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The Big Revue | |
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Directed by | Murray Roth |
Produced by | Gordon Hollingshead [ citation needed ] |
Starring | |
Music by | Milton Ager |
Production companies | |
Distributed by | Warner Bros. |
Release date |
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Country | United States |
Language | English |
The Big Revue, also titled as The Starlet Revue, [2] is a 1929 American musical short film produced by Warner Bros. Pictures as part of their Vitaphone Varieties series. Directed by Murray Roth, the film includes performances by The Gumm Sisters and The Meglin Kiddies and additional child performers. Among the Gumm Sisters was seven-year-old Frances Gumm, who later became known as Judy Garland. [3] [4]
The Big Revue features a variety of song and dance numbers performed by the young cast, reflecting the vaudeville style that was popular during that time. The short film is notable as it marks the film debut of Garland, who performed alongside her sisters under their family name, Gumm.
A Vitaphone Varieties production, The Big Revue was part of Warner Bros.' initiative to integrate synchronized sound into short films, a technology that was relatively new at the time. Its release played a role in the transition from silent films to "talkies," illustrating the changing dynamics of the entertainment industry.
The Big Revue, while not widely recognized today, holds historical significance for its early use of sound technology and as the film debut of Garland, who later became a prominent figure in Hollywood. [5] [6]
Judy Garland was an American actress, singer, and vaudevillian. She attained international stardom and critical acclaim as an actress in both musical and dramatic roles, as a recording artist, and on the concert stage. Renowned for her versatility, she received a Golden Globe Award, a Special Tony Award and was one of twelve people in history to receive an Academy Juvenile Award.
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone is the last major analog sound-on-disc system and the only one that was widely used and commercially successful. The soundtrack is not printed on the film, but issued separately on phonograph records. The discs, recorded at 33+1⁄3 rpm and typically 16 inches (41 cm) in diameter, are played on a turntable physically coupled to the projector motor while the film is projected. Its frequency response is 4300 Hz. Many early talkies, such as The Jazz Singer (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound".
Don Juan is a 1926 synchronized sound American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Life with Judy Garland: Me and My Shadows is a 2001 American two-part biographical television miniseries based on the 1998 book Me and My Shadows: A Family Memoir written by Lorna Luft, the daughter of legendary singer-actress Judy Garland. The miniseries was directed by Robert Allan Ackerman and originally broadcast in two parts on ABC on February 25 and 26, 2001.
Meglin Kiddies was an American troupe of acting, music and dance performers, consisting of children up to the age of 16. It was also known as The Meglin Professional Children's School, The Meglin Dance Studio, Meglin's Dance School, and Meglin's Wondrous Hollywood Kiddies.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
"Singing in the Bathtub" is a song written in 1929 by Michael H. Cleary, with lyrics by Herb Magidson and Ned Washington for the film The Show of Shows. The Show of Shows was Warner Bros.' answer to MGM's The Hollywood Revue of 1929, and "Singing in the Bathtub" spoofs Hollywood Revue's song "Singin' in the Rain". In Show of Shows, the number features an enormous bathtub and is performed by Winnie Lightner and a chorus of male performers wearing antiquated bathing suits.
La Fiesta de Santa Barbara is a 1935 American comedy short film directed by Louis Lewyn. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Color). It features a 13-year-old Judy Garland singing "La Cucaracha" with her two sisters.
The musical short can be traced back to the earliest days of sound films.
The Brox Sisters were an American trio of singing sisters, enjoying their greatest popularity in the 1920s and early 1930s.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Tenderloin is a 1928 American sound part-talkie crime film directed by Michael Curtiz, and starring Dolores Costello. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects, along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. It was produced and released by Warner Bros. Tenderloin is considered a lost film, with no prints currently known to exist.
Hardboiled Rose is a 1929 American sound part-talkie romantic drama film directed by F. Harmon Weight and released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film starred Myrna Loy, William Collier, Jr., and John Miljan.
Old San Francisco is a 1927 American synchronized sound historical drama film starring Dolores Costello and featuring Warner Oland. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
Bubbles is a 1930 American Vitaphone Varieties short film released by Warner Bros. in Technicolor. It was filmed in December 1929 at the First National Pictures studio with Western Electric apparatus, an early sound-on-film system, Rel. No. 3898. Bubbles is one of the earliest surviving recordings of Judy Garland on film, at 8 years old.
Vitaphone Varieties is a series title used for all of Warner Bros.', earliest short film "talkies" of the 1920s, initially made using the Vitaphone sound on disc process before a switch to the sound-on-film format early in the 1930s. These were the first major film studio-backed sound films, initially showcased with the 1926 synchronized scored features Don Juan and The Better 'Ole. Although independent producers like Lee de Forest's Phonofilm were successfully making sound film shorts as early as 1922, they were very limited in their distribution and their audio was generally not as loud and clear in theaters as Vitaphone's. The success of the early Vitaphone shorts, initially filmed only in New York, helped launch the sound revolution in Hollywood.
Francis "Frank" Avent Gumm was an American vaudevillian and theatre manager. He is the father of the American actress, singer, and vaudevillian Judy Garland.