The Caretakers of Deception | |
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Origin | Los Angeles, California, United States |
Genres | |
Years active | 1966 - 1967 |
Labels | Sanctus |
The Caretakers of Deception were an American garage rock band formed in Los Angeles, California, in 1966. Very little is known about the group itself, but their lone single "Cuttin' Grass" which was first noticed on the Psychedelic Disaster Whirl compilation album, is heralded as a classic of the 1960s garage rock era.
The Caretakers of Deception were formed by Thomas Charles Jones, a Los Angeles songwriter, when he was 17 years old. Nothing is known regarding the identities of the group's members themselves but Jones was the band's leader and primary songwriter. [1] [2] On his behalf, the band performed at local clubs that were a part of the city's psychedelic music scene such as the Seawitch and Brave New World. In 1967, Jones was approached by talent agent Larry Miller to record the Caretakers of Deception at a home studio in Topanga Hills. The group completed and released two Jones originals (who is credited as T. Jones on the single) "Cuttin' Grass" and "X + Y = 13" on Sanctus Records; the Caretakers of Deception disbanded soon after. [1] [2]
Although the "Cuttin' Grass" single did not create much interest outside Los Angeles, it received more attention when it was reissued on the Psychedelic Disaster Whirl compilation album in 1986. As "Cuttin' Grass" experienced a revival of interest, it has been acknowledged as a classic. [3] [4] In the UK, critic Dave Furgess, writing for the Head Heritage website, described the record as "one of the top 10 greatest USA 60's garage records of all time, right up there with classics by The Dovers, The Squires, Third Bardo, Human Expression and Calico Wall". [5]
Love is an American rock band formed in Los Angeles in 1965. Led by Arthur Lee, Love was one of the first racially diverse American rock bands. Their style, sometimes characterized as garage rock, folk rock, and psychedelic, drew from an eclectic range of sources including, blues, jazz, flamenco, and orchestral pop. In recent years, they have toured under the title of The Love Band or Love Revisited, with guitarist Johnny Echols as the only original member.
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
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The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
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Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
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The Mojo Men was an American rock band based in San Francisco. Formed in 1965, the group underwent several name and personnel changes until their 1969 breakup. Their highest-charting Billboard Hot 100 single was a cover of Buffalo Springfield's "Sit Down, I Think I Love You", which peaked at number 36 in 1967.
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