Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known, revered, and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen."
Freddy Fender was an American Tejano, country and rock and roll musician, known for his work as a solo artist and in the groups Los Super Seven and the Texas Tornados. He was best known for his 1975 hits "Before the Next Teardrop Falls" and the subsequent remake of his own "Wasted Days and Wasted Nights".
Harmony is the seventh album by American rock band Three Dog Night, released in 1971. The album featured two Top 10 hits: "An Old Fashioned Love Song" and a cover version of Hoyt Axton's "Never Been to Spain".
"Secret Love" is a song composed by Sammy Fain (music) and Paul Francis Webster (lyrics) for Calamity Jane, a 1953 musical film in which it was introduced by Doris Day in the title role. Ranked as a number 1 hit for Day on both the Billboard and Cash Box, the song also afforded Day a number 1 hit in the UK. "Secret Love" has subsequently been recorded by a wide range of artists, becoming a C&W hit firstly for Slim Whitman and later for Freddy Fender, with the song also becoming an R&B hit for Billy Stewart, whose version also reached the Top 40 as did Freddy Fender's. In the U.K., "Secret Love" would become the career record of Kathy Kirby via her 1963 remake of the song. The melody bears a slight resemblance to the opening theme of Schubert's A-major piano sonata, D.664.
The Sir Douglas Quintet was an American rock band, formed in San Antonio in 1964. With their first hits, they were acclaimed in their home state. When their career was established, the band relocated to the West Coast. Their move coincided with the burgeoning San Francisco psychedelic rock scene of the mid 1960s to early 1970s. Overall, the quintet were exponents of good-times music with strong roots in blues and Texas-regional traditions.
Thrust is a studio album by American jazz-funk musician Herbie Hancock, released in September 1974 on Columbia Records. The album reached No. 2 on the Billboard Top Soul Albums chart and No. 13 on the Billboard 200 chart. It is the second album featuring The Headhunters: saxophonist Bennie Maupin, bass guitarist Paul Jackson, drummer Mike Clark and percussionist Bill Summers.
SugarHill Recording Studios is a recording studio in Houston, Texas. The studio was important in launching the careers of such artists as Lightnin' Hopkins, The Big Bopper, George Jones, the Sir Douglas Quintet, Roy Head, and Freddy Fender. It is renowned for its collection of vintage recording equipment, reverb chamber rooms, EMT plates and a long history of music. A landmark in the Houston music community, SugarHill celebrated its 69th year of operation in October 2011.
Before The Next Teardrop Falls is an album by Freddy Fender.
Are You Ready for Freddy? is an album by Freddy Fender. It was released in 1975 on Dot Records and is a collaboration between the singer and producer Huey P. Meaux.
Rock 'n' Country is an album by Freddy Fender that was released in 1976.
Merry Christmas / Feliz Navidad is a Christmas album by Freddy Fender that was released in 1977.
Swamp Gold is a 1978 album by Freddy Fender that was released on ABC Records.
"Before the Next Teardrop Falls" is an American country and pop song written by Vivian Keith and Ben Peters, and most famously recorded by Freddy Fender.
"Wasted Days and Wasted Nights" is an American country and pop song recorded by Freddy Fender. It is considered by many to belong to the swamp pop idiom of south Louisiana and southeast Texas that had such a major musical impact on Fender.
Capri Records was a rock and roll record label established in Conroe, Texas by Huey P. Meaux and Foy Lee in the early 1960s. It started the careers of many Texas musicians and furthered the careers of Gene Summers, Gaylon Christie, Scotty McKay, and Pat Minter.
La Música de Baldemar Huerta is the title of the Grammy Award recipient cover album released by performer Freddy Fender on February 12, 2002.
Huey Purvis Meaux was an American record producer and the owner of various record labels and recording studios including Crazy Cajun Records, Tribe Records, Tear Drop Records, Capri Records, and SugarHill Recording Studios(1971).
Texas Rock for Country Rollers is the third album by American country-music singer Doug Sahm. Sahm composed for the album seven original songs, while covers constituted the rest of the album. It was released by ABC-Dot in 1976.
Christgau's Consumer Guide: Albums of the '90s is a music reference book by American music journalist and essayist Robert Christgau. It was published in October 2000 by St. Martin's Press's Griffin imprint and collects approximately 3,800 capsule album reviews, originally written by Christgau during the 1990s for his "Consumer Guide" column in The Village Voice. Text from his other writings for the Voice, Rolling Stone, Spin, and Playboy from this period is also featured. The book is the third in a series of influential "Consumer Guide" collections, following Christgau's Record Guide: Rock Albums of the Seventies (1981) and Christgau's Record Guide: The '80s (1990).
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for The Village Voice in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for The Village Voice in the manner of Christgau's "Consumer Guide", alongside contributions to Seattle Weekly, The New Rolling Stone Album Guide, NPR Music, and the webzine Static Multimedia.
