"Ten Percent" | ||||
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Single by Double Exposure | ||||
from the album Ten Percent | ||||
Released | May 1976 | |||
Length | 6:51(album version) 9:42 (12" version) 3:05 (7" version) | |||
Label | Salsoul Records | |||
Songwriter(s) | Allan Felder, T.G. Conway | |||
Producer(s) | Norman Harris [1] | |||
Double Exposure singles chronology | ||||
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In 1976, Salsoul Records released their eighth release, Walter Gibbons' remix of Double Exposure's disco song "Ten Percent". [2] "Ten Percent" was the first commercially available 12-inch single. [3] [4] Although, according to the record label, the actual title of this record is Ten Per Cent, not Ten Percent. [5]
The 12-inch single was reserved for DJs until the release of "Ten Percent." Disco had already begun to exploit the 12-inch's allowance for higher volumes, better sound quality, and longer playing time, but no record companies had previously seen commercial value in the new format. [6]
Ken Cayre, the head of Salsoul Records, decided to sign a number of famous musicians and bands to the label, hoping to "consolidate the success of the faceless Salsoul Orchestra", and Double Exposure was chosen as the newly signed band whose first release, "Ten Percent," would feature the orchestra and be promoted with a 12-inch single as well as the typical seven-inch format. [6] Walter Gibbons was a DJ, not a producer, but his innovative skills, along with his punctuality and serious nature, got Gibbons the "Ten Percent" assignment at Salsoul Records. One of his original techniques was "taking two records and working them back and forth in order to extend the drum breaks," a technique he applied to the "Ten Percent" mix, which displeased the original songwriter, Allan Felder, but which was supported by Salsoul in the front-page story in which Billboard magazine covered the release. [6] It was "mostly an exercise in stretching the original track out," [7] and Gibbons transformed it from a "four-minute song into a nine-minute-forty-five-second-cut-and-paste roller coaster." [6]
When Gibbons first played the "Ten Percent" 12" remix at Galaxy 21, where he was a regular DJ. One witness said, "It sounded so new, going backwards and forwards. It built and built like it would never stop. The dance floor just exploded." [6] [8]
Chart (1976) | Peak position |
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US R&B Singles [9] | 63 |
US Billboard Hot 100 | 54 |
US Hot Dance Club Play Singles [10] | 2 [11] |
"Ten Percent" was a "dancefloor stormer that radically changed the disco underground in terms of record production." [2] The release "signalled the rise of remixers", [12] and the rise of the DJ.
Disco is a genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat.
The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs which have several songs on each side. It is named for its 12-inch (300 mm) diameter that was intended for LPs. This technical adaptation allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type, which is claimed to have been accidentally discovered by Tom Moulton, is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33+1⁄3 or 45 rpm. The conventional 7-inch single usually holds three or four minutes of music at full volume. The 12-inch LP sacrifices volume for extended playing time.
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Pattie Brooks is an American singer most frequently associated with the disco era.
Walter Gibbons was an American record producer, early disco DJ, and remixer. He helped pioneer the remix and 12" single in America, and was among the most influential New York DJs of the 1970s.
Salsoul Records is an American New York City based record label, founded by three brothers, Joseph Cayre, Kenneth Cayre, and Stanley Cayre. Salsoul issued about 300 singles, including many disco/post-disco 12-inch releases, and a string of albums in the 1970s and early 1980s.
Double Exposure is an American, Philadelphia-based disco group. They are best known for their 1976 hit, "Ten Percent".
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Greatest Disco Hits: Music for Non-Stop Dancing is an album released by the Salsoul Orchestra in 1978 on Salsoul Records. It is noted for its pioneering use of slip-cueing, known at the time as “disco blending,” a phrase coined by Walter Gibbons.
Ten Percent is the debut studio album recorded by American male vocal quartet Double Exposure, released in 1976 on the Salsoul label.
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