Related Research Articles
Who is Without Sin is a 1952 Italian melodrama film by Raffaello Matarazzo and starring Yvonne Sanson, Amedeo Nazzari and Françoise Rosay. It is an adaptation of the novel Geneviève by Alphonse de Lamartine. It was part of a series of romantic melodramas that Nazzari and Sanson appeared in during the 1950s.
Maggi is both a surname and a given name. Notable people with the name include:
Department Store is a 1939 Italian comedy film directed by Mario Camerini.
The King's Jester is a 1941 Italian historical drama film directed by Mario Bonnard and starring Michel Simon, María Mercader and Rossano Brazzi. The film is an adaptation of the play Le roi s'amuse by Victor Hugo and uses music from Verdi's later opera Rigoletto. It is set at the court of Francis I of France in the Sixteenth century.
Girl of the Golden West is a 1942 Italian western film directed by Carl Koch and starring Michel Simon, Isa Pola and Rossano Brazzi. It is based on the novel, La Dame de l'Ouest, by Pierre Benoit. It was made at the Scalera Studios in Rome, and on location in Lazio countryside. The film's title alludes to the opera The Girl of the Golden West by Giacomo Puccini, but is not an adaptation of it. It was one of only a handful of Westerns to be made during the silent and Fascist eras, in a genre in which Italy later became famous.
Rita of Cascia is a 1943 Italian historical film directed by Antonio Leonviola and starring Elena Zareschi, Ugo Sasso and Beatrice Mancini. It was made at the Farnesina Studios of Titanus in Rome. The film portrays the life of the Catholic saint Rita of Cascia.
Manon Lescaut is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Vittorio De Sica and Lamberto Picasso. It is an adaptation of the Abbé Prévost's novel of the same title.
Dimmed Lights is a 1934 Italian drama film directed by Adelqui Migliar and starring Fosco Giachetti, Nelly Corradi and Laura Nucci. The film was released in the United States in 1936, and is sometimes dated by that year.
Vortice is a 1953 Italian melodrama film directed by Raffaello Matarazzo and starring Massimo Girotti and Silvana Pampanini.
La Fornarina is a 1944 Italian historical drama film directed by Enrico Guazzoni and starring Lída Baarová. It is loosely based on real life events of Raphael's model Margarita Luti.
Guest for One Night is a 1939 Italian film directed by Giuseppe Guarino and starring Gian Paolo Rosmino, Ugo Sasso, and Guglielmo Barnabò.
Amina Pirani Maggi was an Italian stage and film actress.
Anna Maria Dossena (1912–1990) was an Italian stage and film actress.
Silvio Orsini was an Italian film actor of the silent and early sound era.
The Beggar's Daughter is a 1950 Italian historical melodrama film directed by Carlo Campogalliani and starring Paola Barbara, Franca Maj and Steve Barclay. It is based on a novel of the same name by Carolina Invernizio.
Love and Poison is a 1950 Italian historical adventure film directed by Giorgio Simonelli and starring Amedeo Nazzari, Lois Maxwell and Marisa Merlini. It was released in America in 1952, and is sometimes dated by that year. The film was shot at the Cinecittà Studios in Rome.
A Thousand Lire a Month is a 1939 Italian comedy film directed by Max Neufeld and starring Alida Valli, Umberto Melnati and Osvaldo Valenti. It is a remake of the 1936 Hungarian film Havi 200 fix. The plot concerns an electronic engineer who goes to Budapest, accompanied by his girlfriend, to work on experiments for a new television system leading to countless mix-ups.
A Living Statue is a 1943 Italian drama film directed by Camillo Mastrocinque and starring Laura Solari, Fosco Giachetti and Camillo Pilotto.
Beyond Love is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Amedeo Nazzari and Osvaldo Valenti. It is based on the 1829 novella Vanina Vanini by Stendhal.
Be Seeing You, Father is a 1948 Italian period comedy film directed by Camillo Mastrocinque and starring Gino Bechi, Mariella Lotti and Silvana Pampanini. The film's sets were designed by the art director Ottavio Scotti. The film was a breakthrough for Pampanini, who outshone the more established female star Lotti and rapidly gained appeal at the box office.
References
- ↑ Waldman p.162
