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William David Friedkin was an American film, television and opera director, producer, and screenwriter who was closely identified with the "New Hollywood" movement of the 1970s. Beginning his career in documentaries in the early 1960s, he is best known for his crime thriller film The French Connection (1971), which won five Academy Awards, including Best Picture and Best Director, and the horror film The Exorcist (1973), which earned him another Academy Award nomination for Best Director.
Sorcerer is a 1977 American thriller film directed and produced by William Friedkin and starring Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou. The second adaptation of Georges Arnaud's 1950 French novel Le Salaire de la peur, it has been widely considered a remake of the 1953 film The Wages of Fear, although Friedkin disagreed with this assessment. The plot depicts four outcasts from varied backgrounds meeting in a South American village, where they are assigned to transport cargoes of aged, poorly kept dynamite that is so unstable that it is 'sweating' its dangerous basic ingredient, nitroglycerin.
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Let My People Go: The Story of Israel is a 1965 American documentary film directed by Marshall Flaum. It was nominated for an Academy Award for Best Documentary Feature in 1965. Flaum also produced and wrote the documentary.
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William Kronick is an American film and television writer, director and producer. He worked in the film industry from 1960 to 2000, when he segued into writing novels.
The 25th Saturn Awards, honoring the best in science fiction, fantasy and horror film and television in 1998, were held on June 9, 1999.
The People vs. Paul Crump is a 1962 documentary about the prisoner Paul Crump who was on death row for robbery and murder.
The Thin Blue Line is a 1966 film directed by William Friedkin. It was the second of three documentaries Friedkin made for producer David Wolper. It focuses on the police force, and the experience making it influenced Friedkin on The French Connection.
Mayhem on a Sunday Afternoon was the last of three documentaries William Friedkin made for producer David Wolper. It concerned the world of pro football.
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References
- ↑ Friedkin p 68-78
Friedkin, William, The Friedkin Connection, HarperCollins 2013
