The Dovers were an American garage rock band of the mid-1960s. The Dovers were an example of mid-1960s folk rock, psychedelic rock and pop, heavily influenced by the British Invasion and American groups such as The Byrds.
The Dovers were from Santa Barbara, California, and started their band under the name The Vandells. [1] They began their recording career as The Dovers in 1965 with the Miramar Records release "She's Gone"/"What Am I Going To Do?," which reportedly was a minor hit in the Santa Barbara–Ventura County area. Three singles followed in late 1965 and early 1966, showing The Dovers' interest in folk and pop; none of their four singles met with national success, and The Dovers broke up shortly afterward.
The group recorded a total of four singles for Miramar:
A Top 40 list from radio station KIST in Santa Barbara from May 28, 1966, shows The Dovers' single "The Third Eye" listed as one of the station's "Hit Bound Sounds" of the week. [2]
The Dovers went largely unnoticed by music collectors until garage rock compilation albums were released in the late 1970s and early 1980s. A cult following developed around the group, who became known among collectors for their catchy songs and wistful vocals. "What Am I Going To Do" is available on Rhino Records' Nuggets box set. "She's Gone" is given on Pebbles, Volume 2 , while "She's Not Just Anybody" is available on Pebbles 8, Southern California 1 . The group's original bass player, Laudewig, died in the 1980s. [1]
In 2003, Misty Lane issued a 10" vinyl retrospective album that includes all 8 songs by the Dovers, called We're Not Just Anybody. [3]
The 2009 song "Walkabout" by Atlas Sound heavily samples the track "What Am I Going To Do." The track is a collaboration with Animal Collective's Panda Bear.
The Dovers were:
In 2007 Jawbone Press published Riot on the Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood ( ISBN 978-1-906002-04-6) by Domenic Priore. The book featured a few pages on the history of The Dovers, including a rare interview with Tim Granada.
The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." It mainly consisted of material by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
Sheldon Talmy is an American record producer, songwriter and arranger, best known for his work in the UK in the 1960s with the Who, the Kinks and many others.
The Creation was an English rock band, formed in 1966. Their best-known songs are "Making Time", which was one of the first rock songs to feature a guitar played with a bow, and "Painter Man", which made the Top 40 in the UK Singles Chart in late 1966, and reached No. 8 in the German chart in April 1967. It was covered by Boney M in 1979, and reached the No. 10 position in the UK chart. "Making Time" was used in the movie Rushmore, and as the theme song from season 2 onwards of The Great Pottery Throw Down.
Would You Believe? is the fourth UK album by the Hollies, released in 1966.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
The Squires were an American garage band from Bristol, Connecticut, United States, operating in the 1960s.
Milan Radenkovich, who was always credited mononymously as Milan, was an American record producer, songwriter and recording artist on numerous songs made throughout the 1960s, mostly though not exclusively in the garage rock genre. He released an LP and numerous singles for seven different national record labels and other independent labels under a variety of names, including Milan with His Orchestra, Milan, The World of Milan, Milan , and The Leather Boy, and also worked under the name Rick Rodell. As a producer, arranger and/or songwriter, Milan oversaw many other releases by a variety of artists ranging from the pop singer Lou Christie to the psychedelic rock band the Head Shop.
Pebbles, Volume 2 is a compilation album featuring American underground psychedelic and garage rock musical artists from the 1960s. It is the second installment of the Pebbles series and was released on BFD Records in 1979.
Mouse and the Traps is the name of an American garage rock band from Tyler, Texas, United States, that released numerous singles between 1965 and 1969, two of which, "A Public Execution" and "Sometimes You Just Can't Win", became large regional hits. The leader of the band, nicknamed "Mouse", was Ronny Weiss. Two of their best known songs, "A Public Execution" and a cover of "Psychotic Reaction", are not actually credited to this band but, respectively, to simply Mouse and Positively 13 O'Clock instead. Their tangled history also included one single that was released anonymously under the name Chris St. John. The band are not to be confused with the girl group Mousie and The Traps who recorded for Toddlin' Town records around the same time.
Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Essential Pebbles, Volume 1 is the first compilation album in the Essential Pebbles series. Although subtitled Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
Peter Wheat and the Breadmen were an American garage rock band formed in Fremont, California, in 1964. The group became a popular live attraction regionally, and released one single that has since been reissued on compilation albums.
The Gentlemen were an American garage rock band from Dallas, Texas, who were active from 1964 to 1968. They are best known for their 1966 song, "It's a Cry'n Shame", which has been recognized as one of the greatest songs in garage rock. The band is noted for the contributions of guitarist and songwriter, Seab Meador. Jimmie Vaughan, later a member the Fabulous Thunderbirds and brother of Stevie Ray Vaughan, served a brief stint for several months in the Gentlemen in late 1965 and early 1966, but did not appear on any of their recordings. He went on to play in another Dallas garage rock band, the Chessmen.
"It's a Cry'n Shame" is a song written by Seab Meador and Mike Kelley and was recorded in 1966 by the Gentlemen, an American garage rock band from Dallas, Texas who were active between 1964-1968. It was originally released as the B-side to "You Can't Be True" but has become by far the better-known song. "It's a Cry'n Shame" has been included in several garage rock compilations and is now recognized as one of the greatest songs in the genre.
The Grains of Sand were an American garage rock band formed in Los Angeles, California in 1965. For a period, the group exerted a promising presence in Los Angeles's music scene, releasing three singles in their recording career, the second of which was produced by Kim Fowley. Much of the band's material found on their first two releases have since been compiled on several compilation albums, including Pebbles, Volume 1, and is cited by critics as classics of the garage rock genre.
The Fe-Fi-Four Plus 2 was an American garage rock band formed in Santa Fe, New Mexico, in 1966. Experimenting with inventive vocal arrangements and fuzz-toned guitar melodies, the group was a forerunner in the musical genre of psychedelic rock. The band released what is commonly agreed by music historians as the first psychedelic single by a native New Mexican group, with their first single "I Wanna Come Back ".
T.C. Atlantic was an American garage rock/psychedelic rock band from Minneapolis, Minnesota who were active in the 1960s. They were one of the most popular groups in the Twin Cities, but failed to break nationally. In the intervening years since their breakup, their recordings have attracted the interest of '60s music collectors and enthusiasts, and they are particularly remembered for their 1966 fuzz-tinged song, "Faces", which has been mentioned as one of the earliest garage rock songs to display psychedelic characteristics.
The Dearly Beloved were an American garage rock band from Tucson, Arizona, originally known as the Intruders, who began as an instrumental surf rock combo, but eventually incorporated vocals into their sound after the rise of the British Invasion. After recording their first single as the Intruders, they changed their name to Quinstrels, recording one single under that moniker, but later settling upon the name for which they are best known, the Dearly Beloved. Along with the Grodes, they became one of the top groups in the Tucson area, scoring a #1 hit in there, and were on the cusp of breaking to a wider national audience, even briefly recording with Columbia Records and receiving some airtime on radios stations in other parts of the country, but were unable to maintain the momentum long enough to achieve wider success. Their work is nonetheless highly regarded amongst garage rock and psychedelic enthusiasts.
The Kitchen Cinq were an American garage rock band from Amarillo, Texas active in the 1960s, whose lineup included guitarist and songwriter Jim Parker. They evolved out of the Illusions and eventually changed their name to the Y'alls, releasing records under both names, and enjoyed regional success before moving to Los Angeles, where they signed with Lee Hazlewood's LHI label and became the Kitchen Cinq. As the Kitchen Cinq they recorded five singles between 1966 and 1968, as well as the album Everything but the Kitchen Cinq, released in 1967. In December 1967, they released a single under the alias a Handful, but returned to their better-known moniker for their final release in 1968.
Danny and the Counts were an American garage rock band from El Paso, Texas, who were active in the 1960s. They were one of the most popular bands in the thriving Latino rock scene in El Paso. They had a local hit with their 1965 R&B-flavored debut single, "For Your Love", but afterward switched their approach to reflect British Invasion influence. In 1966 they released a single on Coronado Records featuring the two songs for which they have become best-known, "You Need Love" and "Ode to the Wind". In the intervening years their work has come to be highly regarded by garage rock enthusiasts.