The Adventures of Lucky Pierre (novel)

Last updated
The Adventures of Lucky Pierre: Director's Cut
Robert Coover, Lucky Pierre, cover.jpg
First edition
Author Robert Coover
Cover artistCharles Rue Woods and Marcia Salo, based on a Duane Reider/Getty Images photograph
Language English
Genre Post-modern erotica
Published2002 (Grove Press)
Media typePrint (Hardback)
Pages405
ISBN 978-0-8021-1724-3

The Adventures of Lucky Pierre: Director's Cut is a novel by Robert Coover, published in 2002. The title is the same as a 1961 nudie cutie film, and like the film, the novel is divided into multiple vignettes, starring the title character Pierre.

Contents

The subtitle is an allusion to the now widespread practice of releasing director's cuts in addition to final cuts. There is no director's cut for the film.

An alternate subtitle "Raw Footage," had been used until publication, including the advanced reading copies. Several reviews were published with the alternate subtitle, while illustrating the book cover with the final subtitle. See, for example, Publishers Weekly. See also Internet Archive.

Unlike the film, the novel has an overriding metafictional theme, driven by Pierre seeking to escape from fiction.

Excerpts

Lucky Pierre was written over a period of thirty years, [1] with numerous excerpts published separately.

Three excerpts were published in Golden Handcuffs Review, vol. 1, Winter 2002–03:

Dedication

The novel was dedicated to "Saint Buster, Saint Luis, and Saint Jean-Luc.” These are Buster Keaton, Luis Buñuel, Jean-Luc Godard, as is clear from a brief interview Coover gave in The New Yorker, where he mentioned the dedication, and said several of their films would be in his top fifty. [2]

Organization

The novel is divided into nine chapters, called "reels". (The first chapter also includes the "titles".) Each reel is named for the woman director who is controlling Pierre for that chapter. In the ninth reel, all nine women are present, parading in Greek costume, identifying themselves as the nine muses:

DirectorNicknameMuse
CeciliaCissy Euterpe
Cleo Clio
Clara Urania
CassandraCassie Polyhymnia
ConstanceConnie Erato
CarlottaLottie Melpomene
Cora Terpsichore
CatherineKate Thalia
CalliopeCally Calliope

Reception

Robert Coover remains our foremost verbal wizard, our laugher in the dark, Samuel Beckett reborn: Lucky Pierre is a hilarious, radical, and essential book.

Coover ... returns with this metafictional romp through a fantastic city where art is the highest form of reality. The title character appears in nine movies whose female directors cast him in diverse sexual roles running the gamut from the creative to the perverse. ... A meditation on truth and a narrative in the high postmodern style ...

Philip Santo, Library Journal , 2002

A wild, pornographic, funny, postmodern rant ... In the tradition of Tristram Shandy or Finnegans Wake , this is a story that can be opened at any point and read at length with great pleasure.

?, Kirkus Reviews ,2002

Further reading

Related Research Articles

<span class="mw-page-title-main">T. C. Boyle</span> American novelist and short-story writer

Thomas Coraghessan Boyle is an American novelist and short story writer. Since the mid-1970s, he has published nineteen novels and more than 150 short stories. He won the PEN/Faulkner Award in 1988, for his third novel, World's End, which recounts 300 years in upstate New York.

<span class="mw-page-title-main">Jeff VanderMeer</span> American writer (born 1968)

Jeff VanderMeer is an American author, editor, and literary critic. Initially associated with the New Weird literary genre, VanderMeer crossed over into mainstream success with his bestselling Southern Reach Trilogy. The trilogy's first novel, Annihilation, won the Nebula and Shirley Jackson Awards, and was adapted into a Hollywood film by director Alex Garland. Among VanderMeer's other novels are Shriek: An Afterword and Borne. He has also edited with his wife Ann VanderMeer such influential and award-winning anthologies as The New Weird, The Weird, and The Big Book of Science Fiction.

Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.

<span class="mw-page-title-main">John Barth</span> American writer (1930–2024)

John Simmons Barth was an American writer best known for his postmodern and metafictional fiction. His most highly regarded and influential works were published in the 1960s, and include The Sot-Weed Factor, a whimsical retelling of Maryland's colonial history; Giles Goat-Boy, a satirical fantasy in which a university is a microcosm of the Cold War world; and Lost in the Funhouse, a self-referential and experimental collection of short stories. He was co-recipient of the National Book Award in 1973 for his episodic novel Chimera.

<span class="mw-page-title-main">Robert Coover</span> American novelist

Robert Lowell Coover is an American novelist, short story writer, and T. B. Stowell Professor Emeritus in Literary Arts at Brown University. He is generally considered a writer of fabulation and metafiction.

