Merle Oberon was a British actress who began her film career in British films as Anne Boleyn in The Private Life of Henry VIII (1933). After her success in The Scarlet Pimpernel (1934), she travelled to the United States to make films for Samuel Goldwyn. She was nominated for the Academy Award for Best Actress for her performance in The Dark Angel (1935). Oberon hid her mixed heritage out of fear of discrimination and the impact it would have had on her career.
Margot Grahame was an English actress most noted for starring in The Informer (1935) and The Three Musketeers (1935). She started acting in 1930 and made her last screen appearance in 1958.
Crime Over London is a 1936 British crime film directed by Alfred Zeisler and starring Margot Grahame, Paul Cavanagh and David Burns. It was made at Isleworth Studios, based on the novel House of a Thousand Windows by Ludwig von Wohl. The film's sets were designed by art director Edward Carrick. Distributed by United Artists in Britain, it was later given an American release by Gaumont British.
Beloved Enemy is a 1936 American drama film directed by H.C. Potter and starring Merle Oberon, Brian Aherne, and David Niven. It was loosely based on the life of Michael Collins.
A Night in Montmartre is a 1931 British mystery film directed by Leslie S. Hiscott and starring Horace Hodges, Franklin Dyall, Hugh Williams, Reginald Purdell and Austin Trevor. It was based on a play by Miles Malleson. It was shot at Twickenham Studios in London. The film's sets were designed by the art director James Carter.
The Rosary is a 1931 British drama film directed by Guy Newall and starring Margot Grahame, Elizabeth Allan and Leslie Perrins. It was shot at Twickenham Studios in London. The film's sets were designed by the art director James A. Carter. It was released as an independent first feature, despite being produced by a company that generally concentrated on quota quickies.
Ebb Tide is a 1932 British drama film directed by Arthur Rosson and starring Dorothy Bouchier, Joan Barry, George Barraud, and Merle Oberon. It was shot at Elstree Studios and on location in London. The film's sets were designed by the art director Holmes Paul. It was produced and distributed by the British branch of Paramount Pictures as a quota quickie. It was based on the novel God Gave Me Twenty Cents by Dixie Willson, which had previously been made into a 1926 American silent film of the same title.
Forging Ahead is a 1933 British comedy mystery film directed by Norman Walker and starring Margot Grahame, Garry Marsh and Anthony Holles. Its plot involves a gang of criminals who pretend a house is haunted in order to keep people away.
The Battle is a 1934 Franco–British co-production English language drama film directed by Nicolas Farkas, and starring Charles Boyer, Merle Oberon and John Loder. It was adapted from a 1909 French novel by Claude Farrère entitled La bataille.
Aren't We All? is a 1932 British comedy film directed by Harry Lachman and starring Gertrude Lawrence, Hugh Wakefield and Owen Nares. It is based on the play Aren't We All? by Frederick Lonsdale. It was made at British and Dominions Elstree Studios.
A Warm Corner is a 1930 British comedy film directed by Victor Saville and starring Leslie Henson, Heather Thatcher and Austin Melford. The film's sets were designed by Walter Murton. It was based on a successful play by Franz Arnold and Ernst Bach. It featured an early screen appearance by Merle Oberon.
This is a summary of 1934 in music in the United Kingdom.
The Innocents of Chicago is a 1932 British comedy film directed by Lupino Lane and starring Henry Kendall, Binnie Barnes and Margot Grahame.
Easy Money is a 1934 British comedy film directed by Redd Davis and starring Lilian Oldland, Gerald Rawlinson and George Carney. It was a quota quickie made at British and Dominions Elstree Studios.
Fascination is a 1931 British drama film directed by Miles Mander and starring Madeleine Carroll, Carl Harbord and Dorothy Bartlam. It was made by British International Pictures at the company's Elstree Studios near London. The film's sets were designed by the art directors Clarence Elder and David Rawnsley.
The Love Habit is a 1931 British comedy film directed by Harry Lachman and starring Seymour Hicks, Margot Grahame and Edmund Breon. It was made at Elstree Studios with production beginning in August 1930. Produced by British International Pictures, the largest British film company of the time, it was released in January the following year. It was based on a French play Pour avoir Adrienne by Louis Verneuil.
For the Love of Mike is a 1932 British musical comedy film directed by Monty Banks and starring Bobby Howes, Constance Shotter and Arthur Riscoe. It was made at Elstree Studios by British International Pictures. The film's sets were designed by the art director David Rawnsley.
Creeping Shadows is a 1931 British crime film directed by John Orton and starring Franklin Dyall, Arthur Hardy and Margot Grahame. It was made at the Welwyn Studios of British International Pictures. It was released in America under the alternative title The Limping Man, which was the name of the original West End play by William Matthew Scott on which the film is based.
Without You is a 1934 British comedy film directed by John Daumery and starring Henry Kendall, Wendy Barrie and Margot Grahame. It was made at Beaconsfield Studios as a quota quickie.
Bella Donna is a 1934 British drama film directed by Robert Milton and starring Conrad Veidt, Mary Ellis and Cedric Hardwicke. The film is based on the 1909 novel Bella Donna by Robert Hichens which had previously been made into a 1923 American silent film Bella Donna starring Pola Negri. A further American adaptation Temptation starring Merle Oberon was produced in 1946.
