The Baroness and the Pig | |
---|---|
Directed by | Michael Mackenzie |
Written by | Michael Mackenzie |
Produced by | Daniel Langlois |
Starring | Patricia Clarkson Colm Feore Caroline Dhavernas Louise Marleau |
Cinematography | Éric Cayla |
Edited by | Denis Papillon |
Music by | Philip Glass |
Production companies | Film Tonic Media Principia Wide Angle Pictures |
Release date |
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Running time | 95 minutes |
Country | Canada |
Languages | English French |
The Baroness and the Pig is a Canadian drama film, directed by Michael Mackenzie and released in 2002. [1] Based on Mackenzie's own stage play, the film stars Patricia Clarkson as The Baroness, a Quaker woman from Philadelphia who moves to Paris with her husband, The Baron (Colm Feore) in the 1880s; however, her egalitarian ideals conflict with the elitism of Parisian society, particularly when she launches a plan to rehabilitate and bring into society a wild girl (Caroline Dhavernas) who was raised in a pig sty, leading The Duchess (Louise Marleau) to attempt to engineer The Baroness's downfall. [2]
The film premiered on September 8, 2002 at the 2002 Toronto International Film Festival. [3] It was screened under an experimental model, by which instead of a traditional film print being projected in a standard manner, the film was digitally transmitted via satellite from its producers' offices in Montreal to the theatre. [3]
Liam Lacey of The Globe and Mail rated the film two stars, writing that "Handsome to look at, hard to digest, The Baroness and the Pig is an allegorical costume drama that feels something like Pygmalion (Pigmalion?) as adapted by Peter Greenaway. The film shares Greenaway's production designer, Ben Van Os, and his penchant for titled chapters, technology and dialogue about culture. With apparent narrative influences from Henry James to François Truffaut's The Wild Child to Jean Genet's The Maids, the film is fairly dry chewing. More fun might have been expected in a story about a young woman who grows up in a pig sty to serve in a fancy French kitchen." [2]
Ken Eisner of The Georgia Straight heavily criticized the film, writing that "This stunningly undernourished drama, shot in Quebec City and Budapest but set in 1880s Paris, is the kind of international hash-up that gives coproduction treaties a bad name. Even the ubiquitous Patricia Clarkson, who normally elevates anything she's in, comes out looking bad, as she appears to have been directed to play as a comedy what everyone else had been told is a tawdry melodrama." [4]
The film received three Jutra Award nominations at the 5th Jutra Awards in 2002, for Best Director (Mackenzie), Best Cinematography (Éric Cayla) and Best Editing (Denis Papillon). [5]
Patricia Davies Clarkson is an American actress. She has starred in numerous leading and supporting roles in a variety of films ranging from independent film features to major film studio productions. Her accolades include a Golden Globe Award and three Primetime Emmy Awards, in addition to nominations for an Academy Award and a Tony Award.
Patrick Huard is a Canadian actor, writer and comedian from Quebec.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actor in a Leading Role to the best performance by a lead actor in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema & Television presents an annual award for Best Performance by an Actress in a Leading Role to the best performance by a lead actress in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
The Canadian Screen Award for Best Achievement in Art Direction/Production Design is awarded by the Academy of Canadian Cinema and Television to the best Canadian film art direction/production design.
The Canadian Screen Award for Best Costume Design is awarded by the Academy of Canadian Cinema and Television to the best Canadian costume designer. It was formerly called the Genie Award for Best Achievement in Costume Design before the Genies were merged into the Canadian Screen Awards.
The Canadian Screen Award for Best Achievement in Sound Mixing is awarded by the Academy of Canadian Cinema and Television to the best work by a sound designer in a Canadian film. Formerly known as Best Overall Sound, it was renamed to Best Sound Mixing at the 9th Canadian Screen Awards in 2021.
The Canadian Screen Award for Best Achievement in Editing is awarded by the Academy of Canadian Cinema and Television to the best Canadian film editor in a feature film. The award was presented for the first time in 1966 as part of the Canadian Film Awards, and was transitioned to the new Genie Awards in 1980. Since 2012 it has been presented as part of the Canadian Screen Awards.
Michael Mackenzie works in film, theatre and technology policy. He has directed two feature films, both theatrically released in Canada. His plays have been staged in Europe and North America and variously published in English, French, German and Hungarian. He has a Ph.D from L’Institut d'Histoire et Sociopolitique de Science, Université de Montréal. Past academic appointments include Visiting Fellow at Princeton University Professor of Humanities at Vanier College, and consultant at the United Nations.
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Constant Mentzas is a Canadian film director, screenwriter and restaurateur from Montreal, Quebec. He is most noted for the short films Aspiration, which was a Jutra Award nominee for Best Live Action Short Film at the 5th Jutra Awards and won the award for Best Canadian Short Film at the 2003 Toronto International Film Festival, and Gilles, which was a Genie Award nominee for Best Live Action Short Drama at the 30th Genie Awards in 2010.
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