The Courtship of O San

Last updated

The Courtship of O San
The Courtship of O San newspaper advert 1914.jpg
Contemporary newspaper advertisement for the film.
Directed by Charles Miller
Written byRichard V. Spencer
Production
company
Domino Film Company
Distributed by Mutual Film
Release date
  • February 26, 1914 (1914-02-26)(USA)
Running time
20 mins.
LanguageEnglish

The Courtship of O San is a 1914 [1] American silent drama short film directed by Charles Miller and featuring Sessue Hayakawa, [2] Tsuru Aoki and Mr. Yoshida in the lead roles. The film was produced by the Domino Film Company and was distributed by Mutual Film.

Contents

Plot

As described by a film magazine, [3] "The story tells of Shotoku, the son of a Marquis, who meets and becomes enamored of O San, a well-known actress. Under the guise of being a tradesman he wins her affections and asks her to be his wife. She consents and the wedding is arranged. The Marquis has not been informed of his son's coming nuptials, and orders that he shall marry Yama, the daughter of the Baron Kamuri. The boy protests, yet cannot tell the truth for the Japanese father, like the ancient Romans, has the power of life and death over his children.

The wedding with the girl of noble birth is all arranged. Shotoku takes tearful leave of O San, telling her that he must go to America, yet hating to deceive the girl he loves. He also discloses his identity. O San reads of the coming wedding, and knows that her lover has lied to her. She arranges to become one of the entertainers at the ceremony.

On the day of the wedding O San, posing purely as an entertainer, stabs Shotoku mortally, then runs away. After hiding from the authorities she is captured and brought back. The boy asks that they be left alone for a little while before his death, to which the police agree. He then asks her pardon for what he had done and dies in her arms. She, following the traditions of her people, commits suicide beside the body of the man she loved."

Cast

Reception

Variety's review was positive, praising the atmosphere and the "natural" acting style of the Japanese performers. [4]

References

  1. Bernardi, Daniel (1996). The Birth of Whiteness: Race and the Emergence of U.S. Cinema . Rutgers University Press. p.  98. ISBN   978-0-8135-2276-0.
  2. Griffithiana. Cineteca D.W. Griffith. 1988. p. 246.
  3. Motion Picture News. New York City: Motion Picture News, Inc. February 14, 1914. p. 41.PD-icon.svg This article incorporates text from this source, which is in the public domain .
  4. Variety. New York City: Variety Publishing Company. March 6, 1914. p. 22.