The Clown and His Donkey

Last updated

The Clown and His Donkey is an 1910 animated short film featuring silhouette animation. It was written, directed, and produced by the British animator Charles Armstrong. [1] It was his third known silhouette animated film, following The Sporting Mice(1909) and Votes for Women: A Caricature (1909). The Clown and His Donkey is Armstrong's only surviving film, though he continued directing animated films until 1915. [1] All of Armstrong's animated films were distributed by the Charles Urban Trading Company. [1]

Contents

Plot

The film consists of seven scenes, separated by black segments of various lengths. The film depicts a clown and his donkey performing circus tricks, juggling, and playing practical jokes. A circus monkey assists the clown in some scenes. The clown gestures to the audience, asking for its complicity. [1]

Production

The film's silhouettes are white. They are depicted in profile, and contrasted with the film's black background. [1]

In the film, Armstrong animated shadow puppets frame-by-frame. He was pioneering silhouette animation techniques which would later be perfected by Lotte Reiniger. [2]

Charles Armstrong produced his animated films at the Cumberland Works in Kew. [3] The film's depiction of circus acts reflected the status of animation itself in its era. Animation was seen as a novelty and as a form of marginal entertainment. [3]

Armstrong's animated films tended to combine "impossible" scenarios with political satire, reflecting the British political issues of his era. The Clown and His Donkey may be making a "playful social point", but its primary purpose was to demonstrate Armstrong's "technical acumen". [3]

Related Research Articles

<span class="mw-page-title-main">Animation</span> Method of creating moving pictures

Animation is a filmmaking technique by which still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets (cels) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.

<i>Song of the South</i> 1946 American live-action animated film

Song of the South is a 1946 American live-action/animated musical drama film directed by Harve Foster and Wilfred Jackson; produced by Walt Disney and released by RKO Radio Pictures. It is based on the Uncle Remus stories as adapted by Joel Chandler Harris, and stars James Baskett as Uncle Remus in his final film role. The film takes place in the U.S. state of Georgia during the Reconstruction era, a period of American history after the end of the American Civil War and the abolition of slavery. The story follows seven-year-old Johnny who is visiting his grandmother's plantation for an extended stay. Johnny befriends Uncle Remus, an elderly worker on the plantation, and takes joy in hearing his tales about the adventures of Br'er Rabbit, Br'er Fox, and Br'er Bear. Johnny learns from the stories how to cope with the challenges he is experiencing while living on the plantation.

<i>Dumbo</i> 1941 American animated film produced by Walt Disney

Dumbo is a 1941 American animated fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. It is based upon the storyline written by Helen Aberson and Harold Pearl, and illustrated by Helen Durney for the prototype of a novelty toy ("Roll-a-Book"). The main character is Jumbo Jr., an elephant who is cruelly nicknamed "Dumbo", as in "dumb". He is ridiculed for his big ears, but in fact he is capable of flying by using his ears as wings. Throughout most of the film, his only true friend, aside from his mother, is the mouse, Timothy – a relationship parodying the stereotypical animosity between mice and elephants.

<i>Pinocchio</i> (1940 film) American animated musical fantasy film

Pinocchio is a 1940 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on Carlo Collodi's 1883 Italian children's novel The Adventures of Pinocchio, it is the studio's second animated feature film, as well as the third animated film overall produced by an American film studio, after Disney's Snow White and the Seven Dwarfs (1937) and Fleischer Studios' Gulliver's Travels (1939). With the voices of Cliff Edwards, Dickie Jones, Christian Rub, Walter Catlett, Charles Judels, Evelyn Venable, and Frankie Darro, the film follows a wooden puppet, Pinocchio, who is created by an old woodcarver, Geppetto, and brought to life by a blue fairy. Wishing to become a real boy, Pinocchio must prove himself to be "brave, truthful, and unselfish." Along his journey, Pinocchio encounters several characters representing the temptations and consequences of wrongdoing, as a cricket named Jiminy, who takes the role of Pinocchio's conscience, attempts to guide him in matters of right and wrong.

<span class="mw-page-title-main">Max Fleischer</span> American animator and inventor (1883–1972)

Max Fleischer was a Polish-American animator, inventor, film director and producer, and studio founder and owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.

<span class="mw-page-title-main">Lotte Reiniger</span> German silhouette animator and film director

Charlotte "Lotte" Reiniger was a German film director and the foremost pioneer of silhouette animation. Her best known films are The Adventures of Prince Achmed, from 1926, the oldest surviving feature-length animated film, and Papageno (1935). Reiniger is also noted for having devised, from 1923 to 1926, the first form of a multiplane camera, one of the most important devices in pre digital animation. Reiniger worked on more than 40 films throughout her career.

Animated films in the United States date back to at least 1906 when Vitagraph released Humorous Phases of Funny Faces. Although early animations were rudimentary, they rapidly became more sophisticated with such classics as Gertie the Dinosaur in 1914, Felix the Cat, Oswald the Lucky Rabbit, and Koko the Clown.

