Buddenbrooks is a 1901 novel by Thomas Mann, chronicling the decline of a wealthy north German merchant family over the course of four generations, incidentally portraying the manner of life and mores of the Hanseatic bourgeoisie in the years from 1835 to 1877. Mann drew deeply from the history of his own family, the Mann family of Lübeck, and their milieu.
Marguerita Maria Christians, known as Mady Christians, was an Austrian-born German-American actress who had a successful acting career in theatre and film in the United States until she was blacklisted during the McCarthy period.
Alfred Peter Abel was a German film actor, director, and producer. He appeared in more than 140 silent and sound films between 1913 and 1938. His best-known performance was as Joh Fredersen in Fritz Lang's 1927 film Metropolis.
Klaus Schwarzkopf was a German actor. From 1971 until 1978 he starred in the Norddeutscher Rundfunk version of the popular television crime series Tatort. He was also known as a respected stage actor and for being the German dubbing voice of Peter Falk as Columbo during the 1970s.
The Hanseaten is a collective term for the hierarchy group consisting of elite individuals and families of prestigious rank who constituted the ruling class of the free imperial city of Hamburg, conjointly with the equal First Families of the free imperial cities of Bremen and Lübeck. The members of these First Families were the persons in possession of hereditary grand burghership of these cities, including the mayors, the senators, joint diplomats and the senior pastors. Hanseaten refers specifically to the ruling families of Hamburg, Lübeck and Bremen, but more broadly, this group is also referred to as patricians along with similar social groups elsewhere in continental Europe.
Buddenbrooks, released also as Buddenbrooks: The Decline of a Family, is a 2008 German drama film directed by Heinrich Breloer, adapted from the 1901 novel of the same name by Thomas Mann. Set in the 19th century, the film portrays the decline of a wealthy family of grain merchants in Lübeck, the Buddenbrooks, and with them a whole way of life as Germany changed radically. It stars Armin Mueller-Stahl as the family's patriarch Consul Jean Buddenbrook, Iris Berben as his wife Bethsy Buddenbrook, and Jessica Schwarz, Mark Waschke and August Diehl as their children Tony, Thomas, and Christian Buddenbrook, respectively.
The House of Dora Green is a 1933 German thriller film directed by Henrik Galeen and starring Mady Christians, Paul Hartmann, and Leonard Steckel. It was based on the novel Diplomatische Unterwelt by Hans Rudolf Berndorff. It was the final German film made by Galeen, before being forced into exile following the Nazi Party's takeover of power. The film's sets were designed by the art director Gustav A. Knauer. In 1937 it was released in the United States.
A Glass of Water is a 1923 German silent historical drama film directed by Ludwig Berger and starring Mady Christians, Lucie Höflich and Hans Brausewetter. It premiered at the UFA-Palast am Zoo on 1 February 1923. It was based on a play of the same title by Eugène Scribe, set in England during the reign of Queen Anne. The film was very well received both commercially and critically on its release. It is considered one of the milestones of Weimar cinema.
The Lost Shoe is a 1923 German silent fantasy film directed by Ludwig Berger and starring Helga Thomas, Paul Hartmann and Mady Christians. Its plot is loosely based on that of Cinderella. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Rudolf Bamberger. The film premiered on 5 December 1923 at the Ufa-Palast am Zoo in Berlin. It was produced by Decla-Bioscop which was by then part of the large UFA conglomerate.
A Waltz Dream is a 1925 German silent drama film directed by Ludwig Berger and starring Willy Fritsch, Mady Christians and Xenia Desni. It was based on the 1907 operetta Ein Walzertraum composed by Oscar Straus. It was influential on the development of later Viennese operetta films. Unlike many of UFA's ambitious productions of the 1920s, A Waltz Dream managed to recover its production cost in the domestic market alone.
Slums of Berlin is a 1925 German silent drama film directed by Gerhard Lamprecht and starring Aud Egede-Nissen, Bernhard Goetzke, and Mady Christians. It was shot at the Marienfelde Studios in Berlin. The film's sets were designed by the art director Otto Moldenhauer. It was produced and distributed by National Film.
Man Against Man is a 1924 German silent drama film directed by Hans Steinhoff and starring Alfred Abel, Mady Christians and Tullio Carminati. It is based on the novel with the same title by Norbert Jacques. The film's sets were designed by the art directors Alfred Junge and Oscar Friedrich Werndorff.
The Fate of Renate Langen is a 1931 German drama film directed by Rudolf Walther-Fein and starring Mady Christians, Francis Lederer and Hilde Hildebrand.
Sword and Shield is a 1926 German silent historical romance film directed by Victor Janson and Rudolf Dworsky and starring Mady Christians, William Dieterle and Albert Steinrück. It is in the Prussian films tradition.
Prisoners of Love is a 1954 West German drama film directed by Rudolf Jugert and starring Curd Jürgens, Annemarie Düringer and Bernhard Wicki. It revolves around the story of a married couple separated by the Second World War. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Erich Kettelhut and Johannes Ott.
The Buddenbrooks is a 1959 West German drama film directed by Alfred Weidenmann and starring Liselotte Pulver, Hansjörg Felmy, Nadja Tiller. It was released in two parts. It is an adaptation of the 1901 novel of the same name by Thomas Mann.
Laugh Bajazzo is a 1915 German silent drama film directed by Richard Oswald and starring Rudolph Schildkraut, Alfred Abel and Hanni Weisse.
Manolescu, Prince of Thieves is a 1933 German comedy crime film directed by Georg C. Klaren and Willi Wolff and starring Iván Petrovich, Alfred Abel, Ellen Richter and Mady Christians. It was shot at the Johannisthal Studios in Berlin and on location in St. Moritz. The film's sets were designed by the art director Hans Jacoby. It was produced and released just as the Weimar Republic was giving way to Nazi Germany.