A fictional book is a text created specifically for a work in an imaginary narrative that is referred to, depicted, or excerpted in a story, book, film, or other fictional work, and which exists only in one or more fictional works. A fictional book may be created to add realism or depth to a larger fictional work. For example, George Orwell's novel Nineteen Eighty-Four has excerpts from a book by Emmanuel Goldstein entitled The Theory and Practice of Oligarchical Collectivism which provides background on concepts explored in the novel.

<span class="mw-page-title-main">Postmodern literature</span> 20th-century literary form and movement

Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.

Historiographic metafiction is a term coined by Canadian literary theorist Linda Hutcheon in the late 1980s. It incorporates three domains: fiction, history, and theory.

<span class="mw-page-title-main">Jean-Claude Mézières</span> French comic book artist and illustrator (1938–2022)

Jean-Claude Mézières was a French bandes dessinées artist and illustrator. Born in Paris and raised in nearby Saint-Mandé, he was introduced to drawing by his elder brother and influenced by comics artists such as Hergé, Andre Franquin and Morris and later by Jijé and Jack Davis. Educated at the École nationale supérieure des arts appliqués et des métiers d'art, he worked upon graduation as an illustrator for books and magazines as well as in advertising. A lifelong interest in the Wild West led him to travel to the United States in 1965 in search of adventure as a cowboy, an experience that would prove influential on his later work.

<span class="mw-page-title-main">Richard Russo</span> American writer and teacher

Richard Russo is an American novelist, short story writer, screenwriter, and teacher. In 2002, he was awarded a Pulitzer Prize in Fiction for his novel Empire Falls. Several of his works have been adapted into television series and movies.

<i>Lost in the Funhouse</i> 1968 short story collection by John Barth

Lost in the Funhouse (1968) is a short story collection by American author John Barth. The postmodern stories are extremely self-conscious and self-reflexive, and are considered to exemplify metafiction.

<span class="mw-page-title-main">Brian Evenson</span> American academic and writer

Brian Evenson is an American academic and writer of both literary fiction and popular fiction, some of the latter being published under B. K. Evenson. His fiction is often described as literary minimalism, but also draws inspiration from horror, weird fiction, detective fiction, science fiction and continental philosophy. Evenson makes frequent use of dark humor and often features characters struggling with the limits and consequences of knowledge. He has also written non-fiction, and translated several books by French-language writers into English.

<span class="mw-page-title-main">Larry McCaffery</span> American author and professor

Lawrence F. McCaffery Jr. is an American literary critic, editor, and retired professor of English and comparative literature at San Diego State University. His work and teaching focuses on postmodern literature, contemporary fiction, and Bruce Springsteen. He also played a role in helping to establish science fiction as a major literary genre.

<span class="mw-page-title-main">Experimental literature</span> Genre of literature

Experimental literature is a genre of literature that is generally "difficult to define with any sort of precision." It experiments with the conventions of literature, including boundaries of genres and styles; for example, it can be written in the form of prose narratives or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also incorporate art or photography. Furthermore, while experimental literature was traditionally handwritten, the digital age has seen an exponential use of writing experimental works with word processors.

<i>The Pale King</i> 2011 novel by David Foster Wallace

The Pale King is an unfinished novel by David Foster Wallace, published posthumously on April 15, 2011. It was planned as Wallace's third novel, and the first since Infinite Jest in 1996, but it was not completed at the time of his death. Before his suicide in 2008, Wallace organized the manuscript and associated computer files in a place where they would be found by his widow, Karen Green, and his agent, Bonnie Nadell. That material was compiled by his friend and editor Michael Pietsch into the form that was eventually published. Wallace had been working on the novel for over a decade. Even incomplete, The Pale King is a long work, with 50 chapters of varying length totaling over 500 pages.

<span class="mw-page-title-main">David Foster Wallace bibliography</span> List of works

David Foster Wallace (1962–2008) was an American author of novels, essays, and short stories. In addition to writing, Wallace was employed as a professor at Illinois State University in Normal, Illinois, and Pomona College in Claremont, California.

<i>Terra Nostra</i> (novel)

Terra Nostra is a 1975 novel by the Mexican writer Carlos Fuentes. The narrative covers 20 centuries of European and American culture, and prominently features the construction of El Escorial by Philip II. The title is Latin for "Our earth". The novel received the Xavier Villaurrutia Award in 1976 and the Rómulo Gallegos Prize in 1977.

"Mr. Difficult", subtitled "William Gaddis and the problem of hard-to-read books", is a 2002 essay by Jonathan Franzen that appeared in the 9/30/2002 issue of The New Yorker. It was reprinted in the paperback edition of How to Be Alone without the subtitle.

Modernist film is related to the art and philosophy of modernism.

References

  1. Dust jacket information
  2. Treisman, Deborah (18 July 2011). "This Week in Fiction: Robert Coover". The New Yorker. Retrieved 30 December 2012.