An Evening's Love, or The Mock Astrologer is a comedy in prose by John Dryden. It was first performed before Charles II and Queen Catherine by the King's Company at the Theatre Royal on Bridges Street, London, on Friday, 12 June 1668. Samuel Pepys saw the play on 20 June of that year, but didn't like it; in his Diary he called it "very smutty."
The Royalist is a 1682 comedy play by the English writer Thomas D'Urfey. It was staged at the Dorset Garden Theatre by the Duke's Company, shortly before the merger that created the United Company. It is set during the Commonwealth Era following the English Civil War.
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for.
The Slighted Maid is a 1663 comedy play by the English writer Robert Stapylton.
The Country Wit is a 1676 comedy play by the English writer John Crowne, part of the tradition of Restoration Comedy. It was first staged at the Dorset Garden Theatre in London by the Duke's Company. The cast included Samuel Sandford as Sir Thomas Rash, Thomas Betterton as Ramble, James Nokes as Sir Mannerly Shallow, Henry Harris as Merry, Cave Underhill as Booby, Matthew Medbourne as Lord Drybone, Anthony Leigh as Rash, Mary Betterton as Lady Faddle, Mary Lee as Christina, Elizabeth Currer as Betty Frisque and Elinor Leigh as Isabella.
The Counterfeits is a 1678 comedy play by the English writer John Leanerd. It was staged by the Duke's Company at the Dorset Garden Theatre with a cast that included Anthony Leigh as Don Gomez, Thomas Gillow as Don Luis, Thomas Betterton as Vitelli, Henry Harris as Antonio, Matthew Medbourne as Carles, William Smith as Peralta, Thomas Percival as Dormilon, Cave Underhill as Fabio, Joseph Williams as Crispin, John Richards as Tonto, Mary Lee as Elvira, Emily Price as Violante and Anne Shadwell as Flora.
The Counterfeit Bridegroom; Or, The Defeated Widow is a 1677 comedy play. The work's authorship is usually credited to Aphra Behn has been alternatively been attributed to Thomas Betterton. It was inspired by Thomas Middleton's Jacobean play No Wit, No Help Like a Woman's.
The Comical Revenge; Or, Love In A Tub is a 1664 comedy play by the English writer George Etherege. First staged by the Duke's Company, it premiered at the Lincoln's Inn Fields Theatre. It is one of the earliest Restoration Comedies.
The Reformation is a 1673 comedy play by Joseph Arrowsmith. Originally staged by the Duke's Company, it premiered at the Lincoln's Inn Fields Theatre in London. The cast included Samuel Sandford as Camillo, Anthony Leigh as Pacheco, Cave Underhill as Tutor, Henry Harris as Antonio, Philip Cademan as Pedro, John Crosby as Leandro, Matthew Medbourne as Lysander, Mary Betterton as Juliana, Margaret Osborne as Lelia and Mary Lee as AEmilia.
Friendship in Fashion is a 1678 comedy play by the English writer Thomas Otway. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It was part of the trend of Restoration Comedy that flourished during the era.
She Would If She Could is a 1668 comedy play by the English writer George Etherege. It was originally staged at the Lincoln's Inn Fields Theatre by the Duke's Company.
The Cheats of Scapin is a 1676 comedy play by the English writer Thomas Otway. It was an adaptation of the French play Scapin the Schemer by Molière. It premiered at the Dorset Garden Theatre performed by the Duke's Company as an afterpiece to Otway's new tragedy Titus and Berenice.
The Woman Captain; Or, The Usurer Turned Soldier is a 1679 comedy by the English writer Thomas Shadwell. It was originally staged by the Duke's Company at Dorset Garden Theatre in London. The original cast is unknown except for Elizabeth Barry who played the title role, and also read the epilogue. It is part of the tradition of Restoration Comedy that flourished during the era.
A True Widow is a 1678 comedy play by the English writer Thomas Shadwell. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. The names of the original cast are unknown. The prologue was written by Shadwell's colleague John Dryden. It was published the following year and dedicated to Charles Sedley.
Bury Fair is a 1689 comedy play by the English writer Thomas Shadwell. It is part of the tradition of Restoration Comedy that flourished during the era. It was first staged by the United Company at the Theatre Royal, Drury Lane in London.
The Disappointment; Or, The Mother In Fashion is a 1684 comedy play by the Irish writer Thomas Southerne. It was first performed by the United Company at the Theatre Royal, Drury Lane. The prologue was written by John Dryden.
Madam Fickle; Or, The Witty False One is a 1676 comedy play by the English writer Thomas D'Urfey. It was first staged at the Dorset Garden Theatre by the Duke's Company.
The Devil of a Wife, or A Comical Transformation is a 1686 comedy play by the English writer and actor Thomas Jevon. It was first performed by the United Company at the Dorset Garden Theatre in London.
Tunbridge Wells; Or, A Day's Courtship is a 1678 comedy play generally attributed to the English writer Thomas Rawlins. It was originally staged at the Dorset Garden Theatre in London by the Duke's Company. The names of the original actors are not known. It did not enjoy the same success as Rawlins' earlier work Tom Essence.
Cleomenes, the Spartan Hero or Cleomenes, The Spartan Heroe: A Tragedy is a 1692 tragedy by the English writer John Dryden. It was first staged at the Theatre Royal, Drury Lane by the United Company. It portrays the reign of Cleomenes, the King of Sparta, inspired by Plutarch's history of the period. Dryden's version is strongly Jacobite in drawing parallels from his overthrow to the recent Glorious Revolution in England. Because of this it was temporarily banned by the authority of Queen Mary.
