Former name | Manawatu Museum |
---|---|
Established | 1999 |
Location | Palmerston North, New Zealand |
Visitors | Over 100,000 (mid-2019 to mid-2020) [1] |
Website | Official website |
Te Manawa ('The Heart') is a museum, art gallery and science centre in Palmerston North, New Zealand. It is operated by the Te Manawa Museums Trust, a charitable trust incorporated on 20 August 1999. From that date, the trust assumed responsibility for art works and heritage assets transferred to its care but held on behalf of others. From 1 July 2000 the trust commenced leasing the premises and managing the institution under agreements entered into with the Palmerston North City Council.
The primary objective of the trust is to provide interactive experience in art, science and history through acquiring, conserving, researching, developing, communicating and exhibiting material evidence of people and their environment, rather than making a financial return.
The trust is controlled by Palmerston North City Council and is a Council Controlled Organisation as defined under section 6 of the Local Government Act 2002, by virtue of the council’s right to appoint more than 50% of the board of trustees.
The Te Manawa complex also houses the New Zealand Rugby Museum adjacent to the civic centre, near the Square in Palmerston North, on land which was historically the railway station, before the trains were moved from the center of city to the west of the city. Some dozens of the holdings are contributed to NZMuseums, the combined catalog of museums across New Zealand. [2]
Te Manawa's public spaces include semi-permanent exhibitions, local exhibitions, touring exhibitions, [3] events [4] and a shop. Te Manawa is highly ranked as a tourist attraction by both Trip Advisor [5] and Lonely Planet. [6] It was a finalist in the 2012 New Zealand museum awards. [7]
A Te Manawa-curated photography exhibition called Now and then toured municipal art galleries around the country, including Te Manawa, [8] Tauranga (where it raised obscenity concerns), [9] [10] Wairarapa, [11] and Hastings. [12]
Masterton is a large town in the Greater Wellington Region of New Zealand that operates as the seat of the Masterton District. It is the largest town in the Wairarapa, a region separated from Wellington by the Remutaka ranges. It stands on the Waipoua stream between the Ruamāhunga and Waingawa Rivers – 100 kilometres north-east of Wellington and 39.4 kilometres south of Eketāhuna.
The Manawatū Gorge is a steep-sided gorge formed by the Manawatū River in the North Island of New Zealand. At 6 km (3.7 mi) long, the Manawatū Gorge divides the Ruahine and Tararua Ranges, linking the Manawatū and Tararua Districts. It lies to the northeast of Palmerston North. Its western end is near the small town of Ashhurst and its eastern end is close to the town of Woodville.
Ann Verdcourt (1934–2022) was a New Zealand artist. She emigrated to New Zealand with her husband, ceramic artist John Lawrence, in 1965.
The New Zealand Rugby Museum, based in Palmerston North, New Zealand, is a museum dedicated to the sport of Rugby union.
Paul Hugh Dibble was a New Zealand sculptor.
The Dowse Art Museum is a municipal art gallery in Lower Hutt, New Zealand.
William Beetham was an English-born portrait painter, who painted mainly in the United Kingdom and New Zealand. He exhibited his paintings at the Royal Academy of Arts in London (1834–53) and painted in Hamburg, Copenhagen and at the court of the Tsar in Saint Petersburg. He emigrated to New Zealand in 1855 and became a significant figure as a colonist, pastoralist and portrait artist. He had a society clientele and received commissions to paint portraits of aristocrats and national leaders, including important Māori Rangatira chiefs. Beetham's paintings are in the permanent collection of the National Portrait Gallery, London and Museum of New Zealand Te Papa Tongarewa in Wellington. He was the founder and Chair of the New Zealand Academy of Fine Arts in 1882. Mezzotint prints of Beetham's drawings are in the permanent collection of the Science Museum, London Beetham's paintings and drawings have also sold at Bonhams auction house.
Wi Te Tau Pirika Taepa is a significant figure in contemporary New Zealand ceramics, and a leading figure in contemporary Māori clay art.
Colleen Elizabeth Waata-Urlich was a New Zealand ceramicist. Of Māori descent, she belonged to Te Popoto o Ngāpuhi ki Kaipara and Te Rarawa. Through education, involvement in Māori art collectives and production of exhibited work, Urlich was dedicated to the development of Māori art.
Ngā Kaihanga Uku is a New Zealand collective of Māori Clayworkers. They formed in 1986 during a Ngā Puna Waihanga gathering, under the leadership of Baye Riddell and Manos Nathan. Founding members also include Paerau Corneal, Colleen Waata Urlich and Wi Taepa.
The Active Eye was a 1975 exhibition of work by contemporary New Zealand photographers, originated by the Manawatu Art Gallery in Palmerston North and touring to other galleries around New Zealand. The exhibition was one of the first to focus on contemporary photography in New Zealand, and attracted considerable controversy around the works included by artist Fiona Clark.
Maude Burge was a New Zealand painter influenced by James Nairn. She spent time as an expatriate artist specifically in Europe. Burge was a painting companion of Frances Hodgkins who called Maude Burge a "charming changeable woman" in her published letters. They painted together at the Burge family home in St.Tropez and in Ibiza. Burge's paintings are held in the permanent collection of Auckland Art Gallery, the Museum of New Zealand Te Papa Tongarewa, the National Art Gallery of New Zealand, the Fletcher Trust Collection, the National Library of New Zealand and among private art collectors in the northern and southern hemispheres. Burge exhibited her paintings at the New Zealand Academy of Fine Arts.
Saffronn Te Ratana is a New Zealand visual artist in Palmerston North.
Terri Te Tau is a New Zealand contemporary artist and writer. She is a member of the Mata Aho Collective. In 2017, the collective represented New Zealand at documenta, a quinquennial contemporary-art exhibition held in Kassel, Germany. This was the first time New Zealand artists had been invited to present their work at the event.
Whangārei Central is the central suburb and business district of Whangārei, in the Northland Region of New Zealand's North Island. It includes the Whangārei Town Basin. It has traditionally been the main commercial centre of Northland. As of 2017, approximately 39% of the 1404 businesses were commercial and professional services; 19% were retail and food businesses.
Anton Parsons is a New Zealand sculptor. His work often contain letters and numbers, sometimes in Braille or Braille-like codes, these are typically arranged along linear of curvilinear surfaces. Some of his early work consisted of meticulously crafted oversize pencils and other writing equipment. Later he produced a series of works involving oversized Braille often in collaboration with the blind poet Dr. Peter Beatson of Palmerston North. The Braille works were followed by a series of works designed to fit in gallery doorways, they consisted of vertical plastic strips similar to a cheap fly screen.
Brett a'Court is a New Zealand artist who has lived and painted in Waipu, Northland since 1995, and exhibits regularly in New Zealand, including 11 solo exhibitions between 2002 and 2022. His work can be found in both private and public collections throughout the country.
John Bevan Ford was a New Zealand Māori artist and educator who started exhibiting in 1966. He is a leading figure in contemporary Māori art with art held in all large public collections of New Zealand. In 2005 Ford received the Creative New Zealand Te Waka Toi Kingi Ihaka Award.
Raymond Wallace Thorburn was a New Zealand artist, art educator and museum director.
Dame Lynley Dodd exhibition at Te Manawa Palmerston North.
Ranked #3 of 5 attractions in Palmerston North
#5 of 36 things to do in Palmerston North