Marjorie Burnet Rambeau was an American film and stage actress. She began her stage career at age 12, and appeared in several silent films before debuting in her first sound film, Her Man (1930). She was twice nominated for the Academy Award for Best Supporting Actress for her roles in Primrose Path (1940) and Torch Song (1953), and received the 1955 National Board of Review Award for Best Supporting Actress for her roles in A Man Called Peter and The View from Pompey's Head.
Cleo Ridgely-Horne was a star of silent and sound motion pictures. Her career began early in the silent film era, in 1911, and continued for forty years. She retired in the 1930s but later returned to make more movies. Her final film was Hollywood Story (1951), in which she had a bit part.
James Cornelius Kirkwood Sr. was an American actor and director.
Enid Eulalie Bennett was an Australian silent film actress, mostly active in American film.
Louise Chéruit, also known as Madame Chéruit and often erroneously called Madeleine Chéruit, was a French fashion designer. She was among the foremost couturiers of her generation, and one of the first women to control a major French fashion house. Her salon operated at Place Vendôme in Paris under the name Chéruit from 1906 to 1935. She is best remembered today as the subject of a number of portraits by Paul César Helleu and for the appearance of her name in two celebrated works of literature, Marcel Proust's Remembrance of Things Past (1910) and Evelyn Waugh's Vile Bodies (1930). Her name is also frequently associated with the fashion photography of Edward Steichen, whose favorite model, Marion Morehouse, often wore gowns from the house of Chéruit for Vogue magazine in the 1920s. One particular Steichen image has become iconic – Morehouse in a jet-beaded black net Chéruit dress, first published in 1927.
NoraDorothy Bernard was an American actress of the silent era. She appeared in nearly 90 films between 1908 and 1956.
Marjorie Bonner was an American dancer and actress who was a member of the Ziegfeld Follies of 1908. Produced by Florenz Ziegfeld, the Follies were presented in June 1908, at the Jardin de Paris, atop the New York Theatre.
The Golden Chance is a 1915 American silent drama film directed by Cecil B. DeMille. Art direction for the film was done by Wilfred Buckland. DeMille remade the film in 1921 as Forbidden Fruit.
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
The Affairs of Anatol is a 1921 American silent comedy-drama film directed by Cecil B. DeMille, starring Wallace Reid and Gloria Swanson. The film is based on the 1893 play Anatol by Arthur Schnitzler. It was adapted by Jeanie MacPherson for the screen with assistance from Beulah Marie Dix and Elmer Harris. Art direction for the film was done by Paul Iribe.
When Do We Eat? is a 1918 American silent comedy film directed by Fred Niblo.
Hermon Reed Howes was an American model who later became an actor in silent and sound films.
You're Fired is a 1919 American silent comedy film directed by James Cruze and starring Wallace Reid. The film was produced by Famous Players–Lasky and distributed by Paramount Pictures on June 8, 1919.
The Puppet Crown is a 1915 American drama silent film directed by George Melford and written by Harold MacGrath and William C. deMille. The film stars Ina Claire, Carlyle Blackwell, Chris Lynton, Cleo Ridgely, Horace B. Carpenter and John Abraham. The film was released on July 29, 1915, by Paramount Pictures.
The Secret Orchard is a 1915 American drama silent film directed by Frank Reicher and written by Channing Pollock and William C. deMille. The film stars Cleo Ridgely, Blanche Sweet, Edward MacKay, Gertrude Kellar, Carlyle Blackwell and Theodore Roberts. The film was released on August 9, 1915, by Paramount Pictures.
The Love Mask is a 1916 American drama silent film directed by Frank Reicher and written by Cecil B. DeMille and Jeanie MacPherson. The film stars Cleo Ridgely, Wallace Reid, Earle Foxe, Bob Fleming, Dorothy Abril and Lucien Littlefield. The film was released on April 13, 1916, by Paramount Pictures.
The House with the Golden Windows is a lost 1916 American drama silent film directed by George Melford and written by Charles Sarver. The film stars Wallace Reid, Cleo Ridgely, Billy Jacobs, James Neill, Mabel Van Buren, and Marjorie Daw. The film was released on August 10, 1916, by Paramount Pictures.
The Chorus Lady is a 1924 American silent drama film directed by Ralph Ince and starring Margaret Livingston, Alan Roscoe, and Virginia Lee Corbin. It is based on the play of the same name by James Forbes, which was previously filmed in 1915 as The Chorus Lady.
This is a comprehensive listing of Wallace Reid's (1891–1923) silent film output. Reid often played a clean-cut, well-groomed American go-getter on screen, which is how he is best remembered, but he could alternate with character roles, especially in his early short films, most of which are now lost. Some films have him as a director, some have him as an actor and some have him as both in particular his numerous short films. His first feature film is the famous appearance as a young blacksmith in The Birth of a Nation in 1915.
No. 16 Martin Street was a 1916 American silent Short film directed by Lloyd B. Carleton. The film was based on the detective story and screen adaptation by Bess Meredyth. The drama stars Dorothy Davenport, Emory Johnson, and an all-star cast of Universal contract players.
