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The Royalist is a 1682 comedy play by the English writer Thomas D'Urfey. It was staged at the Dorset Garden Theatre by the Duke's Company, shortly before the merger that created the United Company. It is set during the Commonwealth Era following the English Civil War.
The Country Wit is a 1676 comedy play by the English writer John Crowne, part of the tradition of Restoration Comedy. It was first staged at the Dorset Garden Theatre in London by the Duke's Company. The cast included Samuel Sandford as Sir Thomas Rash, Thomas Betterton as Ramble, James Nokes as Sir Mannerly Shallow, Henry Harris as Merry, Cave Underhill as Booby, Matthew Medbourne as Lord Drybone, Anthony Leigh as Rash, Mary Betterton as Lady Faddle, Mary Lee as Christina, Elizabeth Currer as Betty Frisque and Elinor Leigh as Isabella.
Dame Dobson is a 1683 comedy play by the English writer Edward Ravenscroft.
The Counterfeit Bridegroom; Or, The Defeated Widow is a 1677 comedy play. The work's authorship is usually credited to Aphra Behn has been alternatively been attributed to Thomas Betterton. It was inspired by Thomas Middleton's Jacobean play No Wit, No Help Like a Woman's.
A Duke and No Duke is a 1684 comedy play by the Irish writer Nahum Tate. It was originally staged by the United Company at the Drury Lane Theatre in London with a cast including John Wiltshire as Lavinio, Thomas Gillow as Barberino, Joseph Williams as Alberto, Anthony Leigh as Trappolin, Thomas Percival as Mago, Elizabeth Currer as Isabella and Susannah Percival as Prudentia.
The Cutter of Coleman Street is a comedy play by the English writer Abraham Cowley. It premiered at the Lincoln's Inn Fields Theatre on 16 December 1661, performed by the Duke's Company. Cowley had originally written it in 1658 during the English Commonwealth era. The title refers to Coleman Street in the City of London. The Royalist Cowley inserted lines mocking the recent republican government of England, including Thomas Harrison who had been executed for regicide the previous year. Although it was released during the Restoration period, along with The Committee its debt to earlier traditions mean that it not a full Restoration comedy in the style that would flourish after George Etherege's The Comical Revenge in 1664.
The Comical Revenge; Or, Love In A Tub is a 1664 comedy play by the English writer George Etherege. First staged by the Duke's Company, it premiered at the Lincoln's Inn Fields Theatre. It is one of the earliest Restoration Comedies.
Friendship in Fashion is a 1678 comedy play by the English writer Thomas Otway. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It was part of the trend of Restoration Comedy that flourished during the era.
The Town Shifts; Or, The Suburb-Justice is a 1671 comedy play by Edward Revet. It was originally staged by the Duke's Company at the Lincoln's Inn Fields Theatre in London. It is part of the tradition of Restoration Comedy.
She Would If She Could is a 1668 comedy play by the English writer George Etherege. It was originally staged at the Lincoln's Inn Fields Theatre by the Duke's Company.
The Cheats of Scapin is a 1676 comedy play by the English writer Thomas Otway. It was an adaptation of the French play Scapin the Schemer by Molière. It premiered at the Dorset Garden Theatre performed by the Duke's Company as an afterpiece to Otway's new tragedy Titus and Berenice.
A True Widow is a 1678 comedy play by the English writer Thomas Shadwell. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. The names of the original cast are unknown. The prologue was written by Shadwell's colleague John Dryden. It was published the following year and dedicated to Charles Sedley.
The English Frier; Or, The Town Sparks, sometimes spelt as The English Friar, is a 1690 comedy play by the English writer John Crowne. It was originally staged by the United Company most likely at the Theatre Royal, Drury Lane, although it may have appeared at the Dorset Garden Theatre, the other venue of the company. Written in context of the recent Glorious Revolution, it attacks Catholic priests who meddle in English politics, undermining the constitution.
The Fortune Hunters; Or, Two Fools Well Met is 1689 comedy play by James Carlile. It was originally staged by the United Company at the Theatre Royal, Drury Lane in London.
Bury Fair is a 1689 comedy play by the English writer Thomas Shadwell. It is part of the tradition of Restoration Comedy that flourished during the era. It was first staged by the United Company at the Theatre Royal, Drury Lane in London.
Love In The Dark; Or, The Man of Bus'ness is a 1675 comedy play by the English writer Francis Fane. It was first staged by the King's Company at the Theatre Royal, Drury Lane in London. The epilogue was written by the Earl of Rochester, and may also have contributed some of the more libertine lines to the play. It is set in Venice.
A Fool's Preferment; Or, The Three Dukes Of Dunstable is a 1688 comedy play by the English writer Thomas D'Urfey. It is a reworking of John Fletcher's Jacobean work The Noble Gentleman. It was first performed by the United Company at the Dorset Garden Theatre in London. Henry Purcell composed the play's incidental music. It was his first major work composingfor the theatre in seven years since Sir Barnaby Whigg.
The Amorous Old Woman; Or, 'Tis Well If It Take is a 1674 comedy play by the English writer Thomas Duffet. It was originally staged by the King's Company at the Lincoln's Inn Fields Theatre. It was part of the tradition of Restoration comedy.
The Devil of a Wife, or A Comical Transformation is a 1686 comedy play by the English writer and actor Thomas Jevon. It was first performed by the United Company at the Dorset Garden Theatre in London.
Tunbridge Wells; Or, A Day's Courtship is a 1678 comedy play generally attributed to the English writer Thomas Rawlins. It was originally staged at the Dorset Garden Theatre in London by the Duke's Company. The names of the original actors are not known. It did not enjoy the same success as Rawlins' earlier work Tom Essence.