<span class="mw-page-title-main">Cutout animation</span> A form of stop-motion animation produced by moving two-dimensional pieces of material

Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion. The world's earliest known animated feature films were cutout animations, as is the world's earliest surviving animated feature Die Abenteuer des Prinzen Achmed (1926) by Lotte Reiniger.

<i>Reds Dream</i> 1987 film directed by John Lasseter

Red's Dream is a 1987 American animated short film written and directed by John Lasseter and produced by Pixar. The short film, which runs four minutes, stars Red, a unicycle. Propped up in the corner of a bicycle store on a rainy night, Red dreams of a fantasy where it becomes the star of a circus. Red's Dream was Pixar's second computer-animated short following Luxo Jr. in 1986, also directed by Lasseter.

<span class="mw-page-title-main">Colargol</span> Fictional character

Colargol is a fictional bear created by French writer Olga Pouchine in the 1950s. Colargol first became famous through a series of children's recordings by Philips Records in the 1960s. It is the story of a little bear who wants to sing and travel the world, but lacks the natural ability.

<span class="mw-page-title-main">Silhouette animation</span> Animation in which the characters are only visible as black silhouettes

Silhouette animation is animation in which the characters are only visible as black silhouettes. This is usually accomplished by backlighting articulated cardboard cut-outs, though other methods exist. It is partially inspired by, but for a number of reasons technically distinct from, shadow play.

<i>The New Gulliver</i> 1935 film

The New Gulliver is a Soviet stop motion-animated cartoon, and the first to make such extensive use of puppet animation, running almost all the way through the film. The film was released in 1935 to widespread acclaim and earned director Aleksandr Ptushko a special prize at the International Cinema Festival in Milan. The part of Gulliver was played by Vladimir Konstantinov, who was born in 1920 and died in 1944 near Tallinn in the Second World War. This was his first and only film role.

<span class="mw-page-title-main">The Coachman</span> Fictional character

The Coachman, also known as The Little Man (L'Omino), is a fictional character and a major antagonist from Carlo Collodi's 1883 book The Adventures of Pinocchio, in which he appears in chapters XXXI and XXXIII.

<i>El Apóstol</i> 1917 film

El Apóstol is a 1917 lost Argentine animated film using cutout animation. Italian-Argentine immigrants Quirino Cristiani and Federico Valle directed and produced, respectively. Historians consider it the world's first animated feature film. The film began production after the success of Cristiani and Valle's short film, La intervención a la provincia de Buenos Aires, and was produced in less than ten months or in twelve months; accounts differ. Its script was written by Alfonso de Laferrére, the background models of Buenos Aires were created by Andrés Ducaud, and the initial character designs were drawn by Diógenes Taborda.

<i>The Wild Swans</i> (1962 film) 1962 film

The Wild Swans is a 1962 Soviet traditionally animated feature film directed by the husband-and-wife team of Mikhail Tsekhanovsky and Vera Tsekhanovskaya. The film is based on the story of the same name by Hans Christian Andersen. Unusual for Soviet films of this period, and especially for animated films, it was produced in widescreen. It was produced at the Soyuzmultfilm studio in Moscow.

<i>Little Nemo</i> (1911 film) Silent animated short film by Winsor McCay

Winsor McCay: The Famous Cartoonist of the N.Y. Herald and His Moving Comics, more commonly known as Little Nemo, is a 1911 silent animated short film by American cartoonist Winsor McCay. One of the earliest animated films, it was McCay's first, and featured characters from McCay's comic strip Little Nemo in Slumberland. Its expressive character animation distinguished the film from the experiments of earlier animators.

<span class="mw-page-title-main">Live-action animated</span> Film combining live-action and animated elements

Live-action animated is a film genre that combines live-action filmmaking with animation. Projects that are both live-action and computer-animated tend to have fictional characters or figures represented and characterized by cast members through motion capture and then animated and modeled by animators. Films that are live-action and traditionally animated use hand-drawn, computer-generated imagery (CGI), or stop-motion animation.

Ryszard Słapczyński is a Polish and Australian animation director and screenwriter.

The Tinderbox is a 1946 Danish animated film directed by Svend Methling and produced by Dansk Farve- og Tegnefilm, Palladium, It is the first full-length Danish and European animated film ever made. It was an adaption of Hans Christian Andersen's popular fairytale of the same name. The film was in colour. The project was inspired by the works of Walt Disney and Max and Dave Fleischer, especially their "Gulliver's Travels" (1939).

For the history of animation after the development of celluloid film, see history of animation.

References

  1. 1 2 3 4 5 Bendazzi (2017), p. 52
  2. Stewart, (2021), p. 16
  3. 1 2 3 Zipes, Greenhill, Magnus-Johnston, (2016), p. 51

External References