Tenoration | ||||
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Studio album by | ||||
Released | April 2011 | |||
Recorded | November 2010 | |||
Genre | Jazz, funk | |||
Length | 73:39 | |||
Label | Art of Groove | |||
Producer | Joachim Becker | |||
Pee Wee Ellis chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Jazzandbeyond | ![]() ![]() ![]() ![]() ![]() |
Tenoration is a 12-track jazz and funk double album by Pee Wee Ellis. It is an all-instrumental album. Its subtitle, From Jazz to Funk and Back reflects Pee Wee Ellis' affection to both jazz and funk music. On this production, Ellis uses two different rhythm sections. CD1 emphasizes mainly on funk, CD 2 mainly on jazz.
The album received positive reviews from critics. AllMusic rated it four stars with reviewer Hal Horowitz noting: "The playing is tough, uncompromising, and filled with substantial jazzy improvisation while keeping the backbeat rugged, especially on a lean but sizzling ten-minute take of Cannonball Adderley's Sticks... and prove that Ellis is equally adept at either jazz or funk, but perhaps best when he joins the two." [1] Wayne Dawson of Jazzandbeyond wrote: "The first disk offers the best jazz-funk your ever likely to hear. The stamina levels are intense and everyone holds the line with the over ten minute 'Sticks' (a piece written by Julian Adderley) representing a high point...The second disk is just as up on it, with the same drummer carried over for the entire set (how could you let him go?). [2]
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone, brass instruments, electric guitar, bass, drums, piano, vocals and electric organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, pianists, drummers and electric guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green.
Alfred James Rogers, known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, composer, and arranger. With a background in jazz, he was a member of James Brown's band in the 1960s, appearing on many of Brown's recordings and co-writing hits like "Cold Sweat" and "Say It Loud – I'm Black and I'm Proud". He also worked with Van Morrison.
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The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
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Jump for Joy (1958) is the final album by jazz saxophonist Cannonball Adderley released on the EmArcy label and featuring Adderley with an orchestra arranged by Bill Russo.
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The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
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