The Big Knife | |
---|---|
Written by | Clifford Odets |
Characters | Charlie Castle, Marcus Hoff, Marion Castle, Buddy Bliss, et al. |
Date premiered | 1949 |
Place premiered | National Theatre |
Original language | English |
Subject | Corrupting influence of money |
Genre | Drama |
Setting | Beverly Hills, California |
The Big Knife is an American play by Clifford Odets. The original production was directed by Lee Strasberg, who had worked with Odets at the Group Theatre, and starring fellow Group Theatre alumnus John Garfield. The play debuted at Broadway's National Theatre on 24 February 1949 before closing on May 28 after 109 performances. The Big Knife marked the return of Odets to Broadway after a six-year hiatus in which he toiled in Hollywood as a screenwriter and motion picture director. The play concerns the disillusionment of a movie star with the Hollywood's studio system and disgust with himself, as he has lost his idealism in the pursuit of success.
Garfield played major movie star Charlie Castle, whose idealistic wife Marion has left him. She has warned him not to sign a new contract with studio boss Marcus Hoff, or she will not return to him. Hoff has covered up a fatal hit-and-run accident committed by Castle, and he threatens Castle with the revelation of his secret if he does not sign the contract. Castle signs the contract, but subsequently commits suicide with the knowledge that he can never reclaim his lost idealism that he had sacrificed for success.
The show premiered at the National Theatre on February 24, 1949, directed by Strasberg, set design Howard Bay, and costume design Lucille Little. The cast starred Frank H. Wilson (Russell), William Terry (Buddy Bliss), John Garfield (Charlie Castle), Leona Powers (Patty Benedict), Nancy Kelly (Marion Castle), Reinhold Schünzel (Nat Danzinger), J. Edward Bromberg (Marcus Hoff), Paul McGrath (Smiley Cox), Mary Patton (Connie Bliss), Theodore Newton (Hank Teagle), Joan McCracken (Dixie Evans), and John McKee (Dr. Frary).
New York Times theater critic Brooks Atkinson, in his review of the opening, admired the "distinguished art and craftsmanship" on display. He praised Strasberg's direction, the acting and the production design and lauded Odets' "uncommon theatre talents". However, Atkinson found the play to be a melodrama that could not support Odets' indictment of American society and his attempt to pass off the dilemma of the play's protagonist as a tragedy, seeing as the cast of Hollywood characters are "a singularly undistinguished and unattractive society of egotists, racketeers, cheats and dimwits." [1]
Atkinson summed up Odets' theme seemingly as being "a study of the immorality of success as measured solely by money; and he is showing how the conspiracy of money destroys those who works for it." He wrote "[T]he characters in The Big Knife are not worth so much of Mr. Odets' indignation on so cosmic a plane. As in a soundly motivated melodrama, they get what they deserve in the final act. There is no point in crying doom for the entire nation." [1]
The play marks the directorial debut of Peter Bogdanovich, who acquired the rights at the age of 19. His revival Off Broadway ran for 63 performances in 1959. It featured young Carroll O'Connor.
The play was made into a 1955 film directed by Robert Aldrich. It was also made into a 1988 television film directed by John Jacobs. [2]
The Big Knife has had one revival on Broadway, in 2013. The play, produced by the Roundabout Theatre Company, opened at the American Airlines Theatre on April 16, 2013, after previews from March 22, and closed on June 2, after 29 previews and 56 performances. Directed by Doug Hughes, the play featured Bobby Cannavale, Marin Ireland, and Richard Kind, who played the venal studio boss Marcus Hoff. [3]
Kind was nominated for a Tony Award for Best Performance by an Actor in a Featured Role in a Play and won a Drama Desk Award for Outstanding Featured Actor in a Play.
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
John Garfield was an American actor who played brooding, rebellious, working-class characters. He grew up in poverty in New York City. In the early 1930s, he became a member of the Group Theatre. In 1937, he moved to Hollywood, eventually becoming one of Warner Bros.' stars. He received Academy Award nominations for his performances in Four Daughters (1938) and Body and Soul (1947).
Clifford Odets was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize–winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash. From January 1935, Odets's socially relevant dramas were extremely influential, particularly for the remainder of the Great Depression. His works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, and David Mamet. After the production of his play Clash by Night in the 1941–42 season, Odets focused his energies primarily on film projects, remaining in Hollywood until mid-1948. He returned to New York for five and a half years, during which time he produced three more Broadway plays, only one of which was a success. His prominence was eventually eclipsed by Miller, Tennessee Williams, and, in the early- to mid-1950s, William Inge.
