Deadline at Dawn

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Deadline at Dawn
Deadline at Dawn movie poster.JPG
Theatrical release poster
Directed by Harold Clurman
Screenplay by Clifford Odets
Based on Deadline at Dawn
1944 novel
by Cornell Woolrich
Produced byAdrian Scott
Starring Susan Hayward
Paul Lukas
Bill Williams
Cinematography Nicholas Musuraca
Edited by Roland Gross
Music by Hanns Eisler
C. Bakaleinikoff
Distributed by RKO Pictures
Release dates
  • March 18, 1946 (1946-03-18)
(Sweden)
  • April 3, 1946 (1946-04-03)
(United States)
Running time
83 minutes
CountryUnited States
LanguageEnglish

Deadline at Dawn is a 1946 American film noir, the only film directed by stage director Harold Clurman. It was written by Clifford Odets and based on a novel of the same name by Cornell Woolrich (as William Irish). The RKO Pictures film release was the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Odets. The director of photography was RKO regular Nicholas Musuraca. The musical score was by German refugee composer Hanns Eisler.

Contents

Plot

Sleepy Parsons, a blind piano player, arrives at the apartment of his ex-wife Edna Bartelli, who owes him $1,400 (equivalent to $21,874in 2023). She checks her purse, but discovers it is missing. She immediately believes a U.S. Navy sailor has it. Nearby a newsstand in New York City, Alex Winkley wakes up with a hazy memory having been drinking the night before, and discovers the cash in his pocket. With seven hours left before he departs for duty, Alex approaches June Goffe, a dance hall girl, at a night club. They dance, and she brings Alex to her apartment.

Before he leaves June's apartment, Alex learns June's mother lives in Norfolk, Virginia, which is nearby a naval base where Alex is stationed. He hands her some of the money to support her, explaining he had stolen it after fixing Edna's radio at her apartment. June convinces Alex to return the money, only for him to discover that Edna is dead.

There, June suspects Alex of having murdered Edna, but he claims his innocence. Outside the apartment, Babe Dooley, one of Edna's past lovers, cries out for her until he leaves. They suspect a man had killed Edna by strangulation, and although June is at first reluctant, she and Alex decide to retrace the killer's steps. They learn hours ago, a blonde woman with a limp had rushed into a cab. June learns from a cab driver he had driven the blonde downtown, while Alex follows a distraught man. Alex evidently learns that the man raced off because his cat was choking and orders his taxi back to Edna's.

June arrives at the apartment of Helen Robinson and her husband Jerry. Helen has an argument with her husband, and steps out where June interrogates Helen about her whereabouts the night before. Alex and June arrive back at Edna's apartment, while Gus Hoffman, a taxi driver concerned about Alex, follows him. They involve Gus in the investigation, and locate Edna's letters intending to blackmail multiple past lovers and a bad check signed by Lester Brady.

A woman known as Mrs. Raymond walks into Edna's apartment, where she is immediately startled to learn that Edna is dead. Alex, June, and Gus reveal themselves and Mrs. Raymond runs out of the apartment. Alex calls Lester notifying him of Edna's murder, and Mrs. Raymond, having arrived at Lester's apartment, suspects Alex of the murder.

Alex arrives at Lester's apartment, where he is confronted by Edna's brother Val, who suspects Alex of the murder. The three men go to Edna's apartment. Enraged at her sister's murder, Val assaults Alex until Lester convinces him to stop him. June and Gus return back to the apartment, and using a white carnation as a clue, they drive down to a nightclub where Sleepy Parsons is performing. Wearing Edna's perfume, June informs Sleepy of the murder. Val inquires Sleepy with questions, and Sleepy dies from a fatal heart attack. The police are soon involved and Alex is interrogated for Edna's murder.

However, Jerry Robinson confesses to killing Edna, but his testimony is disproven. Gus suddenly confesses to killing Edna, having wanted to protect her daughter Helen's marriage. Jerry had been romantically involved with Edna, who gave birth to his child. On the night of the murder, Gus confronted Edna, and in a fit of rage, he strangled her. Gus pleads for Alex's release and he is booked for homicide. Before Alex departs for naval duty, he shares a kiss with June.

Cast

Production

Richard Fleischer says that Sid Rogell, head of RKO's B Picture unit, bullied Harold Clurman during production meetings, saying he would "kick the director right in the balls". He says Clurman accepted it without complaint. [1]

The dialogue contains Odets' trademark New York wisecracks. For example, while dancing at club early in the movie, the Hayward character likens the dance hall to a post office, filled with second-class matter. Edna Bartelli greets her ex-husband by saying, "Aren't you dead yet?"

There are many "slice of life" characterizations of big city people in small roles, such as a tired banana salesman, an angry building superintendent, a refugee with a skin condition who has a crush on June, and a wisecracking sidewalk pitchman.

Odets' Group Theatre colleague Roman Bohnen appears in a bit part, as a grief-stricken man with a dying cat.

Reception

Critical response

The Brooklyn Eagle was approving: “a tightly stitched package of melodramatic suspense. Though adapted from a novel by William Irish, ‘Deadline at Dawn’ is tailor made for the screen….’Deadline at Dawn’ picks up momentum as it moves along toward the sailor’s bus time. But it never resorts to the usual mystery of melodrama. Nor does it pull too far from the reasonable. It is a cleverly written play….[Hayward, Williams, and Lukas] all of them performing easily, credibly, and with deep understanding of the Odets characters….It isn’t likely you’ll spot the killer in ‘Deadline at Dawn.’ Even if nothing else counts in melodrama, that’s pretty good proof that it’s good. ‘Deadline at Dawn’ is actually better than good.” [2]

Film critic Dennis Schwartz somewhat liked the film, writing in 2004: "Broadway's Harold Clurman takes his only stab at film directing, after the breakup of his Group Theatre, in this odd psychological thriller noted for its flowery dialogue and muddled story line ... It's penned by playwright Clifford Odets from a story by Cornell Woolrich. Though enjoyable by virtue of its distorted mise-en-scène, affection for NYC characters and its misplaced chatter, this is not art but run-of-the-mill film noir. Set in Manhattan, yet Deadline used no location shots but was filmed entirely in the studio's back lots. Cinematographer Nick Musuraca does a fine job creating an atmospheric scene of NYC's downtrodden and unhappy souls roaming the dark streets." [3]

Home media

Warner Bros. released the film on DVD on July 13, 2010, in its Film Noir Classic Collection, Vol. 5. [4]

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References

  1. ↑ Fleischer, Richard (1993). Just Tell Me When to Cry . Carrol and Graf. p.  18. ISBN   978-0-88184-944-8.
  2. ↑ H. C. “Palace’s ‘Deadline at Dawn’ a Taut Mystery by Odets.” Brooklyn Eagle, 4 April 1946, 11.
  3. ↑ Schwartz, Dennis Archived 2013-12-24 at the Wayback Machine . Ozus' World Movie Reviews, film review, November 11, 2004. Accessed: July 11, 2013.
  4. ↑ Abrams, Simon. "Film Noir Classic Collection: Volume 5." SlantMagazine.com. July 20, 2010. Accessed 2011-11-19.
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