Terri Janke | |
|---|---|
 Terri Janke | |
| Born | |
| Nationality | Australian |
| Occupation | Lawyer |
| Known for | Indigenous intellectual property expert |
Terri Janke is an Indigenous Australian lawyer of Wuthathi/Meriam heritage. She is considered a leading international authority on Indigenous cultural and intellectual property (ICIP), and is the Solicitor Director of Terri Janke and Company.
Terri Janke was born in Cairns in Queensland, Australia, with Torres Strait Islander (Mer Island) and Aboriginal (Wuthathi) heritage, from Cape York Peninsula in North Queensland. [1]
She graduated from the University of New South Wales (BA LLB) in 1995. [2]
In 2019, Janke completed a PhD thesis at the Australian National University, entitled True Tracks: Indigenous Culture and Intellectual Property Principles for putting self-determination into Practice. [3] [2] She is also a graduate of the Australian Institute of Company Directors and LEADR Mediators. [4] In 2021, Janke published a book based on her PhD entitled True Tracks: Respecting Indigenous Knowledge and Culture [5] . The book is a resource for respecting Indigenous knowledge and culture, which draws on 20 years of her work on the True Tracks principles. [6]
Janke has worked at the National Indigenous Arts Advocacy Association, where she assisted the legal team in the leading case Milpurrurru v Indofurn . Janke has also completed work as a legal consultant with the World Intellectual Property Organisation (WIPO) on the Pacific Traditional Knowledge Action Plan. [7]
Janke is the Solicitor Director of Terri Janke and Company, her wholly Indigenous-owned legal firm founded in 2000. [8] Terri Janke and Company specialises in Indigenous intellectual property, Indigenous cultural and intellectual property and business law, [8] and is the largest and oldest Indigenous law firm in Australia. [9]
Janke is respected as one of Australia's leading Indigenous lawyers, [10] and is also considered an expert and international authority on Indigenous cultural and intellectual property (ICIP). She has written the leading protocols ICIP models for various industries including film, arts, museum and archival sectors. [2]
Janke has served on the boards of many Indigenous and non-Indigenous organisations and associations, with some of her previous positions including deputy chair of the National Centre of Indigenous Excellence (Deputy Chair), [11] Tourism Australia, National Indigenous Television (Chair) and Ngalaya Indigenous Lawyers Association (Chair), as well as at the State Library of NSW. [4]
Alongside the leading ICIP protocols and models in various sectors, Janke has many publications on the effect of the law on Indigenous peoples and culture, many of which are commissioned by both government and non-government organisations and institutions.
Indigenous Australian art includes art made by Aboriginal Australians and Torres Strait Islanders, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sandpainting. The traditional visual symbols vary widely among the differing peoples' traditions, despite the common mistaken perception that dot painting is representative of all Aboriginal art.
Traditional knowledge (TK), indigenous knowledge (IK), folk knowledge, and local knowledge generally refers to knowledge systems embedded in the cultural traditions of regional, indigenous, or local communities.
Ceremonial dancing has a very important place in the Indigenous cultures of Australia. They vary from place to place, but most ceremonies combine dance, song, rituals and often elaborate body decorations and costumes. The different body paintings indicate the type of ceremony being performed. They play an important role in marriage ceremonies, in the education of Indigenous children, as well as storytelling and oral history. The term corroboree is commonly used to refer to Australian Aboriginal dances, although this term has its origins among the people of the Sydney region. In some places, Aboriginal people perform corroborees for tourists. In the latter part of the 20th century the influence of Indigenous Australian dance traditions has been seen with the development of concert dance, with the Aboriginal Centre for the Performing Arts (ACPA) providing training in contemporary dance.
Timmy Payungka was an Aboriginal Australian artist, a Pintupi man who worked at the Papunya Tula school of painting. He was born at Parayirpilynga, near Wilkinkarra in the Pilbara region of Western Australia.
Palawa kani is a constructed language created by the Tasmanian Aboriginal Centre as a composite Tasmanian language, based on reconstructed vocabulary from the limited accounts of the various languages once spoken by the Aboriginal people of what is now Tasmania.
Indigenous intellectual property is a term used in national and international forums to describe intellectual property held to be collectively owned by various Indigenous peoples, and by extension, their legal rights to protect specific such property. This property includes cultural knowledge of their groups and many aspects of their cultural heritage and knowledge, including that held in oral history. In Australia, the term Indigenous cultural and intellectual property, abbreviated as ICIP, is commonly used.
Wandjuk Djuwakan Marika OBE, was an Aboriginal Australian painter, actor, composer and Indigenous land rights activist. He was a member of the Rirratjingu clan of the Yolngu people of north-east Arnhem Land in the Northern Territory of Australia, and the son of Mawalan 1 Marika.
