The Christian | |
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Directed by | |
Based on | The Christian by Hall Caine |
Starring | |
Production company | |
Release date |
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Running time | 3,500 feet [2] |
Country | Australia |
Languages |
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The Christian is a 1911 Australian silent film starring Roy Redgrave and Eugenie Duggan. It was the first film directed by Franklyn Barrett. The film was based on Hall Caine's play adapted from his novel The Christian which was published in 1897 and the first British novel to sell one million copies.
It is considered a lost film.
Clergyman John Storm is doing mission work in the slums of London when he meets Glory, a girl from the country, who has been persuaded by Lord Robert Ure to seek a career on the stage. Storm tries to persuade Glory not to do it but she refuses. He then asks Lord Ure, which so infuriates him he sends someone to burn down Storm's mission hall. Storm is unconscious inside but he is rescued at the last minute. He goes to see Glory, determined to save her soul, by killing her if need be. But he comes to his senses and the two of them are married. [3]
The film is based on a popular play that had been recently been produced in Sydney by William Anderson in September 1911. [4] Roy Redgrave had played the role of John Storm in England for two years prior to coming to Australia. [5]
Indoor scenes were shot at Wonderland in Bondi, which was owned by Anderson. [6]
Shooting also appears to have taken place at West's studios, which were on top of their headquarters in Pitt Street, Sydney. [7] [8]
Roy Redgrave later claimed that he produced the picture:
I had a very strenuous time producing this picture, as I had also to play John Storm, the while I was telling the members who were acting in the scenes what to do. All the time I was doing this I thought that when The Christian was thrown upon the white screen John Storm would be mistaken for a ventriloquist. It turned out to the satisfaction of all concerned. [9]
Redgrave would revive the role on stage throughout the rest of his career.
The Sydney Morning Herald praised its "splendid results". [1] The Daily Telegraph said:
Eugenie Duggan... succeeded beyond expectation in her work for the camera, giving one of those life-like pictures that are the exception rather than the rule in this connection. And Roy Redgrave... was also a distinct success in his new surroundings, and demonstrated at once that he had caught the spirit of the idea. The work of the cinematographer, Mr. W. Franklyn Barrett, was up to the best traditions of the West, Ltd.. management, the fire scone being a strikingly well- arranged piece of stagecraft. The picture has been declared by experts to be among the best of the class seen in Sydney for some time. [10]
There were other film versions of the play in 1914 (from Hollywood), 1915 (from England) and 1923 (from Hollywood).
George Ellsworthy "Roy" Redgrave was an English stage and silent film actor. Redgrave is considered to be the first member of the Redgrave acting dynasty.
Sydney George Ure Smith OBE was an Australian arts publisher, artist and promoter who "did more than any other Australian to publicize Australian art at home and overseas".
Robbery Under Arms is a 1920 Australian film directed by Kenneth Brampton and financed by mining magnate Pearson Tewksbury. It is an early example of the "Meat pie Western".
The Christian (1923) is a silent film drama, released by Goldwyn Pictures, directed by Maurice Tourneur, his first production for Goldwyn, and starring Richard Dix and Mae Busch. The film is based on the novel The Christian by Hall Caine, published in 1897, the first British novel to reach the record of one million copies sold. The novel was adapted for the stage, opening on Broadway at the Knickerbocker Theatre October 10, 1898. This was the fourth film of the story; the first, The Christian (1911) was made in Australia.
Albert Edward Bailey, better known as Bert Bailey, was a New Zealand-born Australian playwright, theatrical manager and stage and screen actor best known for playing Dad Rudd, in both mediums, the character from the books penned by Steele Rudd.
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Edmund Duggan was an Irish-born actor and playwright who worked in Australia. He is best known for writing a number of plays with Bert Bailey including The Squatter's Daughter (1907) and On Our Selection (1912). His solo career was less successful than Bailey's. His sister Eugenie was known as "The Queen of Melodrama" and married noted theatre producer William Anderson, for whom Duggan frequently worked as an actor, writer and stage manager.
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It Is Never Too Late to Mend is a 1911 Australian feature-length silent film written and directed by W. J. Lincoln.
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William Anderson was an Australian theatre entrepreneur.
Eugenie Marian Duggan was a popular Australian stage actress. She was the sister of the actors Edmund, P.J. and Kathleen Duggan. She began studying acting, won a number of elocution competitions and made her professional debut in 1890 in Romeo and Juliet.
The King's Theatre was a theatre in Melbourne, Australia, located at 133 Russell Street between Bourke Street and Little Collins Street.
The Christian (1914) is a silent film drama, directed by Frederick A. Thomson, and costarring Earle Williams and Edith Storey. The film is based on the novel The Christian by Hall Caine, published in 1897, the first British novel to reach the record of one million copies sold. The novel was adapted for the stage, opening on Broadway at the Knickerbocker Theatre 10 October 1898. This was the second film of the story; the first, The Christian (1911) was made in Australia.
The Christian is a 1915 British silent film directed by George Loane Tucker and starring Derwent Hall Caine and Elizabeth Risdon. The film is an adaptation of Hall Caine's 1897 novel The Christian. This was the third film of the story, the first The Christian (1911) was made in Australia and the second The Christian (1914) was made in the United States. The Christian was made by the London Film company, which was at the time England's most highly regarded producing organisation and whose policy was to film works of the great authors.
The Christian is an 1898 play written by British author Hall Caine. It is a drama, with a prologue and four acts. Caine insisted the play was not an adaptation of his 1896 novel of the same name, but rather a new story using the same principal characters. It was more a romance than the theological drama of the novel, as an Anglican vicar of a slum parish in 1890's London tries to persuade a music hall performer to give up her career.
The Winning Ticket is a 1910 Australian play about the Melbourne Cup by William Anderson and Temple Harrison. It was also produced by Anderson.