The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly in London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate.
Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.
The Georgian era was a period in British history from 1714 to c. 1830–1837, named after the Hanoverian kings George I, George II, George III and George IV. The definition of the Georgian era is also often extended to include the relatively short reign of William IV, which ended with his death in 1837. The subperiod that is the Regency era is defined by the regency of George IV as Prince of Wales during the illness of his father George III. The transition to the Victorian era was characterized in religion, social values, and the arts by a shift in tone away from rationalism and toward romanticism and mysticism.
Benjamin West was a British-American artist who painted famous historical scenes such as The Death of Nelson, The Death of General Wolfe, the Treaty of Paris, and Benjamin Franklin Drawing Electricity from the Sky.
Paul Sandby was an English map-maker turned landscape painter in watercolours, who, along with his older brother Thomas, became one of the founding members of the Royal Academy in 1768.
Dominic Serres (1722–1793), also known as Dominic Serres the Elder, was a French-born painter strongly associated with the English school of painting, and with paintings with a naval or marine theme. Such were his connections with the English art world, that he became one of the founding members of the Royal Academy in 1768, and was later briefly its librarian.
Military art is art with a military subject matter, regardless of its style or medium. The battle scene is one of the oldest types of art in developed civilizations, as rulers have always been keen to celebrate their victories and intimidate potential opponents. The depiction of other aspects of warfare, especially the suffering of casualties and civilians, has taken much longer to develop. As well as portraits of military figures, depictions of anonymous soldiers on the battlefield have been very common; since the introduction of military uniforms such works often concentrate on showing the variety of these.
The Death of General Wolfe is a 1770 painting by Anglo-American artist Benjamin West, commemorating the 1759 Battle of Quebec, where General James Wolfe died at the moment of victory. The painting, containing vivid suggestions of martyrdom, broke a standard rule of historical portraiture by featuring individuals who had not been present at the scene and dressed in modern, instead of classical, costumes. The painting has become one of the best-known images in 18th-century art.
Eugène Louis Lami was a French painter and lithographer. He was a painter of fashionable Paris during the period of the July Monarchy and the Second French Empire and also made history paintings and illustrations for books such as Gil Blas and Manon Lescaut.
The Royal West of England Academy (RWA) is Bristol's oldest art gallery, located in Clifton, Bristol, near the junction of Queens Road and Whiteladies Road. Situated in a Grade II* listed building, it hosts five galleries and an exhibition programme that celebrates the best of historic and contemporary British art.
Thomas Jones Barker was an English historical, military, and portrait painter.
Charles Bird King was an American portrait artist, best known for his portrayals of significant Native American leaders and tribesmen. His style incorporated Dutch influences, which can be seen most prominently in his still-life and portrait paintings. Although King's artwork was appreciated by many, it has also been criticized for its inaccurate depictions of Native American culture.
The Society of Artists of Great Britain was founded in London in May 1761 by an association of artists in order to provide a venue for the public exhibition of recent work by living artists, such as was having success in the long-established Paris salons. Leading members seceded from the society in 1768, a move leading directly to the formation of the Royal Academy of Arts. The society was dissolved 1791 after years of decline.
Marine art or maritime art is a form of figurative art that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. In practice the term often covers art showing shipping on rivers and estuaries, beach scenes and all art showing boats, without any rigid distinction – for practical reasons subjects that can be drawn or painted from dry land in fact feature strongly in the genre. Strictly speaking "maritime art" should always include some element of human seafaring, whereas "marine art" would also include pure seascapes with no human element, though this distinction may not be observed in practice.
George Jones was a British painter, and Keeper of the Royal Academy, most famous for his paintings of military subjects.
Marine art was especially popular in Britain during the Romantic Era, and taken up readily by British artists in part because of Great Britain's geographical form. This article deals with marine art as a specialized genre practised by artists who did little or nothing else, and does not cover the marine works of the leading painters of the period, such as, and above all, J. M. W. Turner. The tradition of British marine art as a specialized genre with a strong emphasis on the shipping depicted began in large part with the artists Willem Van de Velde the Elder and his son, called the Younger in the early 18th century. The Van Veldes, originally from Holland, moved to England to work for King Charles II). By the 17th century, marine art was commissioned mostly by merchant seamen and naval officers and created by marine art specialists. In part, marine art served as a visual portrayal of Britain's power on the sea and as a way of historically documenting battles and the like. As British sea captains began to recognize the ability of marine artists to bring Britain's success on the sea to the public on land, some took on an active role in supporting this type of artwork. For example, marine artist Robert Cleveley was hired by Captain William Locker to work in HMS Thames as a clerk, and Captain Locker, interested in employing artists, is believed to have played a significant role in encouraging Cleveley to work as a marine painter. Captains would act as marine artists' patrons, commissioning them to paint portraits of themselves and pictures depicting important battles. A few significant marine artists who were supported in this way by naval officers are Nicholas Pocock, Thomas Luny, and George Chambers. William Hodges, for example, who was trained to draw at William Shipley's Academy, was hired by the Admiralty to finish his pictures from Cook's 1772 voyage for publication upon reaching home in 1775. Captains also commissioned artists to paint portraits of their ships.
The Death of Major Peirson, 6 January 1781 is a large oil painting executed in 1783 by the Anglo-American artist John Singleton Copley. It depicts the death of Major Francis Peirson at the Battle of Jersey on 6 January 1781, part of the European Theatre of the American Revolutionary War.
Richard Wright was an English marine painter. An entirely self-taught artist, he first appeared as an exhibitor in London in 1760, and between that date and 1773 exhibited twenty-five works with the Incorporated Society of Artists and one with the Free Society.
David Morier, was an Anglo-Swiss painter of portraits, military subjects and historical scenes around and after the time of the War of the Austrian Succession and the related Jacobite rising of 1745.
The Battle of Camperdown is a 1799 history painting by the Anglo-American artist John Singleton Copley. It depicts the conclusion to the naval Battle of Camperdown on 11 October 1797 fought in the North Sea between the British Royal Navy and the French-Allied Dutch during the French Revolutionary Wars. A decisive victory for the British fleet, Copley's picture shows the British Admiral Adam Duncan accepting the surrender of the Dutch commander Jan Willem de Winter. Its fuller title is The Surrender of the Dutch Admiral de Winter to Admiral Duncan at the Battle of Camperdown.
