George Platt Lynes was an American fashion and commercial photographer who worked in the 1930s and 1940s. He produced photographs featuring many gay artists and writers from the 1940s that were acquired by the Kinsey Institute after his death in 1955.
Bill Henson is an Australian contemporary art photographer.
Maxwell Spencer Dupain AC OBE was an Australian modernist photographer.
Mervyn Bishop is an Australian news and documentary photographer. Joining The Sydney Morning Herald as a cadet in 1962 he was the first Aboriginal Australian to work on a metropolitan daily newspaper and one of the first to become a professional photographer. In 1971, four years after completing his cadetship, he was named Australian Press Photographer of the Year. He has continued to work as a photographer and lecturer.
Michael Riley was an Aboriginal Australian photographer and filmmaker, and co-founder of Boomalli Aboriginal Artists Cooperative. A significant figure in contemporary Indigenous Australian art, Riley's work is held by many public art institutions, including the National Gallery of Australia.
Emil Otto Hoppé was a German-born British portrait, travel, and topographic photographer active between 1907 and 1945. Born to a wealthy family in Munich, he moved to London in 1900 to train as a financier, but took up photography and rapidly achieved great success.
Olive Cotton was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.
Alexia Sinclair is an Australian fine-art photographer. She studied Fine Arts in Sydney at The National Art School (1995–1998). She majored in traditional photography and her studies in painting, drawing, sculpture, and art history were all influential to her work. She completed a Master of Fine Arts at the University of Newcastle (2007).
On the wallaby track is a 1896 painting by the Australian artist Frederick McCubbin. The painting depicts an itinerant family; a woman with her child on her lap and a man boiling a billy for tea. The painting's name comes from the colloquial Australian term "On the wallaby track" used to describe itinerant rural workers or "swagmen" moving from place to place for work. The work has been described as "among the best known and most popularly admired of Australian paintings".
Cecil Westmoreland Bostock (1884–1939) was born in England. He emigrated to New South Wales, Australia, with his parents in 1888. His father, George Bostock, was a bookbinder who died a few years later in 1892.
Ruth Maddison is an Australian photographer. She started photography in the 1970s and continues to make contributions to the Australian visual arts community.
Axel Poignant was an Australian photographer.
Jennifer "Jennie" Boddington was an Australian film director and producer, who was first curator of photography at the National Gallery of Victoria in Melbourne (1972–1994), and researcher.
The Vandyke Album is in the collection of the State Library of New South Wales located in Sydney, New South Wales, Australia. The Vandyke Album was created by Max Dupain and Olive Cotton and is of importance to Australia's photographic history giving context to the Australian photograph "The Sunbaker".
Jacqueline Mitelman is an Australian portrait photographer.
Philip Quirk is an Australian photographer, photojournalist and educationist, known for his specialist imagery of landscape, geographic and documentary photography, and as a founding member of the Wildlight agency.
Lucie Emile Shorter, better known as Lulu Shorter was an Australian designer best known for her product designs, including the first commercially successful Australian designs for Royal Doulton.
Hoda Afshar is an Iranian documentary photographer who is based in Melbourne. She is known for her 2018 prize-winning portrait of Kurdish-Iranian refugee Behrouz Boochani, who suffered a long imprisonment in the Manus Island detention centre run by the Australian government. Her work has been featured in many exhibitions and is held in many permanent collections across Australia.
Judith Wright in Meanjin (Brisbane) is a multidisciplinary artist whose practice spans installation, video, sculpture, painting, drawing, printmaking and assemblage.
Justine Varga is an artist based in Sydney, and Oxford, United Kingdom. She is known for her interrogation of the photographic medium. Varga's approach is exemplified by her award-winning portrait Maternal Line, one of several awards the artist has received for her photography.
