The Class of Miss MacMichael

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The Class of Miss MacMichael
The Class of Miss MacMichael (1978) poster.jpg
Theatrical release poster
Directed by Silvio Narizzano
Written by Judd Bernard
Produced byJudd Bernard
Starring
Cinematography Alex Thomson
Edited by Max Benedict
Music by Stanley Myers
Production
companies
Brut Productions
Kettledrum Films
Distributed byGala Film Distributors
Release dates
  • 28 December 1978 (1978-12-28)(Australia)
  • 27 January 1979 (1979-01-27)(USA)
Running time
94 minutes
CountryUnited Kingdom
LanguageEnglish

The Class of Miss MacMichael is a 1978 British comedy drama film directed by Silvio Narizzano, and starring Glenda Jackson, Oliver Reed, and Michael Murphy. [1] It was based on the 1978 novel of the same name by Sandy Hutson.

Contents

Plot

The film depicts the attempts of an idealistic teacher, Miss MacMichael, to inspire her pupils in an inner-city London school. While trying to help the teens she works with, she also must fight the ultra authoritarian headmaster, Mr Sutton.

Cast

Production

Although the film was shot in Britain it was financed entirely from the United States which the director thought was "disgraceful". [2]

Reception

The Monthly Film Bulletin wrote: "A curious throwback to the days of The Blackboard Jungle and, closer to home, To Sir with Love , which fails to make much of a case, in its earnest liberal fashion, for the way society shapes its juvenile delinquents. Reformist in inspiration, inappropriate in interpretation (Oliver Reed plays Sutton the headmaster as though he were a music-hall character), and inexplicable in casting (it is the most unlikely vehicle yet for Glenda Jackson), the film simply limps from one clumsy exhibition of delinquency to the next. It does, however, give work to a fair number of young black actors, which is not an everyday occurrence, and one performance in particular stands out: Phil Daniels as the lanky adolescent with the prurient eye whom Miss MacMichael designates to give the functionaries of the school board an eye-opening tour of the premises' seedier nooks and crannied." [3]

Janet Maslin in the New York Times wrote, "Brut Productions, which once brought you Glenda Jackson in A Touch of Class (1973), this time presents her in circumstances that are decidedly déclassé ... Miss Jackson does nothing here that she hasn't done better elsewhere." [4]

Variety criticized the film as, "Treading the usual characterizations and situations", but added, "Though predictable, and the script serviceable for this oft-treated theme, with direction average, it has Glenda Jackson adding her presence to the part of a dedicated teacher who eschews a second marriage to stay with her impossible charges." [5]

Time Out wrote: "Reed, as the neo-fascist headmaster of a school for delinquents, parodies his boorish film persona to the point of farce, alternately strutting around like a boiled turkey or oiling his way with the school's visitors, while Jackson goes at her role of committed teacher/lone befriender of kids with jaw-forward heartiness. Add to this conflict in styles the film's confused intentions – black comedy, the horrific realities of reform schools, a sentimental belief that understanding will overcome – and you have a mess." [6]

Leslie Halliwell said: " The Blackboard Jungle lives on, very boringly." [7]

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References

  1. "BFI | Film & TV Database | The CLASS OF MISS MacMICHAEL (1978)". 14 January 2009. Archived from the original on 14 January 2009. Retrieved 3 January 2022.
  2. PRODUCTION INCREASES: Fog Lifts on British Film Industry Tuohy, William. Los Angeles Times , 30 December 1977, p. G1.
  3. "The Class of Miss MacMichael". The Monthly Film Bulletin . 46 (540): 92. 1 January 1979 via ProQuest.
  4. "Movie Reviews". The New York Times . 30 December 2021. Retrieved 3 January 2022.
  5. "The Class of Miss Macmichael". Variety.com. 1 January 1978. Retrieved 3 January 2022.
  6. "The Class of Miss MacMichael". Time Out Worldwide. Retrieved 3 January 2022.
  7. Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 204. ISBN   0586088946.