The Group Theatre was a theater collective based in New York City and formed in 1931 by Harold Clurman, Cheryl Crawford and Lee Strasberg. It was intended as a base for the kind of theatre they and their colleagues believed in—a forceful, naturalistic and highly disciplined artistry. They were pioneers of what would become an "American acting technique", derived from the teachings of Konstantin Stanislavski, but pushed beyond them as well. The company included actors, directors, playwrights, and producers. The name "Group" came from the idea of the actors as a pure ensemble; a reference to the company as "our group" led them to "accept the inevitable and call their company The Group Theatre."
Stella Adler was an American actress and acting teacher.
Golden Boy is a drama by Clifford Odets. The play was initially produced on Broadway by The Group Theatre in 1937. Odets' biggest hit was made into a 1939 film of the same name, starring William Holden in his breakthrough role, and also served as the basis for a 1964 musical with Sammy Davis, Jr.
Harold Edgar Clurman was an American theatre director and drama critic. In 2003, he was named one of the most influential figures in U.S. theater by PBS. He was one of the three founders of New York City's Group Theatre (1931–1941). He directed more than 40 plays in his career and, during the 1950s, was nominated for a Tony Award as director for several productions. In addition to his directing career, he was drama critic for The New Republic (1948–1952) and The Nation (1953–1980), helping shape American theater by writing about it. Clurman wrote seven books about the theatre, including his memoir The Fervent Years: The Group Theatre and the Thirties (1961).
Susan Elizabeth Strasberg was an American stage, film, and television actress. Thought to be the next Hepburn-type ingenue, she was nominated for a Tony Award at age 18, playing the title role in The Diary of Anne Frank. She appeared on the covers of LIFE and Newsweek in 1955. A close friend of Marilyn Monroe and Richard Burton, she wrote two best-selling tell-all books. Her later career primarily consisted of slasher and horror films, followed by TV roles, by the 1980s.
Joseph Edward Bromberg was a Hungarian-born American character actor in motion picture and stage productions dating mostly from the 1930s and 1940s. Knowledge of his past as a member of the Communist Party led to a defiant appearance before the House Un-American Activities Committee, shortly before his death.
John Strasberg is the son of Lee and Paula Strasberg of the Actors Studio, and brother of actress Susan Strasberg.
Phoebe Brand was an American actress.
Joan Hume McCracken was an American dancer and actress who became famous for her role as Sylvie in the original 1943 production of Oklahoma! She also was noted for her performances in the Broadway shows Bloomer Girl (1944), Billion Dollar Baby (1945) and Dance Me a Song (1950), and the films Hollywood Canteen (1945) and Good News (1947).
Robert Lewis was an American actor, director, teacher, author and founder of the influential Actors Studio in New York in 1947.
The Big Knife is a 1955 melodrama directed and produced by Robert Aldrich from a screenplay by James Poe based on the 1949 play by Clifford Odets. The film stars Jack Palance, Ida Lupino, Wendell Corey, Jean Hagen, Rod Steiger, Shelley Winters, Ilka Chase, and Everett Sloane.
Awake and Sing! is a drama play written by American playwright Clifford Odets. The play was initially produced by The Group Theatre in 1935.
Pal Joey is a 1940 musical with a book by John O'Hara and music and lyrics by Richard Rodgers and Lorenz Hart. The musical is based on a character and situations O'Hara created in a series of short stories published in The New Yorker, which he later published in novel form. The title character, Joey Evans, is a manipulative small-time nightclub performer whose ambitions lead him into an affair with the wealthy, middle-aged and married Vera Simpson. It includes two songs that have become standards: "I Could Write a Book" and "Bewitched, Bothered and Bewildered".
Paradise Lost is a drama by Clifford Odets that takes place in 1932, during the Depression. The play was originally produced on Broadway by the Group Theatre in 1935. It was also filmed for television broadcast in 1971.
Clash by Night is a romantic triangle drama by Clifford Odets which premiered on Broadway in 1941 and was later adapted to film and television. The title derives from Matthew Arnold's poem "Dover Beach" (1867):
The House of Connelly is a 1931 Broadway two-act drama written by Paul Green, produced by the Group Theatre in association with The Theatre Guild and staged by Lee Strasberg and Cheryl Crawford. It ran for 91 performances from September 28, 1931 to November 14, 1931 at the Martin Beck Theatre and then from November 16, 1931 to January 2, 1932 at the Mansfield Theatre. It was the inaugural production of the Group Theatre.
Rachel Brosnahan is an American actress. She is best known for playing the title role of an aspiring stand-up comedian in the Amazon Prime Video period comedy series The Marvelous Mrs. Maisel (2017–2023), for which she won a Primetime Emmy Award in 2018 and two consecutive Golden Globe Awards in 2018 and 2019. She has also appeared in the political thriller series House of Cards (2013–2015) and the drama series Manhattan (2014–2015).