Chronicle of the Years of Fire is a 1975 Algerian drama historical film directed by Mohammed Lakhdar-Hamina. It depicts the Algerian War of Independence as seen through the eyes of a peasant.
Antonio das Mortes is a 1969 Brazilian western film directed by Glauber Rocha. It is often cited as the last installment of Rocha's film trilogy, preceded by Black God, White Devil and Entranced Earth. It features return of the character Antonio das Mortes, now as the protagonist, again played by Maurício do Valle. The original title is a reference to the tale of Saint George and the Dragon.
Orders is a 1974 Quebec historical drama film about the incarceration of innocent civilians during the 1970 October Crisis following the War Measures Act enacted by the Canadian government of Pierre Trudeau. It is the second film by director Michel Brault. It features entertainer and Senator Jean Lapointe.
How Tasty Was My Little Frenchman is a Brazilian black comedy directed and co-written by Nelson Pereira dos Santos released in 1971.
The Sting of Death is a 1990 Japanese film directed by Kōhei Oguri and based on the novel by Toshio Shimao. It tells the story of a writer with a wandering eye and his jealous wife. The film was selected as the Japanese entry for the Best Foreign Language Film at the 63rd Academy Awards, but was not accepted as a nominee.
Letters from Marusia is a 1975 Mexican film directed by Chilean filmmaker Miguel Littín. It was nominated for the Academy Award for Best Foreign Language Film. It was also entered into the 1976 Cannes Film Festival. The film is based on a Patricio Manns novel (1974) inspired by the Marusia massacre of 1925.
The Revolving Doors is a 1988 Canadian-French French-language drama film directed by Francis Mankiewicz. The film was selected as the Canadian entry for the Best Foreign Language Film at the 61st Academy Awards, but was not accepted as a nominee.
Cinema, Aspirins and Vultures is a 2005 Brazilian film directed and co-written by Marcelo Gomes. It was Brazil's submission to the 79th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee. It was also screened in the Un Certain Regard section at the 2005 Cannes Film Festival.
The Girl in Mourning is a 1964 Spanish comedy film directed by Manuel Summers. It was entered into the 1964 Cannes Film Festival. The film was also selected as the Spanish entry for the Best Foreign Language Film at the 37th Academy Awards, but was not accepted as a nominee.
Voyage to the Beginning of the World is a 1997 Portuguese-French drama film directed by Manoel de Oliveira and starring Marcello Mastroianni. The film was selected as the Portuguese entry for the Best Foreign Language Film at the 70th Academy Awards, but was not accepted as a nominee. It was Mastroianni's final film.
The Recourse to the Method is a Mexican-Cuban drama film directed by Chilean filmmaker Miguel Littín. It is based on the 1974 novel of the same name written by Alejo Carpentier. It was entered into the 1978 Cannes Film Festival. The film was also selected as the Cuban entry for the Best Foreign Language Film at the 51st Academy Awards, but was not accepted as a nominee.
National Heritage is a 1981 Spanish comedy film that was co-written and directed by Luis García Berlanga. It was entered into the 1981 Cannes Film Festival. The film was also selected as the Spanish entry for the Best Foreign Language Film at the 54th Academy Awards, but was not accepted as a nominee.
Subway to the Stars is a 1987 Brazilian drama film directed by Carlos Diegues. It was entered into the 1987 Cannes Film Festival. The film was selected as the Brazilian entry for the Best Foreign Language Film at the 60th Academy Awards, but was not accepted as a nominee.
The Distant Land is a 1987 Austrian-German drama film that was adapted from the play by Arthur Schnitzler and directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. The film was selected as the Austrian entry for the Best Foreign Language Film at the 61st Academy Awards, but was not accepted as a nominee.
The Cannibals is a 1988 Portuguese drama film directed by Manoel de Oliveira. It was entered into the 1988 Cannes Film Festival. The film was selected as the Portuguese entry for the Best Foreign Language Film at the 62nd Academy Awards, but was not accepted as a nominee.
Without Compassion is a 1994 Peruvian drama film directed by Francisco José Lombardi, and based on the 1866 novel Crime and Punishment by Fyodor Dostoyevsky. It was screened in the Un Certain Regard section at the 1994 Cannes Film Festival. The film was selected as the Peruvian entry for the Best Foreign Language Film at the 67th Academy Awards, but was not accepted as a nominee.
Anxiety is a 1998 Portuguese drama film directed by Manoel de Oliveira. It was screened out of competition at the 1998 Cannes Film Festival. The film was selected as the Portuguese entry for the Best Foreign Language Film at the 71st Academy Awards, but was not accepted as a nominee.
João and the knife is a 1972 Brazilian drama film directed by Dutch filmmaker George Sluizer. It was entered into the 22nd Berlin International Film Festival. The film was also selected as the Brazilian entry for the Best Foreign Language Film at the 46th Academy Awards, but was not accepted as a nominee.
Tenda dos Milagres is a 1977 Brazilian drama film written and directed by Nelson Pereira dos Santos, based on the 1967 novel of the same name by Jorge Amado. Starring Hugo Carvana, Sonia Dias and Severino Dada, it exposes and satirizes racism in Brazilian society—the most notable example being a flashback scene where Brazilians are shown listening with approving interest to Nazi race theories in the late 1930s. Tenda dos Milagres was shot in Salvador, Bahia.
Memoirs of Prison is a 1984 Brazilian drama film directed by Nelson Pereira dos Santos. It is based on Memórias do Cárcere an autobiographical novel by Graciliano Ramos, about the period he was incarcerated during the Vargas Era. The film was selected as the Brazilian entry for the Best Foreign Language Film at the 57th Academy Awards, but was not accepted as a nominee.
