The Backward Class is a 2014 Canadian documentary film directed by Madeleine Grant. The film follows the success of a group of ethnically disadvantaged students near Bangalore, India, in taking high-school graduation exams. [1] The film, created by a group of graduates of the University of British Columbia, [2] premiered at the Hot Docs Canadian International Documentary Festival in May 2014 [3] and won the Audience Favourite award. [4]
The 91-minute documentary [5] was shot inside the Shanti Bhavan school, [6] by Affinity Films. [7] Grant lived and worked at the school while making the film. [8] The dialogue is partly in English and partly in Tamil with English subtitles. [9]
The film was later screened in Toronto, received positive reviews from Now Magazine [10] and The Globe and Mail . [11]
One of the stars of the film, Mala Muniswamy, travelled from India to attend the film's premiere. [12]
Michelle Latimer is a Canadian actress, director, writer, and filmmaker. She initially rose to prominence for her role as Trish Simkin on the television series Paradise Falls, shown nationally in Canada on Showcase Television (2001–2004). Since the early 2010s, she has directed several documentaries, including her feature film directorial debut, Alias (2013), and the Viceland series, Rise, which focuses on the 2016 Dakota Access Pipeline protests; the latter won a Canadian Screen Award at the 6th annual ceremony in 2018.
The Hot Docs Canadian International Documentary Festival is the largest documentary festival in North America. The event takes place annually in Toronto, Ontario, Canada. The 27th edition of the festival took place online throughout May and June 2020. In addition to the annual festival, Hot Docs owns and operates the Hot Docs Ted Rogers Cinema, administers multiple production funds, and runs year-round screening programs including Doc Soup and Hot Docs Showcase.
Charles Officer is a Jamaican-Canadian writer, actor, director and former professional hockey player.
Alan Zweig is a Canadian documentary filmmaker known for often using film to explore his own life.
NCR: Not Criminally Responsible is a 2013 Canadian documentary film by John Kastner, exploring the effects of the mental disorder defence in Canada, by following the stories of Sean Clifton, who stabbed and badly injured a woman in a shopping mall while he was in a delusional state, and his traumatized victim. It was produced by the National Film Board of Canada.
John Kastner was a four-time Emmy Award-winning Canadian documentary filmmaker whose later work focused on the Canadian criminal justice system. His films included the documentaries Out of Mind, Out of Sight (2014), a film about patients at the Brockville Mental Health Centre, named best Canadian feature documentary at the Hot Docs Canadian International Documentary Festival; NCR: Not Criminally Responsible (2013), exploring the personal impact of the mental disorder defence in Canada; Life with Murder (2010), The Lifer and the Lady and Parole Dance, and the 1986 made-for-television drama Turning to Stone, set in the Prison for Women in Kingston, Ontario.
Parabola Films is a Montreal-based Canadian cinema production company founded by Sarah Spring and Selin Murat, a documentary filmmaker. Parabola Films focuses on the production of videos which demonstrate the role of cinema in social change. The company collaborates with other film-making organizations who emphasize storytelling.
Jamie Kastner is a Canadian writer, director and documentary filmmaker based in Toronto, Canada. His company, Cave 7 Productions, produces both theatrical and television productions. Kastner is best known for his feature documentaries, including There Are No Fakes, which premiered at HotDocs in 2019, The Skyjacker's Tale (2016) and The Secret Disco Revolution, both of which premiered at the Toronto International Film Festival.
Driving with Selvi is a Canadian documentary film that focuses on South India's first female taxi driver, a young woman named Selvi who had previously escaped a child marriage. The film was directed by Elisa Paloschi, who also acted as producer for the project.
Claude Lanzmann: Spectres of the Shoah is a 2015 documentary-short film exploring the life and work of French director Claude Lanzmann. The film was written, directed, and produced by British filmmaker and journalist Adam Benzine.
