conversations leading to the decision of the girl's mother to protect him from the girl, lest she harm him when she is blind. [3]
Kimitake Hiraoka, known also under the pen name Yukio Mishima, was a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai. Mishima is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968, but the award went to his countryman and friend Yasunari Kawabata. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion as well as the autobiographical essay Sun and Steel. Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death".
Kensaku Shimaki was the pen-name of Asakura Kikuo, a Japanese author active during the Shōwa period in Japan.
Motojirō Kajii was a Japanese author in the early Shōwa period known for his poetic short stories. Kajii left behind masterpieces such as Remon, "Shiro no aru machi nite". Fuyu no hi and Sakura no ki no shita ni wa. His poetic works were praised by fellow writers including Yasunari Kawabata and Yukio Mishima. Today his works are admired for their finely tuned self-observation and descriptive power.
Yasunari Kawabata was a Japanese novelist and short story writer whose spare, lyrical, subtly-shaded prose works won him the Nobel Prize for Literature in 1968, the first Japanese author to receive the award. His works have enjoyed broad international appeal and are still widely read.
The Old Capital is a novel by Yasunari Kawabata originally published in 1962. It was cited by the Nobel Committee in their decision to award Kawabata the 1968 Prize for Literature. A number of movie adaptations have been made of it, including Twin Sisters of Kyoto, which was nominated for the Academy Award for Best Foreign Language Film in 1964.
The Master of Go is a novel by the Japanese author Yasunari Kawabata, who was awarded the Nobel Prize in Literature in 1968. The novel was first published in serial form in 1951. Titled Meijin (名人) in its original Japanese, Kawabata considered it his finest work, although it is in contrast with his other works. It is the only one of Kawabata's novels that the author considered to be finished.
Snow Country is a novel by the Japanese author Yasunari Kawabata. The novel is considered a classic work of Japanese literature and was among the three novels the Nobel Committee cited in 1968, when Kawabata was awarded the Nobel Prize in Literature.
Tomoji Ishizuka was the pen-name of Ishizuka Tomoji, a Japanese haiku poet and novelist active during the Shōwa period of Japan.
Hideo Kobayashi was a Japanese author, who established literary criticism as an independent art form in Japan.
Akiko Itoyama is a Japanese novelist. She has won the Akutagawa Prize, the Kawabata Yasunari Prize, and the Tanizaki Prize, and her work has been adapted for film.
Nobuko Takagi is the professional name of Nobuko Tsuruta, a Japanese author. She has won the Akutagawa Prize and the Tanizaki Prize, she has been named a Person of Cultural Merit, and her work has been adapted for film.
Kikuko Kawakami was a Japanese writer active during the Shōwa period of Japan. Her maiden name was Shinoda Kikuko.
Tatsuo Nagai was a writer of short stories, novels, and essays, active in the Shōwa period Japan, known for his portrayals of city life. Nagai was also known as a haiku poet under the pen-name of "Tomonkyo".
Yamaguchi Hitomi was a popular novelist and essayist in Shōwa period Japan.
Nanae Aoyama is a Japanese fiction writer. She has won the Akutagawa Prize, the Bungei Prize, and the Yasunari Kawabata Literary Prize. Her work has been translated into Chinese, Korean, Vietnamese, German, French, and Italian.
Takehiro Irokawa was a noted Japanese writer who published both serious literature and light fiction under a variety of pseudonyms including Asada Tetsuya (阿佐田哲也) and Budai Irokawa (色川武大).
Tomoji Abe was a Japanese novelist, social critic, humanist, and translator of English and American literature. Although he began writing as a modernist, in his later works he represented the intellectual movement in Japanese literature. This movement departed from Japanese traditional thinking and from established forms of narration, which focused on esthetic values and emotional states of mind ; it also departed from modernist views, which continued to be popular in world literature and in Japan. Abe's intellectual approach was incompatible with the socio-political atmosphere of Japan in the early Shōwa period (1925–1945), with rising fascism and militarism, and the crusade to preserve Japanese feudal traditions.
Kazuo Okamatsu was a Japanese philologist and novelist.
Tanpopo, also transliterated as Tampopo, is the Japanese word for dandelion. Tanpopo or Tampopo may refer to:
Kiyoko Murata is a Japanese writer. She has won the Akutagawa Prize, the Noma Literary Prize, and the Yomiuri Prize, among other literary prizes. The Government of Japan has awarded her the Medal with Purple Ribbon and Order of the Rising Sun, and she has been appointed to the Japan Art Academy. Her work has been adapted for film by Akira Kurosawa and Hideo Onchi.
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