The copyright law of Australia defines the legally enforceable rights of creators of creative and artistic works under Australian law. The scope of copyright in Australia is defined in the Copyright Act 1968, which applies the national law throughout Australia. Designs may be covered by the Copyright Act as well as by the Design Act. Since 2007, performers have moral rights in recordings of their work.
Henrietta Marrie is a Gimuy Walubara Yidinji elder, an Australian Research Council Fellow and Honorary Professor with the University of Queensland.
The Intellectual Property Issues in Cultural Heritage (IPinCH) Project is a seven-year international research initiative based at Simon Fraser University, in British Columbia, Canada. IPinCH's work explores the rights, values, and responsibilities of material culture, cultural knowledge, and the practice of heritage research. The project is directed by Dr. George P. Nicholas, co-developed with Julie Hollowell and Kelly Bannister and is funded by the Social Sciences and Humanities Research Council of Canada's (SSHRC) major collaborative research initiatives (MCRI) program.
National and State Libraries Australia (NSLA), formerly National and State Libraries Australasia, is the peak body that represents the national, state and territory libraries of Australia. The libraries collaborate on and support working groups addressing issues including: copyright issues, archival collections, collection development, marketing, collecting and preserving digital content, collections and services focusing on Indigenous Australians, and other issues relating to the collection, storage and dissemination of the various types of resources held by member institutions. It also compiles annual statistics on public library activities and usage throughout Australia, and publishes statistics on the services of its own collaborating libraries. Precursors to the organisation include the State Librarians Council, the State Libraries Council and Council of Australian State Libraries (CASL).
The Australian Museums and Galleries Association (AMaGA), formerly Museums Galleries Australia and Museums Australia, is the national professional organisation and peak council for museums and public art galleries in Australia. It advocates for the sector and provides a range of professional services to its members at a national, state and interest group level.
John William von Doussa is a former Australian judge and public servant. He was a judge of the Federal Court of Australia from 1988 to 2003, president of the Human Rights and Equal Opportunity Commission from 2003 to 2008, and chancellor of the University of Adelaide from 2004 to 2010.
Banduk Mamburra Wananamba Marika, known after her death as Dr B Marika, was an artist, printmaker and environmental activist from Arnhem Land, Northern Territory, Australia, who was dedicated to the development, recognition and preservation of Indigenous Australian art and culture. She uses her artwork to translate her ancestral stories through figures and motifs. She was one of the few Indigenous artists to specialize almost entirely in print making. She was the first Aboriginal person to serve on the National Gallery of Australia's board.
Australian Aboriginal elders are highly respected people within Australia and their respective Aboriginal and Torres Strait Islander communities. An elder has been defined as "someone who has gained recognition as a custodian of knowledge and lore, and who has permission to disclose knowledge and beliefs". They may be male or female, and of any age, but must be trusted and respected by their community for their wisdom, cultural knowledge and community service. Elders provide support for their communities in the form of guidance, counselling and knowledge, which help tackle problems of health, education, unemployment and racism, particularly for younger people. They may be distinguished as one of two types: community elders and traditional elders. Elders play an important role in maintenance of culture, songs, oral histories, sacred stories, Aboriginal Australian languages, and dance, and are also educators who demonstrate leadership and skills in resolving conflicts. Elders also preside over ceremonies and other spiritual practices, and attend to the health and well-being of young people.
George Milpurrurru (1934–1998) was an Australian Aboriginal artist known for his bark paintings.
Shane Simpson is a New Zealand-born lawyer based in Sydney, Australia. He has had a leading role in arts, intellectual property, and entertainment law in Australia, including establishing the Arts Law Centre of Australia, authoring books on aspects of intellectual property, arts, and entertainment law, and acting as an advisor and producing reports on intellectual property and art law for government. He has also contributed to a range of cultural organisations.
Milpurrurru v Indofurn Pty Ltd was one of three Federal Court of Australia judgments in the 1990s involving the use of copyright law in Australia relating to Indigenous cultural and intellectual property (ICIP), the others being Yumbulul v Reserve Bank of Australia (1991) and Bulun Bulun v R & T Textiles (1998), or "T-shirts case".
Indigenous librarianship is a distinct field of librarianship that brings Indigenous approaches to areas such as knowledge organization, collection development, library and information services, language and cultural practices, and education. The Encyclopedia of Library and Information Sciences states that Indigenous librarianship emerged as a "distinct field of practice and an arena for international scholarship in the late twentieth century bolstered by a global recognition of the value and vulnerability of Indigenous knowledge systems, and of the right of Indigenous peoples to control them."
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