The Castle Ranch

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The Castle Ranch
The Castle Ranch (1915).png
Ed Coxen and Joseph Harris
Directed by Henry Otto
Starring Josephine Ditt
Edward Coxen
John Steppling
Production
company
Distributed by Mutual Film
Release date
  • April 19, 1915 (1915-04-19)
Running time
2 reels
CountryUSA
LanguageSilent (English intertitles)

The Castle Ranch is a 1915 American silent short comedy drama Western film directed by Henry Otto and starring Josephine Ditt and Ed Coxen. The film was produced by American Film Company and distributed by Mutual Film.

Contents

Plot

According to a film magazine, [1] "Lord Hickey buys for his second son an estate in Montana. On the photograph submitted by Jefferson Todd, a land shark, "Castle Ranch" is represented to be a magnificent pile rising in the midst of mountain grandeur. However, when Algy arrives with Simpson, his valet, to take possession, he finds that his mansion is only a one room shack with a high board front, turreted and painted to imitate a castle. He is secretly amused to think that his father has been swindled. Though Simpson is in a perpetual state of terror at the thought of being in a country where savage Indians abound, Algy determines to make the best of a bad bargain for a while at least.

The morning after his arrival, the young Englishman breakfasts at the Dunn ranch, where he meets Sally, his neighbor's attractive daughter. News is brought of the discovery of oil nearby. Todd, later in the day, examines by stealth the well on Algy's land and finds the water coated with a blackish substance. He offers to buy back the ranch and Algy accepts. The deal has been legally transferred when Sally appears upon the scene. She begs Algy not to sell. "Didn't you know," she says, "that it was oil which Jeff Todd found in the well?" "I fawncy I did," replied the astute Englishman. "I put it there myself, don't you know." Todd realizes that he has been beaten at his own game. More, that he hasn't a ghost of a chance with Sally."

Cast

Reception

Motography reviewer Clarence J. Caine was very positive towards the film, praising the performances of the cast, who he described as "can always be depended upon to do good work." Additional praise was saved for the production, saying the film had "the artistic beauty typical of American pictures" and "the photography is also fully up to the high standard set by productions of this company." [2]

References

  1. Reel Life, New York City: Mutual Film Corp., 1915-04-10, p. 12PD-icon.svg This article incorporates text from this source, which is in the public domain .
  2. Motography. Chicago: Electricity Magazine Corp. April 24, 1915. pp. 655–656.