Haida Gwaii: On the Edge of the World is a 2015 Canadian feature documentary film directed by Charles Wilkinson, and produced by Charles Wilkinson, Tina Schliessler, and Kevin Eastwood for the Knowledge Network. The film premiered on April 28, 2015 at the Hot Docs Canadian International Documentary Festival where it won the award for Best Canadian Feature Documentary.
Fractured Land is a 2015 Canadian feature documentary film directed by Fiona Rayher and Damien Gillis, profiling the Dené activist Caleb Behn as he goes through law school and builds a movement around greater awareness of hydraulic fracturing (fracking) on First Nations lands.
Larry Weinstein is a Canadian film director of theatrical and television documentaries, performance films, and dramas. The majority of his films centre on musical subjects and the depiction of the creative process, while his other subjects range from the horrors of war to the pleasures of football.
Angry Inuk is a 2016 Canadian Inuit-themed feature-length documentary film written and directed by Alethea Arnaquq-Baril that defends the Inuit seal hunt, as the hunt is a vital means for Inuit to sustain themselves. Subjects in Angry Inuk include Arnaquq-Baril herself as well as Aaju Peter, an Inuit seal hunt advocate, lawyer and seal fur clothing designer who depends on the sealskins for her livelihood. Partially shot in the filmmaker's home community of Iqaluit, as well as Kimmirut and Pangnirtung, where seal hunting is essential for survival, the film follows Peter and other Inuit to Europe in an effort to have the EU Ban on Seal Products overturned. The film also criticizes NGOs such as Greenpeace and the International Fund for Animal Welfare for ignoring the needs of vulnerable northern communities who depend on hunt for their livelihoods by drawing a false distinction between subsistence-driven Inuit hunters and profit-driven commercial hunters.
A Better Man is a 2017 Canadian documentary film co-directed by Attiya Khan and Lawrence Jackman in which Khan, a survivor of domestic abuse, meets with the man who abused her to see if he can take responsibility to heal and repair the harms he created. The first filmed encounter between her and her ex-boyfriend, identified only as "Steve," took place in April 2013. After the initial contact, several of the conversations were facilitated by Tod Augusta-Scott, a prominent counselor in the domestic violence field. The film also follows them back to their old high school as well as an apartment in Ottawa, and shows how the violence still affects Khan.
The Lindalee Tracey Award is an annual film award, presented in memory of Canadian documentary filmmaker Lindalee Tracey to emerging filmmakers whose works reflect values of social justice and a strong personal point of view. Created by Peter Raymont, Tracey's widower and former filmmaking partner, through his production studio White Pine Pictures, the award is presented annually at the Hot Docs Canadian International Documentary Festival; however, the award is not limited to documentary films, but may be awarded to films in any genre, and films do not have to have been screened as part of the Hot Docs program to be eligible.
The Hot Docs Audience Awards are annual film awards, presented by the Hot Docs Canadian International Documentary Festival to the most popular films as voted by festival audiences. There are currently two awards presented: the Hot Docs Audience Award, presented since 2001 to the most popular film overall regardless of nationality, and the Rogers Audience Award, presented since 2017 to the most popular Canadian film. If a Canadian film wins the overall award, then the Canadian award is not given to a different film in lieu, but instead the same film wins both awards.
Inside Hana's Suitcase is a Canadian documentary film, directed by Larry Weinstein and released in 2009. Adapted in part from Karen Levine's book Hana's Suitcase, the film centres on the story of Hana Brady, a young Czechoslovak Jewish girl who died in the Holocaust, including the reminiscences of George Brady, her sole surviving brother who emigrated to Canada following the war.
The Hot Docs Award for Best Canadian Feature Documentary is an annual Canadian film award, presented by the Hot Docs Canadian International Documentary Festival to the film selected by jury members as the year's best Canadian feature film in the festival program. The award was presented for the first time in 1998; prior to that year, awards were presented in various genre categories, but no special distinction for Canadian films was presented. The award is sponsored by the Documentary Organization of Canada and Telefilm Canada, and carries a cash prize of $10,000.