Tejano South Texas: A Mexican American Cultural Province is a 2002 non-fiction book by Daniel D. Arreola, published by the University of Texas Press. It discusses the South Texas region and Mexican American culture within the region.
Arreola includes photographs, [1] multiple maps, [2] as well as diagrams. [3] Arreola describes South Texas as being distinct from other Mexican American areas. [4] There is a chapter on social identities where Arreola elaborates on this. [1]
Arreola's field is cultural geography. [3]
The methods of the cultural geography field are in the first chapter. Academic definitions of South Texas are in the second chapter. The history prior to 1900 and colonization are in the third. The demography and the region in the 20th century are in the fourth. The physical features including neighborhoods and ranches that are unique to South Texas are documented in the fifth. [5] The sixth chapter documents life in South Texan small towns and the style's origins in Spain. The seventh chapter documents the cities of Laredo and San Antonio. Culture and self-identity are documented in chapters 8 and 9. [6]
Carlos Kevin Blanton of Texas A&M University praised the book for being "well informed by history"; he had some criticisms that he described as "minor". Blanton argued the book should have documented more of the influence from "Anglo" (non-Hispanic white) people and clarified how race is a fluid concept. [7]
Susan Hardwick of the University of Oregon stated that the book was "critically successful" and that it had "high quality". [8]
Scholar John H. Barnhill stated "This work is excellent." [4]
Michael S. Yoder of Texas A&M International University wrote that the book is "suitable" for university studies and that it is "an excellent example of the interdisciplinary appeal of cultural geography[...]". [6]
Tejano music, also known as Tex-Mex music, is a popular music style fusing Mexican and US influences. Typically, Tejano combines Mexican Spanish vocal styles with dance rhythms from Czech and German genres – particularly polka or waltz. Tejano music is traditionally played by small groups featuring accordion and guitar or bajo sexto. Its evolution began in northern Mexico.
Tejanos are the residents of the state of Texas who are culturally descended from the Mexican population of Tejas and Coahuila that lived in the region prior to it becoming what is now known as the state of Texas before it became a U.S. state in 1845. The term is also sometimes applied to all Texans of Mexican descent.
The vaquero is a horse-mounted livestock herder of a tradition that has its roots in the Iberian Peninsula and extensively developed in Mexico from a methodology brought to Latin America from Spain. The vaquero became the foundation for the North American cowboy, in Northern Mexico, Southwestern United States, and Western Canada.
Nueva Extremadura means "New Extremadura" in Spanish, and originates from Extremadura, Spain.
Native people lived in what is now Texas more than 10,000 years ago, as evidenced by the discovery of the remains of prehistoric Leanderthal Lady. In 1519, the arrival of the first Spanish conquistadors in the region of North America now known as Texas found the region occupied by numerous Native American tribes. The name Texas derives from táyshaʼ, a word in the Caddoan language of the Hasinai, which means "friends" or "allies." In the recorded history of what is now the U.S. state of Texas, all or parts of Texas have been claimed by six countries: France, Spain, Mexico, the Republic of Texas, the Confederacy during the Civil War, and the United States of America.
The New Philippines was the abbreviated name of a territory in New Spain. Its full and official name was Nuevo Reino de Filipinas.
Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicano and Latino experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature.
In religious studies and folkloristics, folk religion, popular religion, traditional religion or vernacular religion comprises various forms and expressions of religion that are distinct from the official doctrines and practices of organized religion. The precise definition of folk religion varies among scholars. Sometimes also termed popular belief, it consists of ethnic or regional religious customs under the umbrella of a religion, but outside official doctrine and practices.
After the 1494 territorial division of South America between Spain and Portugal in the Treaty of Tordesillas, the colonial administration of the continent was divided into Governorates.
The Province of Pánuco was a province of the Spanish colony of New Spain. It was probably discovered by Amerigo Vespucci in 1498, and later by Juan de Grijalva. It was located on the Mexican gulf coast centered on Santiestebán de Pánuco, from the river of Tuxpan and extending into the current state of Tamaulipas. Originally inhabited by Huastecs, it was claimed both by conquistador Hernán Cortés who sent Francisco de Montejo to claim the area and by Francisco de Garay, governor of Jamaica, who sent Alonso Alvarez de Pineda. The province was the object of a power struggle between supporters of Cortés and his opponents, first divided into encomiendas and allotted to Cortés supporters.
This is a Mexican American bibliography. This list consists of books, and journal articles, about Mexican Americans, Chicanos, and their history and culture. The list includes works of literature whose subject matter is significantly about Mexican Americans and the Chicano/a experience. This list does not include works by Mexican American writers which do not address the topic, such as science texts by Mexican American writers.
The Church in the Barrio: Mexican American Ethno-Catholicism in Houston is a 2006 book by Roberto R. Treviño, published by the University of North Carolina Press. The work covers the years 1911-1972 and discusses the relationship between the Mexican-American community and the Catholic church, and the "ethno-Catholicism" among Houston's Mexicans. This ethno-Catholism consisted of the cultural interaction between Irish American priests, religious practices of the indigenous Mexicans, and Mexican customs.
Brown, Not White: School Integration and the Chicano Movement in Houston is a 2005 book by Guadalupe San Miguel, Jr., published by the Texas A&M University Press. Brown, Not White discusses Chicano activism in Houston, Texas during the 20th century.
"Let All of Them Take Heed": Mexican Americans and the Campaign for Educational Equality in Texas, 1910-1981 is a non-fiction book by Guadalupe San Miguel, Jr., published by University of Texas Press in 1987. Let All of Them Take Heed argues that Mexican-Americans in the period saw education as central to success in the United States, with participation in League of United Latin American Citizens being key evidence. The book argues against the idea that the ethnic group did not place value in education. According to Richard A. Garcia of Santa Monica College, "Let All of Them Take Heed" "is the first major work to give credence to the reality of a strong Mexican American civil rights movement[...]"
Mythic Galveston: Reinventing America's Third Coast is a 2002 non-fiction book by Susan Hardwick. It discusses the geography and history of Galveston, Texas, published by Johns Hopkins University Press.
The Texas-Mexican Conjunto: History of a Working-Class Music is a 1985 non-fiction book by Manuel H. Peña, published by University of Texas Press. It documents Tejano conjunto music established in the 20th century. The author states that the music reflects how communities on the Mexico-United States border evolved and how the communities opposed assimilating to the dominant American culture.
Tejano Religion and Ethnicity, San Antonio, 1821–1860 is a non-fiction book by Timothy Matovina, published by the University of Texas Press in 1995.
San Antonio de Béxar: A Community on New Spain's Northern Frontier is a non-fiction book by Jesus F. de la Teja, published by the University of New Mexico Press in 1995.
Rise of the Mexican American Middle Class: San Antonio, 1929-1941 is a non-fiction book by Richard A. Garcia, published in 1991 by the Texas A&M University Press.
Tejano Proud: Tex-Mex Music in the Twentieth Century is a 2002 non-fiction book by Guadalupe San Miguel, published by the Texas A&M University Press.